Reissues
Disappointment - Hateruma
Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto's first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto's early development as a composer and performer, capturing a period when he was experimenting with …
Italian Library Breaks
The Modern Sound Quartet represents one of the most treasured, yet least documented, outfits in the history of Italian library music. An exceptional studio band of session musicians with a formidable groove, they released only a handful of albums under this name in the second half of the 1970s. However, their sound indelibly shaped dozens of “invisible” soundtracks, often without ever receiving an official credit on the back sleeve.
Led by pianist and composer Oscar Rocchi, and featuring Andrea …
Unfold
2025 small repress. Ideologic Organ present Unfold, brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, "sound based" music. The latest document from this long-running ensemble presents itself as a double LP, with four side-length tracks. A deliberate absence of numbered sides hands a substantial swatch of participation …
The Face Of The Earth
2025 Repress. The second beautiful album by the duo of Jessika Kenney -- a vocalist known for her haunting timbral sense, as well as her profound interpretation of Persian vocal traditions -- and Eyvind Kang -- a violist for whom the act of music and learning is a spiritual discipline. All tracks were composed by Kenney (voice, percussion, electronics) and Kang (viola, setar, electronics). "The Central Javanese Wangsalan is a kind of riddle (two lines, twelve syllables each, divided 4 and 8 ), s…
Porgi L'Altra Guancia
Beat Records is glad to present the original motion picture soundtrack of the movie Porgi L’Altra Guancia, one of the missing albums in the discography dedicated to the brother composers Guido & Maurizio De Angelis.
Directed in 1974 by Franco Rossi and interpreted by Bud Spencer and Terence Hill, it’s the story of two priests responsible of a South American mission, enjoying their daily routine and trying to withstand bullying Marquis Gonzaga. Epic brawls and plot twists full of adventures is t…
Tim Maia 1973
Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…
Jorge Ben 1969
Jorge Ben is someone who needs no introduction. Since his first hits in the early 60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems 'Mais Que Nada' or 'Pais Tropical' are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked …
Il Mio Nome è Nessuno
Beat Records is pleased to reissue on CD the Ennio Morricone score for the cult western "My name is nobody" directed in 1973 by Tonino Valerii, starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli , Benito Stefanelli, RG Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, Antoine Saint John. Ennio Morricone composed one of the most loved scores from his fans around the world using elements typical of his genius such as the wh…
Ecce Homo - I Sopravvissuti
For this CD, we used the stereo master tapes from the original sessions, and as a bonus track, we've included a lengthy mono suite assembled by Maestro Morricone himself for a promotional double vinyl release. The maestro composed a fascinating experimental score that draws on his studies and performances with the Gruppo di Improvvisazione Nuova Consonanza, founded by Goffredo Petrassi. Morricone perfectly captured the deceptively quiet atmosphere of a post-nuclear world, where survivors live in…
Sahara Cross
In 1977, Cinevox Record released a 45 rpm single (MDF 113) with the tracks ‘Sahara Cross’ and ‘Safari session’ chosen by the composer. It was not until 2003 that the soundtrack was released on CD in Japan (Volcano CPC8-1216). Now, Riz Ortolani's soundtrack appears for the first time on Italian CD. Maestro Ortolani composed an orchestral OST dominated by wild funky passages (Tr.1,3,10,22) alternating with lounge-style pieces (Tr.2,5,8) and suspenseful and mysterious orchestral passages that creat…
L’Isola Misteriosa e il Capitano Nemo
Gianni Ferrio wrote a symphonic score dominated by a romantic adagio-style main theme featuring the crystal-clear voice of Edda Dell'Orso. This captivating motif returns with orchestral variations alternating with dark, action-packed and adventurous passages. The soundtrack album was released in 1973 in Italy by Cinevox with 12 tracks and a running time of 37 minutes. In 1997, the first CD release appeared in Germany and included the album programme plus five minutes of unreleased music from the…
Live at End Cole Ave 1969
In March 1969, the Velvet Underground, featuring Doug Yule now on bass, launched a nationwide tour that captured a pivotal moment in rock history. Among those dates was a memorable engagement at Dallas’ "End Of Cole Avenue" club—one of the rare live shows professionally recorded with a sound engineer on site. Previously, selections from these performances appeared in 1974 on the 1969: Velvet Underground Live album, but the sound was hampered by the use of third- or fourth-generation tapes, limit…
Kind of Blue
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans …
Mating Call
Experience a remarkable session led by the legendary pianist and composer Tadd Dameron, recorded in 1956 and featuring the young lion John Coltrane, fresh from his tenure with Miles Davis. Mating Call is a solid and often overlooked gem showcasing six powerful and beautiful Dameron compositions. Performed by an impeccably tight quartet, the album features John Simmons on bass and Philly Joe Jones on drums, complementing Dameron’s distinctive bass-heavy piano style. This foundation offers a rich …
Appearance/Music for Solo Performer
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
Churchills
Cut in 1969, this self-titled album feels like the first fully immersive psychedelic rock statement from its own scene. At a time when local airwaves were ruled by polite pop and lightweight fare, Churchills arrived riding waves of fuzz and twisting studio gear to its limits. The lineup itself tells the story. Frontman Stan Solomon brought a raw, soulful presence; guitarist Robb Huxley carried deep experience of the classic rock songbook, its riff language and studio tricks. Alongside them, guit…
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Faust
Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
The Original Quintet (First Recording)
From the original "Theme" to a series of beautifully reimagined standards by Duke Ellington, Benny Golson, and Isham Jones, The Original Quintet (First Recording) captures a seminal moment in jazz history. Released in 1956 on Prestige and engineered by the legendary Rudy Van Gelder, this album perfectly synthesizes Miles Davis’s evolving artistic vision, marking a landmark in the bop revolution.
Featuring an extraordinary ensemble including John Coltrane on tenor saxophone, Philly Joe Jones on d…
Amore Mio Aiutami
Sonor Music Editions proudly presents the definitive reissue of Piero Piccioni’s often unheralded soundtrack to the 1969 bittersweet Italian comedy classic Amore Mio Aiutami (Help Me, My Love), starring two giants of Italian cinema, Monica Vitti and Alberto Sordi. This soundtrack is a prime example of Piccioni’s immense talent as a composer of timeless, lushly orchestrated lounge music — a masterpiece of its era that rightfully deserves its place alongside his most cherished works from the same …