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The aftermath of World War II gave rise to a global phenomenon that saw new generations of young people rise up determined to forge new paths from their elders – culturally, politically, and musically. Japan was no exception and the recent past made the local youth angrier, hungrier and even more determined to fully experience something different from their parents. The country caught on to the early rock & roll craze almost in tandem as it was happening in the States. Teenager Chiemi Eri singin…
Tip! "This album features Pharoah Sanders playing some no-nonsense tenor in a quartet with pianist John Hicks, bassist Walter Booker, and drummer Idris Muhammad. Sanders performs "It's Easy to Remember" (in a style very reminiscent of early-'60s John Coltrane), an original blues, and two of his compositions, including the passionate "You've Got to Have Freedom." The musicianship is at a high level and, although Sanders does not shriek as much as one might hope (the Trane-ish influence was partic…
Long-awaited legit (and High Quality) Brazilian reissue of this collectible avant madness LP from 1973 from one of the most influential artist in the Tropicália movement of 1960s Brazil. The joke with this album is that the album art -- which looks like an eyeball -- is actually a photo of a marble shoved up someone's anus... a little jab at the Brazilian dictatorship's office of censorship, which apparently didn't recognize a mirror when they saw one. Tom Ze's nutty side comes dancing to the fo…
A fluid, low-key effort, with less of the challenging, music box melodies of his earlier efforts. This is a record which eases its way past your ears (and I mean that in a good way!) It’s not sappy or unchallenging, but it is a lot smoother and less overtly avant than the stuff David Byrne loves so much.” – slipcue.com
Tom Zé began his career together with Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Bethânia. As a composer, he influenced Caetano and many others and delivered an expressive…
"Wonderful 70s work from Tom Zé! The record's a bit more straightforward than some of his other records from the decade, and has a number of tracks with a samba sound at the base – but there's more than enough fantastic material to keep the record fresh, and Tom's writing is as great as ever. There's a vocal group that sings with Zé on many of the tracks on the record – but they also seem to sometimes act as a Greek chorus, in response to breakaway vocal passages that are dominated by Zé. The wh…
*2023 reissue* Mark Richardson, Pitchfork: Biosphere's Geir Jenssen knows from cold. Residing as he does near the Arctic Circle in Norway, Jenssen understands the psychological implications of a sun that, like a lamented deadbeat parent, routinely disappears for months at a time, and the absence of that essential lifeforce takes an inevitable emotional toll that informs Jenssen's art. It's tempting to say that Biosphere's bleak music sounds as it does for the same reason countries of Norway's ap…
*2023 reissue* Early February 2011: Decided to make an album inspired by the Japanese post-war economic miracle. While searching for more information I found an old photo of the Mihama nuclear plant. The fact that this futuristic-looking plant was situated in such a beautiful spot so close to the sea made me curious. Are they safe when it comes to earthquakes and tsunamis? Further reading revealed that many of these plants are situated in earthquake-prone areas, some of them are even located nex…
Big Blood are Colleen Kinsella and Caleb Mulkerin who live in South Portland, Maine, where they make and record experimental music at home. They have made twenty-something records since 2006. The music is a vehicle for dealing with what is going on in their heads, which runs the gamut from friends they have lost, to frustrations during the day, and the larger world picture. Without sounding insincere, they make music for themselves, that at times can be wildly inconsistent.
In 2007, they releas…
Big Blood are Colleen Kinsella and Caleb Mulkerin who live in South Portland, Maine, where they make and record experimental music at home. They have made twenty-something records since 2006. The music is a vehicle for dealing with what is going on in their heads, which runs the gamut from friends they have lost, to frustrations during the day, and the larger world picture. Without sounding insincere, they make music for themselves, that at times can be wildly inconsistent.
In 2007, they releas…
First ever reissue of this highly sought-after 12” in its original format New remaster by the engineers of the original label, Nippon Columbia. Includes “The Word II” popularized by Mac DeMarco’s acclaimed cover (Chamber of Reflection on Salad Days album). Featured on Chee Shimizu’s “Obscure sound” book and many articles on international press and radio shows such as NTS, BBC Radio 1, etc.
Barely known to the international public, the Electone pioneer and virtuoso Shigeo Sekito is the man behind…
*50 copies limited edition* Originally released in France in 1998, Vibractance is one of the most unique and haunting titles in Merzbow’s vast catalog. It’s unique drone, noise, almost ambient like qualities makes this a great starting point for adventurer ears but also an essential album for the initiated. A true journey into the unknown where pulsating sonar waves swim between a sea of eerie beauty and tangible dreams. Celebrating it’s 25th anniversary, Aurora Central Records proudly presents …
*200 copies limited edition* Mabe Fratti is an experimental cello player from Guatemala, currently based in Mexico City. Mabe’s unique and courageous sound has made her one of the most promising new acts in the experimental music scene around the world. We present a new edition, first time on colored vinyl, of her debut album that originally was released by us in 2020, a year after it’s original digital release. A very well received and respected album, Pies Sobre La Tierra, is a unique and bril…
* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
*500 copies, numbered edition. Clear Splatter Vinyl* Legendary Italian progressive rock band Banco del Mutuo Soccorso released its first LP in 1971 on the label Dischi Ricordi. The lineup included Vittorio Nocenzi (keyboards), Gianni Nocenzi (piano), Francesco Di Giacomo (vocals), Renato d'Angelo (bass), the newly arrived Pierluigi Calderoni (drums), and guitarist Marcello Todara, who would soon be replaced by Rodolfo Maltese. Although plagued by poor sound quality (something frequent with Itali…
*500 copies, numbered edition. Clear Splatter Vinyl* The perfect mixture between complex and beauty. The best of Banco Del Mutuo Soccorso, a superb album. Incredible instrumental richness, lots of variations, very expressive voice, long epic tracks and beautiful short songs, all in the same bag. This stuff is the pearl of the great Banco's trilogy (the first three albums they edited), and deserves a privileged place in a serious prog discoteque. One of the Italian monsters, highly recommended! (…
Temporary nicer price * 500 copies, numbered edition. Clear Splatter Vinyl * Originally released in 1975 on Cramps. This is Arti E Mestieri's second album. More dynamic and inspired than their debut title, The sound has not changed much in comparison to the previous album, but it is slightly less raw and vocals prevent from getting much focus on instrumental prowess. Arguably, there is less space for brass instrument and more vocalized sections. Drums are usually more aggressive and fast than …
* 500 copies, numbered edition. Remastered edition, Yellow vinyl * This is another absolutely essential Italian progressive gem from the '70's. "Storia Di Un Minuto" contains some of Premiata Forneria Marconi's finest moments and stands alone as perhaps their most notable release ever. This masterpiece is full of great songs and musicianship with some of the most memorable songs of the '70's.
* 500 copies, numbered edition. Clear Splatter Vinyl* This is PFM's brilliant follow-up to Storia di un Minuto, and both albums are considered progressive rock classics, for good reason. The diversity, complexity, and integrity of the music here is as fine as anything produced during the early '70s from other prog rock giants such as Yes, Genesis, and King Crimson. The lyrics are in Italian and, while used sparingly, make a valuable contribution to the session's integrity. The music is constantl…
Temporary nicer price * 500 copies, numbered edition. Clear Splatter Vinyl * Area's second album takes its cues from the most serious side of early-'70s British progressive rock, particularly Soft Machine and King Crimson. There's a high-voltage, at times furious energy to the quasi-jazz-rock fusion, with keyboards showing some influence from Miles Davis fusion records, and the guitars wheeling off lines with a busy anxiety. Despite some sinister progressions and overlays of electronic squiggles…