New England's Lee Tindall has been a mainstay of the noise/electronic scene for some time. Working as Zerfallt and Belarisk, and in a variety of groups (including Astronaut with Daniel Lopatin), Tindall has been perfecting what he calls "Hy-Fy mutant music" for a decade, working on the fringes of a sound that has slipped in-and-out of focus.  As Belarisk, Tindall taps into the more melodic side of experimental electronic music, applying his expert-level technical skills to digital and analog synthesizers and effects. The result is a bold, Americanized interpretation of German school electronics, that not merely repeats the past, but uses its essence to look forward. Belarisk paints with sound in the full spectrum of grey; forging overdriven frenetic malfunction with spacious, tonal glory. Sawtoothed synth lines are tessellated to reflect infinitely, where the sound of electrical current is dissected and manipulated in real-time. Mournful, dark formations of sound occasionally dissipate to reveal the radiant light of possibility. Original cover artwork by the artist.