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The vastly divergent reactions to twelve-tone composition of George Perle, David Del Tredici and Nicholas Thorne are a vivid reflection not only of their different generations, but of the unfolding of musical style change in America. Perle, born in 1…
Roberto Sierra (b 1953) is thoroughly versed in international composing techniques, yet dedicated to preserving the cultural identity of his Latin American origins. According to Sierra, he has “incorporated elements of folklore and of popular music (…
“This is not a nice sonata for a nice piano player,” wrote Charles Ives about his most famous work, “but something the writer had long been thinking about.”
All four movements were programmatically conceived around figures in the Transcendentalist mo…
Leo Sowerby (1895-1968) was one of the great composers who wrote music at the keyboard. Although he is better known for his organ and choral works, his piano music is some of the richest and most original of his output. During the 1920s and early '30…
John Knowles Paine's Symphony No. 1 is a milestone in the development of American music. It was not the first symphony written by an American (George Frederick Bristow, for many years a violinist in the New York Philharmonic, had already written seve…
American art song has traveled a long way from the parlors of 19th-century America. The turn of this century brought its adolescent rebellion in the iconoclastic hands of Charles Ives, followed by an impressive, if somewhat retrospective, era heralde…
Leo Sowerby (1895-1968) lived for most of his career in Chicago where he spent more than 40 years on the faculty of the American Conservatory and nearly as long as organist-choirmaster of St. James Cathedral. His music can be described as "eclectic" …
Stephen Paulus's musical style is melodic and highly rhythmic. He tends to work in traditional forms, and his music is accessible to listeners possessing a wide range of tastes. Those seeking well-crafted contemporary music with a decidedly neo-Roman…
When time pulled the rug from under Earl Hines in 1983, he was still enjoying a comeback that had lasted almost twenty years. That comeback was one of the most important events in recent jazz history and the music included here was recorded when his …
For over fifty years Arthur Berger's output consisted of sturdily crafted pieces that reflected the mixed lineage of Stravinsky, Schoenberg, and Copland. Born in 1912 and raised in the Bronx, he first studied at City College and New York University, …
Jay McShann secured a lasting place in jazz history on April 30, 1941, when he became the first bandleader to usher Charlie Parker into a studio for a commercial recording session. For years, that was how McShann was remembered, if at all—as an early…
George Crumb's (b 1929) music often juxtaposes contrasting musical styles. The references range from music of the Western art-music tradition, to hymns and folk music, to non-Western musics. Many of Crumb's works include programmatic, symbolic, mysti…
William Bolcom was born on May 26, 1938, in Seattle, and trained at the University of Washington and Stanford University, as well as with Darius Milhaud. He has written four symphonies, concertos for piano and for violin, chamber and solo instrumenta…
Faye-Ellen Silverman has been prolific throughout her career. She has written a wide variety of orchestral and chamber-music works, which have been performed by major ensembles throughout America and in Europe and Asia. A graduate of Barnard College,…
Perhaps best known for his vast catalogue of vocal music-operas, song cycles, and choral works-Ned Rorem (b. 1923) also has composed three symphonies, four piano concertos, and an impressive array of other orchestral and chamber works. He received th…
The Texas Twister is a relaxed, gently probing session; its several highlights begin with the title selection, a thirty-two-bar riff confection with a characteristically willful opening solo by Buddy Tate. His best playing on the date is heard on "Ta…
The fullness and clarity of the six solos and six duets that comprise Mostly Ballads set them apart from the typical encounter of post-Parker jazz musicians with "the tradition." Standard songs, once the improviser's training ground, fell out of favo…
The premieres of John Knowles Paine's two symphonies-the First in 1876, the Second in 1880-may be said to mark the effective beginning of the American symphonic tradition. American composer George W. Chadwick, who had been a young man in Boston in th…
William Schuman was born in 1910 in New York. His earliest musical interests were at first confined to current popular music. In 1930, after hearing his first concert of symphonic music-Toscanini and the New York Philharmonic in a program of music by…
While a student at the Horace Mann School, Elliott Carter came to know Charles Ives. Carter continued his education at Harvard and then studied with Nadia Boulanger in Paris. Ives and Boulanger were formative influences: Carter's music draws on Ameri…