Reissues

Launching into the new year with some serious heat, the seminal Italian free jazz imprint ICTUS Records returns with their Reissue Series dedicated to archival unreleased gems and back catalogue releases, with three of their most exciting and exhilarating reissues to date: Evan Parker & Andrea Centazzo's "Bullfighting On Ice", and Alvin Curran, Evan Parker, & Andrea Centazzo's “Real Time” and “Real Time Two”. Capturing three of avant-garde music's most visionary voices in rare collaborations at …

** Edition of 250 copies, remastered from the original master tapes ** This album is a historical document in several respects: echo of a creative season in its early, vigorous blossoming, it presents groundbreaking music as it was performed and listened to in a moment that now seems very distant, not just chronologically but also in terms of its cultural context. Furthermore, it serves as a testament to the initial opening of the emerging Italian free music scene to Northern European experience…

Chapter is pleased to announce the first ever vinyl reissue of this classic overview of Connecticut songwriting icon Kath Bloom’s 1990s recordings, originally released on CD in 2005. Kath’s musical career began in the late 70s and includes a revered series of collaborations with avant-garde guitarist Loren Connors. Compiled from long out-of-print, self-released cassettes and CD-Rs, Finally was the first release to bring Kath’s solo music to wider attention in the 21st century, and she has since …

** Edition of 250 copies, remastered from the original master tapes ** Recorded live in concert. Rome, Italy December 12-13, 1977 by Nicola Bernardini and at Teatro Comunale, Pistoia, Italy December 14, 1977 by Carla Lugli. "It was a magic evening. Not only did the trio burst with a creative energy that was homogeneous and interactive, but the acoustics, usually inadequate, of the half-empty sports pavilion with a capacity of 10,000 people, gave the music an ethereal transparency and crystalline…

** Edition of 250 copies, remastered from the original master tapes ** Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Alvin Curran and in duo, trio and sextet with Evan Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination. Evan had left jazz to accomplish his o…

The soundtrack for “Last Tango in Paris” (1972), composed by Argentine saxophonist Gato Barbieri, is one of the most iconic works in cinematic history, perfectly capturing the emotions and themes of this controversial masterpiece by Bernardo Bertolucci. The film, brilliantly acted by Marlon Brando and Maria Schneider, delves into desire, pain, and loneliness through an intensely physical and clandestine relationship between two strangers in Paris. Barbieri's music is a blend of sensuality, melan…

The soundtrack for “Alzati spia” Espion, lève-toi, composed by Ennio Morricone, is a masterful example of how music can enhance the atmosphere of a spy thriller. Released in 1982, the film, directed by Yves Boisset and starring Lino Ventura and Michel Piccoli, is a dark and psychologically intense story that delves into the shadowy world of intelligence operations during the Cold War. The movie stands out for its balance between narrative tension and introspection, with a protagonist caught in a…

The soundtrack of “100,000 Dollars for Ringo”, composed by the talented Bruno Nicolai, stands as a cornerstone of the Italian Western music scene. This 1965 film, directed by Alberto De Martino, tells the story of Lee Barton (played by Richard Harrison), a gunslinger returning to his hometown in search of vengeance and redemption. While it adheres to the classic narrative tropes of the Western genre, the film distinguishes itself through its emotional intensity and some creative directorial touc…

Delirium formed in 1970 in Genoa from the ashes of the beat group I Sagittari and released the following year their first 45 rpm “Canto di Osanna,” which immediately attracted the attentions of critics and public alike. In 1971 they debuted with “Dolce Acqua,” an album with wonderful atmospheres that already from an iconographic point of view is exceptionally presented, with a three-panel gatefold cover and a visionary painting among the most memorable of the Italian progressive rock scene. Musi…

First ever vinyl reissue. Soundtrack to the 1989 television remake of the legendary film directed by Vittorio de Sica.

New reissue in jewelcase cd format. The origins of the Genoese band Garybaldi date back to 1965, the year in which guitarist Pier Niccolò "Bambi" Fossati, together with Maurizio Cassinelli (drums), Angelo Traverso (bass) and Marco Zoccheddu (guitar), founded the Gleemen, authors of a self-titled LP released in 1970: an excellent album, still linked to certain 1960s sounds, but in which Bambi Fossati's Hendrixian style began to make itself heard. In 1971 the band changed its name to Garybaldi and…

Purge.xxx unveils hidden gems of Dutch experimental cinema with the first ever release of Lodewijk de Boer & Martijn Hasebos' synthesiser soundtracks that have remained hidden in the vaults for over four decades. The centerpiece of this historic release is the collaborative score between Lodewijk de Boer (longtime collaborator of avant-garde filmmaker Frans Zwartjes) and Martijn Hasebos for Marleen Gorris' explosive 1982 debut film “A Question of Silence”, alongside de Boer's solo score for Gorr…

