In 1963, when Ennio Morricone composed the music of "La fidanzata del bersagliere", he was only 34 years, but the signs of what would become, like in other previous works, are all there. And this "La fidanzata del bersagliere", is, as far as we can tell, the only job that Morricone has created for the playhouse so-called "light". At that moment, Ennio Morricone is best known and appreciated for the arrangements of some pop music albums of Edoardo Vianello, Luigi Tenco, Rita Pavone, Gianni Morandi, Gino Paoli. The highly successful film and recording of "Per un pugno di dollari" has to come from there in a year (the silver ribbon will be assigned for this movie in 1965), so that the same Morricone, just as the director and actors , just to emphasize their anonymity to the general public, they used American-pseudonyms. Morricone appear on some posters of the time under the pseudonym Dan Savio (who had already used to sign the arrangement in a couple of records), on other hand appears with the name of Leo Nichols. Listening to music so the youth of this work, in addition to notice, however, the already strong and marked attachment to more traditional musical rules, you can not but appreciate the great descriptive ability and emotional, all starting from a characterization obviously sets from text ' argument and the fact that this is music for the theater. Do not miss to sign this piece as its own relentlessly, using audible dissonance in some passages, especially where the wind instruments chase and overlap. Have republished this job today, though certainly still far from his other monumental compositions, it is still a gesture of gratitude and further and deeper knowledge made available to all who know and have always loved listening to the music of Ennio Morricone. Then compared to the previous vinyl version of the '70s, this authentic version in compact-disk were recovered and placed securities that, although part of the soundtrack of the original stage play, had never been published before.