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Reissues

Wizards
"Wizards was my first deep trance electronic music album. This album was inspired by Terry Riley, one of the earliest people ever to compose and perform long, extended, cyclic pieces in the electronic format. This music was composed and performed in '81 and '82. I consider this album my best work. The instrumentation is three Sequential Circuits PRO-1s, Crumar Traveler One, and a Yamaha SK-20, all real time recording to a Teac four-track reel-to-reel. I mixed the four tracks to a Teac A-7300 Mas…
Rain Forest Music
On Rain Forest Music (1981) J D Emmanuel builds gentle, short cycles of notes into floating clouds of sound, mostly improvising around single chords. The "minimalism" in his music lies not in repetitive patterns that barely change but more in the spare arrangements that  focus the listener while also taking them on a sonic journey.  A tape loop technique used by Brian Eno, Terry Riley, Robert Fripp (and likely many more)  called Continuous Looping was used in the creation of this album and a loo…
Trance-Formations I Ancient Minimal Meditations
A forgotten classic! Created between 1981 and 1985 by JD Emmanuel, a new age composer who has received a lot of praise from people like Lieven Martens and John Olsen. These recordings signify Emmanuel's praise to the course of the day. Starting off slowly with morning synth meanderings, walking through midday, running in the evening, and closing the day with midnight meditation. "Somewhere hidden in the deepest part of the Self is that special place, where One can go within to the most ancient p…
No Sub Reino Dos Metazoários
Another incredibly original album from the Solar/Rozenblit catalogue, this features the fabulous trio of Lula Cortes, Marconi Notaro and Ramalho. With Lula Cortes at the controls, writing, playing and illustrating the album cover. Soon after recording the classic album ‘Satwa’ (MRBLP083), Lula was back in the same Recife studio with his friend, the cult poet and writer Marconi Notaro to lay down another equally magical album. This joyous masterpiece stands musically somewhere between the Lula Co…
Free Love
1979 Free Love super Rare Soul album. The only soul album released on LA-based Emkay Records by Marcus Kelly and Westmoreland Co. This group was led by Philip Westmoreland & was from St Louis.Produced by Kent Washburn & Oliver Sain Producer, Arranged By, Organ [Hammond B-3], Saxophone, Flute – Oliver SainProducer, Arranged By, Saxophone, Flute – Kent WashburnArranged By, Guitar – Phil WestmorelandArranged By, Keyboards – William BickelhauptBacking Vocals – The GeorgettesBass – Tom Zuzenak (track…
Karma
Acoustic Sounds Series edition  Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…
The Prophet
In 1954, during his first trip to Paris, the adventurous pianist and be-bop pioneer Thelonious Monk recorded a handful of songs for French radio, later issued as The Prophet. Unencumbered by bass, drums or other a companiment, Monk gives us all we need in left-hand rhythms and right-hand melodies; ‘Round About Midnight’ and ‘Reflections’ di play masterful command and there’s a one-off take of ‘Smoke Gets In Your Eyes.’ Highlighting his capabilities in full, this is required listening for Monk fa…
The Unique
Pioneering be-bopper and unorthodox pianist Thelonious Monk was largely underacknowledged for the role he played in changing jazz forever. The Unique Thelonious Monk, the second of his LPs for Riverside, was recorded in 1956 with bassist/cellist Oscar Pettiford, who Monk had bonded with in Coleman Hawkins’ band, and the wildcard drummer, Art Blakey, pushing things farther into the realm of experimentation, despite the set being comprised of jazz standards. Thus, ‘Tea For Two’ becomes a hard-bop …
Ẁurdah Ïtah (LP)
It was 1974 when Magma's fourth studio album Ẁurdah Ïtah came out. Originally, the album was released under the name of Tristan Et Iseult as a solo studio film soundtrack by founding member Christian Vander. He recorded the music for Yvan Lagrange's 1872 avant-garde film Tristan Et Iseult. The recordings took place only a month prior to the sessions which produced Köhntarkösz. For these recordings for Ẁurdah Ïtah, only a core quartet of Magma members took part, including Christian Vander, Jann…
Köhntarkösz
