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It's a taught, dense, horrific slab lacking a lull. Dashes of Richard H. Kirk's synthesizer are welded to Chris Watson's tape effects for singed lashes of white noise, best heard on the lurching 'Sly Doubt' and the jolting 'Spread the Virus.' Throughout, Mallinder's sinister jibber jabbering punctuates the high-pitched menace. The record contains all the characteristics that have made the Sheffield group such an influential entity when it comes to electronic music.