condition (record/cover): EX / VG+ (light ring wear and sticker removal damage on front)
A record in two halves, as the title promises: the thematic side has romantic, evocative acoustic cues for flutes, guitars, piano and horns, each named for a woman (Assunta, Nunziata, Concettina, Maddalena, Rosalia); the athematic side is atonal, abstract, dotted with sound effects and built for what the sleeve calls "dramatic visions" (Migrazione, Termostatico, Insonnia, Tetraetile).
Fabio Fabor on Style, the Milanese library label, 1974, in an original pressing. The contrast between the two sides is the argument: the same composer, the same session, two faces of the trade.