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*2024 stock* Contrabass (double bass) solo virtuoso Bertram Turetzky performs seven solos on the contrabass in this 1981 release. Using bow, plucking strings, tapping on the instrument’s wood body, and employing a little audio technology, Turetzky demonstrates the full range of musical sounds that can be produced on the contrabass. His repertoire on this recording includes a piece dedicated to him (“The Last Contrabass in Las Vegas”), two of his own compositions, and the Lennon-McCartney ballad …
Edition of 35 copies, with two inserts. A reissue of Angus MacLise's Kathmandu Cycle with added material from other, long out of print, CCC releases. Angus MacLise is something of a legend within the realms of avant-garde sound. A central figure of the 1960s New York underground, the percussionist, composer, poet, occultist and calligrapher contributed to the early Fluxus newspaper, VTre, was an early member of the Theatre of Eternal Music, alongside La Monte Young, John Cale, Tony Conrad, and …
Edition of 26 copies. Greta Monach (1928-2018), an early proponent of computer generated concrete poetry. Greta spent her childhood in indonesia and curaçao. In 1946 she returned to the hague, where she saw abstract painting for the first time, and started to think about abstract (non-semantic) poetry. For decades she experimented without success. from 1946 to 1948 monach studied literature at leiden university, then switched to music. She studied the flute for seven years at the royal conservat…
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
Tip! *2024 stock* Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after. One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name!
The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some …
*2024 stock* "What could be more classic for all you horror-soundtracks-on-vinyl heads out there than a compilation of Hammer Horror themes eh? This release, spanning the years 1958 to 1974, features works by a variety of composers, from films like The Mummy, Quatermass and the Pit, and Taste the Blood of Dracula. Stacks of dramatic bloody fun on Silva Screen." - normanrecords.com
*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …
*2024 stock* "Silva Screen repress the soundtrack to 'The Living Planet', the sequel to David Attenborough’s groundbreaking 'Life On Earth'. Scored by Elizabeth Parker who joined the BBC in 1978 her synthesizer-led score for The Living Planet received an Emmy nomination at the time, and it was released the same year by the BBC on vinyl. Now, the Silva Screen label has unearthed this rare album, and have re-issued it on limited arctic pearl coloured vinyl. (Recorded at BBC Radiophonic Workshop)."…
*2024 stock* "Mention The Avengers to people above a certain age - let’s be kind and say over 40 - and the famous Laurie Johnson theme music will get mentioned almost immediately. It’s as much about the show’s iconic status as Steed’s bowler hat or Mrs Peel’s fab outfits - all Biba and Quant.
But as with all the best spy shows of the 1960s - and the strike rate was amazingly high - the music wasn’t just about having a great opening theme. Incidental scores also played a major role in developing …
*2024 stock* 1"‘The Devil Rides Out’ is a 1968 Hammer horror film. The score, by James Bernard, perfectly amplifies the film’s scary nature, moving from sparse string and woodwind arrangements, emphasising the creepy bits, to full on orchestral power to aid the film’s more dramatic, edge-of-the-seat moments." - normanrecords.com
*2024 stock* "Carol Reed’s classic post-war mystery, The Third Man, hardly lacks for admirers. If in 1949 it was merely a well-received thriller, “a bang-up melodrama” as one New York Times reviewer put it, at some indeterminate moment it became a masterpiece – a cherished grandfather-clock in the Academy attic. In 1999, a BFI poll declared it the No. 1 greatest British film of all time. In 2018, Time Out rightly criticised this list’s lack of diversity and ran its own poll on the subject. They …
Superbly constructed pop psychedelia c. 1968, performed by some of the best musicians in the world
First commercial release of any kind and in any format of these recordings Comes with an 8-page booklet with photos and detailed information of the creation of this rarity
"Psychedelic improvisational spiritual avant-rock/jazz featuring the legendary Larry Young on organ and equally astounding Joe Gallivan on drums, steel guitar, Moog synth, and percussion; the mysterious Nicholas wailing on guitar synthesizer and ring modulator; and Jimmy Molneiri on drums and percussion -- recorded live at an anti-war rally in Washington D.C., in June 1972. They aimed the speakers at the Nixon White House, and blasted away as an anti-war protest! (The music so completely freaked…
* 2024 stock. Last copies. * One of the "holy grails" of Indianapolis private-pressdom (surpassed only by Zerfas and Anonymous) available again in its original format! Ray "McKay" Pierle and his musically-adept brothers and friends partied, jammed and partied some more on Indy's south side throughout the mid-70's, forming a band (Loos) which managed to garner zero media attention at the time. However, Ray's trusty Teac four-track was always close at hand and countless hours of home recordings we…
* 300 copies limited edition * Recorded at the San Francisco Theological Seminary’s own Montgomery Chapel, acid-folk-rock psychedelic gem Search Party "Montgomery Chapel" was the brainchild of (then Reverend) Nicholas Freund. Having left Wisconsin in the late 1960s to join a burgeoning West Coast religious scene, Freund spent considerable time in Sacramento before making their way to San Francisco in 1968 to lay down this one-off with some students of his. The result is a spooky, metaphysical tr…