F:A.R.

Cassette with printed labels and cover. "From this first period the competitive references that would later characterize the band appear clear: they included a sound reworking of what was theorized by William S. Burroughs in the cut-up method, thus mixing sound sources of different origins that went from television to radio, from cinema to recordings of sounds from everyday life, often inserted on rhythms that can recall some experiences of German krautrock."