For the first time a full album with recordings based on Yoko Ono’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music. Performed by The Great Learning Orchestra which has during the 25 years of its existence worked with Gavin Bryars, Terry Riley, Pauline Oliveros, J.g. Thirlwell, Arnold Dreyblatt a.o. Originally self-published in 1964 in a limited edition …

Another fine out-of-print album from 1984 from the Japanese bassist/keyboardist. This one is mellow and quite easy to get into. All music composed by Yoshio Suzuki. Suzuki plays all the instruments on tracks 3-10. Musicians: Yoshio Suzuki (all tracks): Acoustic & Electric Pianos, Synthesizers, Upright & Electric Bass, (also Linn Drum machine on tracks 3-10) On Tracks 1 & 2 only: Toshihiko Inoue: Soprano Saxophone Kazumasa Akiyama: Electric Guitar Jun Saitoh: Percussion Hideo Yamaki: Simmons Drum…

Waxed in 1964 for the Josie label, the Tornadoes’ Bustin’ Surfboards was one of the very first surf LPs released - not to mention one of the best. Home to the splash-smash title track (which later resurfaced in a big way, thanks to its inclusion on the soundtrack to the hit film Pulp Fiction), this reverb-and-sax-drenched classic bridged the gap between the rock ‘n’ roll guitar instrumentals of Duane Eddy and Link Wray and the pure surf styles of the Ventures and Dick Dale.

For the first time on double vinyl - and 20 years after its first release on cd – here we have the compilation 'Garage Beat in Florence', basically a snapshot of Florence 1966 ‘beat phenomena’. All the tracks were recorded at 'Studio Due' for the NET label and originally enclosed with the magazine 'Nuova Enigmistica Tascabile'. Plus – as bonus tracks – a nice selection from the Ginco Records label, including previously unreleased acetate !  The double vinyl contains 28 tracks, pictures, memorabi…

Reverse side print ! Re-issue of the Canadian band's only album released back in 1973 on the small Kot'Ai label. Moonstone came from Winnipeg, Manitoba and were a small cult band active in the early 1970's. They played mainly acoustic folk rock with psychedelic overtones and beautiful harmonies.

Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wav…

*2025 repress* Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous  Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").

Among our favourite reissue labels working today, the venerable Dialogo returns in 2025 with an incredible deep dive into the glorious shadows of Italian library music with the first ever vinyl reissue of Gianni Marchetti’s 1977-78 LPs “Equinox” and “Solstitium”, among the rarest and most mysterious artefacts of the field. An immersive, joyous listen, marked by a rare sense of artistry - so imaginative that it almost becomes a film unto itself - these absolute stunners, fully remastered and issu…

** Ltd. 300 copies, remastered edition, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. ** "Equinox", Gianni Marchetti's 1977 twin album of "Solstitium", released in a handful of promo copies by RCA in their renowned "Original Cast" series, takes us on a journey through the author's groovier and wilder temperament, feeling as fresh and surprising today as the day it was made, offering immediate understanding of the reasons why it has remained o…

2024 repress; LP version. This is the third album by Einstürzende Neubauten, also known as Halber Mensch, originally released in 1985. The album opens with the startlingly oppressive, almost fully a cappella title track, with contrapuntal, atonal, en masse chanting. The album progresses to include quite a repertoire of electronically-generated sounds, finding the band developing their mishmash of industrial experimentation matched by terrifying clangs, stomps, and of course, the theatrical, poet…

This was his first studio album in four years since his last album, "Endless Talking", and the first release since moving to Epic/Sony Records. This work was the result of sessions and collaborations with Arabian musicians, with an inclination towards the 'world music' that was gaining attention at the time. Deployed often in pop culture as punchline, Hosono takes such sight-seeing and transforms it into a metaphor for sample-heavy electronic music, drawing from various cultures and weaving them…

Sicilians Flea debuted in 1971 under the name Flea on the Honey and an album indebted to the British pop-psych scene. Their ranks include brothers Agostino (drums) and Antonio Marangolo (vocals and keyboards), Carlo Pennisi (guitar, vocals) - all future members of the legendary Goblin! - and Elio Volpini (bass, vocals, saxophone), the latter later merged into L'Uovo di Colombo. If the debut album can be considered at least partly immature and derivative, however excellently produced and structur…

Hailing from Milan, the Alusa Fallax were born in 1969 out of the Adelfi, and released their first single in the same year, followed by a second shortly thereafter.Also in 1969, one of the two Guido in the lineup released a 45 under the name Guido degli Alusa Fallax ("Guardarti negli occhi" for the West Side). The group stayed together for many years, and their only album was released in 1974 by Fonit; a beautiful album, which went sadly unnoticed, in the best tradition of Italian progressive ro…

