Ramuntcho Matta offers us a new vision of his music and, by extension, of his world. Time for oneself and for others. Of the raw and the real. Most of the tracks were recorded with a dictaphone, so as to stay as close to the music as possible. It's a return to basics and simplicity that reveals a voice that is both dense and sub-tile, husky and sensual. Ramuntcho Matta keeps his finger on the pulse, the instant, the present. 

 Adopting the technique of the Japanese painters - observing before creating - Ramuntcho Matta thinks and matures these musics during months. Until that precise moment when everything makes sense, everything rises "perfectly" and justly. This makes the listening experience all the more precious. Fearsomely concise and precise, the 15 tracks are a snapshot in time. Ramuntcho Matta's music is carnal and rugged, between uppercut and caress. 

 Simple chords, harmonious notes, raw, uncorrected melodies: these are his watchwords. We feel more than we hear. And we discover universes that are sometimes cinematographic, sometimes noisy. Surprisingly, the tangle is as gentle on the nerves as it is energetic for the soul: music that is as enveloping as it is languorous, atmospheric as it is sensual. Ramuntcho Matta never flaunts his technical virtuosity, nor does he confine himself to a particular musical style. 10 years after his last album, this principle is even truer today with Météorismes.