Magma has been one of France's most influential bands since their founding in 1969. They released their fifth studio album Kohntarkosz in 1974, which set them off in a completely new musical direction. The band used a more restrained approach, which resulted in every hit seeming to weight twenty tons by contrast. The result is a mysterious atmosphere which holds the listener in awe. For this recording, and in particular the track 'Coltrane Sundia', the band used John Coltrane as the main inspira…
Up Your Sleeve (LP)
** In process of stocking, edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on David Toop’s Quartz label at a time when improvised music in London was settling into a long spell of excellence. The players here are Steve Beresford, Peter Cusack, Terry Day and David Toop. Terry had been a member of The People Band in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second g…
Atomic System
Finally available again, this rare Italian prog classic! New Trolls Atomic System were an offshoot of the New Trolls, one of Italy's best-known progressive outfits. A messy split between the two main members lead to an uneasy compromise where the splinter faction were known as 'N.T. Atomic System', although initial copies of the album had a sticker on the front with the full name... While the New Trolls were sporadically good, New Trolls Atomic System is a stormer of an album, radiating energy, …
Tempi Dispari
** Limited edition black vinyl 180 gr. **  Tempi Dispari is a live album from 1974 by the Atomic System variation, a line up formed by guitarist Vittorio DeScalzi after three members left to form what would end up being Ibis. DeScalzi is aided by future Nova keyboards player Renato Rosset, who influences this variation in a more jazzy oriented way than any other New Trolls incarnation. Two side-long suites (including a theme from Concerto Grosso 1) of excellent and innovative music, reminding me…
L'ultimo Treno Della Notte
“L’Ultimo Treno della Notte” (Last Stop on the Night Train) is a 1975 thriller film directed by Aldo Lado, one of the most violent movies ever produced in Italy in the ’70s (and beyond) that actually shows, even in the crudest scenes, for same admission of the director, a harsh attack against the bourgeois society and its powerful rich people.  Despite the limited budget, the friendship between Aldo Lado and composer Ennio Morricone made this collaboration possible; nonetheless, only a 45rpm 7″ …
Contamination
180gr. clear purple vinyl. “Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film …
Zombi (Colonna Sonora Originale Del Film)
Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.  “Zombi” is a very varied album where the electr…
Buio Omega
Limited edition on 180gr. clear purple vinyl. “Buio Omega”, two short and simple words that, in the mind of Goblin’s fans as well as in the horror/splatter movies fanatics’ one, recall sounds and images of a legendary film. Directed in 1979 by Joe D’Amato, it still impresses with the rawness and morbidity of its scenes, the trademark of a director who, much more than others, befits the term ‘extreme’. The soundtrack of the film, whose main ingredients are keyboards and synthesizers, swings among…
Animist Pools
Animist Pools was released July 1, 2016 in a cassette limited edition on Human Pitch records. Originally released as "Hippies Wearing Muzzles", pseudonym of Lee Evans. This is a limited vinyl edition of this amazing record of ambient. "A shifting center in a stream of rippling analog tones, the music of Hippies Wearing Muzzles is orchestrated to transfix, echoing sounds heard in nature with modular synthesizers and the powerful element of chance. Evoking the Fourth World Music of Jon Hassel or t…
Läuten der Seele
Tip!**Much-needed small repress available, and in process of stocking** Behind the mysterious name 'Läuten der Seele' comes the eponymous solo debut-album from Christian Schoppik, half of the confidentially acclaimed experimental dark folk duo Brannten Schnüre from Wurzburg (DE).  The record is composed of 12 abstract audio collages based on transformed sampled loops from German 50’s Heimatfilme features -a popular domestic genre involving rural settings, romantic tone and simplistic morality, c…
Mantle-Piece
Following the breakup of Cream, lyricist/vocalist Pete Brown formed his Battered Ornaments with guitarist Chris Spedding, drummer Rob Tait, bassist Butch Potter, percussionist Pete Bailey and saxophonist Nisar Ahmed Khan, but during the recording of sophomore album Mantle Piece, Brown fell out with Spedding, resulting in his departure. The resultant spacey venture has jazz and blues shades, riding the sonic waves under Spedding’s direction, with Khan’s sax and Potter’s bass fitting foils to Sped…