Hailing from the city of Ancona, Agorà was founded in 1974 and, thanks to a simple demo, managed to capture the attention of the organizers of the legendary Montreux festival (which many will remember for the famous fire that inspired Deep Purple's "Smoke on the Water"). Their technical skills enabled the group to arrive prepared on stage at the event, and to perform an outstanding performance immortalized in this historic LP, which also constitutes the first case of an Italian band's recording …

"Känguru” is the third album by Guru Guru, released in 1972 on the Brain label. It was produced by Conny Plank and featured the ‘classic’ Guru Guru line-up of Ax Genrich (guitar), Uli Trepte (bass) and Mani Neumeier (drums, vocals). “Känguru” is basically made up of the same ingredients as its two predecessors “Ufo” and “Hinten”, which were released on Rolf Kaiser’s Ohr label in 1970 and 1971. Känguru” is pure Krautrock, the album contains “only” 4 tracks, all between 10 and 15 minutes long. But…

2025 stock. Did you know there are horses on the cover of Earth's Earth 2: Special Low Frequency Version? There are at least three in the right hand corner, gathered inexplicably near a white canvas tent, a human possibly perched among its folds. As widescreen and vast as the cover may seem, those little details-the horses, the possible human, the faint wisp of white clouds-give it depth and wonder, something to which the imagination can return. Did you know that the music on Earth 2-repressed n…

CD version. We Release Jazz present its sixth release, a reissue of Boillat Thérace Quintet's self-titled album, available for the first time since its original limited private pressing in 1974. Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind …

CD version. We Release Jazz present a reissue from Geneva's Boillat Thérace Quintet, the My Greatest Love album, featuring bebop and hard-bop legend Benny Bailey and available for the first time since 1975. Galvanized by the creation of the Montreux Jazz Festival in the late '60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and RaymondThérace's Boillat Thérace Quintet whose self-t…

We Release Jazz announce the official reissue of Ryo Fukui's New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters. Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui's idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable sessions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinso…

We Release Jazz (WRWTFWW Records' new sister-label) presents its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery, originally released in 1976. Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous, and game-changing take on classic standards made famous by Bing Crosby and John Coltran…

We Release Jazz (WRWTFWW Records' new sister-label) present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream by Hokkaido pianist wunderkind Ryo Fukui, originally released in 1977. Released in conjunction with the its legendary predecessor 1976's Scenery (WRJ 001CD/LP/LTD-LP). Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop, and cool jazz sounds with meticulous grace and absolute mastery. As its title sugge…

CD version. We Release Jazz announce the official reissue of Ryo Fukui's final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters. Known for his miraculous albums 1976's Scenery (WRJ 001CD/LP) and 1977's Mellow Dream (WRJ 002CD/LP), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again …

We Release Jazz presents its fifth release, the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26-minutes+ jazz adventure -- Nick Kletchkovsky on…

In 1971 singer Jürgen Wenzel and bassist Heino Schünzel placed an ad in the Hamburger Abendblatt newspaper looking for like-minded people to form a band. Organist Lutz Rahn and drummer Hartwig Biereichel answered the ad. They called themselves Mosaik, started rehearsing and playing smaller gigs. At the suggestion of their friend and guitarist Carlo Karges (later a bandmember of Nena), they changed their name to Novalis. In 1973 the band signed a contract with Brain Records and Jochen Petersen (l…

First-ever release of cult Freddie Hubbard live performance recorded in 1973 at Maison De La Radio (ORTF) in Paris. Released in collaboration with Duane Hubbard and French Institut National De L'audiovisuel (INA), the double-LP set has been remastered for vinyl from the original tapes and comes in a gatefold sleeve including liner notes by Kevin Le Gendre. A mesmerizing live performance by Freddie Hubbard and his quintet recorded in Paris at Maison de la Radio (ORTF) on March 25, 1973. Featurin…

Big Tip! *200 copies * In the mid-70s in Northern New Jersey, some friends and I formed an ensemble called Atomic Squawk, with which we used our extremely limited musical techniques to play the sorts of whacked-out sounds about which none of our fucking peers gave a rat's ass. “Funny” talking blues, free form skronk, vaguely detourned covers of Beefheart and the Velvets -- these were our stocks in trade, and much happy time was whiled away in Randy Charles' basement drinking and making noise, si…

Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic. Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Sorround, wherein Yoshimura continues to play with the ambience of sound…

Shards is a collection of pieces originally written for various film and TV soundtracks Tim Hecker has scored over the last half decade. These compositions were originally written for scoring projects including Infinity Pool, The North Water, Luzifer, and La Tou