Speaking about the score, Högni says: “when I was asked by the director and show creator Baltasar [Kormákur], I started writing right away, so when the filming finished, I had already written a number of pieces for the show. As relatively in-experienced in the field I imagined that my work was finished and the rest was a matter of post-production and music editing. However it immediately became clear that my ambitions and the nature of the project called for a second, third and fourth wind in order to fulfil the auditory architecture that needed to be built.”
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