Susumu Yokota
Acid Mt. Fuji (3LP)
Format3LPLabelmusicmine, Sublime RecordsGenreElectronic
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*2025 stock* On July 26th Susumu Yokota’s venerated 1994 classic ‘Acid Mt. Fuji’ is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan’s Musicmine – specifically it’s electronic subsidiary Sublime – released the album on June 29th 1994, simultaneously with Ken Ishii’s ‘Reference To Difference’, as their inaugural joint offering.
‘Acid Mt. Fuji’ is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized – proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but ‘Acid Mt. Fuji’ evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The long player found its muse in the famed 18th-19th century artist Hokusai’s red rendition of Mt. Fuji, known as ‘Red Fuji’ or ‘Akafuji’. Part of the painter’s renowned ‘Thirty Six Views of Mt. Fuji’ series from the 1830s, ‘Red Fuji’ depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like ‘Kinoko’ and ‘Meijijingu’ invite the listener to immerse themselves in the album’s spiritual depths.
Yokota’s own homage-to-Hokusai drawing graces the record’s cover, and was inspired by the concept of wa (harmony) – highlighting his diverse skills not only as a musician, but an artist and designer too. ‘Acid Mt. Fuji’ is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan. Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
Format
Originally released in 1994 by Sublime Records.
30th Anniversary edition, Sides E and F contain bonus tracks on vinyl for the first time.
The runouts are etched while I1 AND 1I are mirrored.
Release notes
Originally released in 1994 by Sublime Records. 30th Anniversary edition, Sides E and F contain bonus tracks on vinyl for the first time. The runouts are etched while I1 AND 1I are mirrored.
| A1 | Zenmai | 4:10 | |
| A2 | Kinoko | 7:40 | |
| A3 | Meijijingu | 6:50 | |
| B1 | Saboten | 6:06 | |
| B2 | Oh My God | 5:00 | |
| B3 | Tambarin | 8:20 | |
| C1 | Oponchi | 4:27 | |
| C2 | Ao-oni | 6:18 | |
| C3 | Akafuji | 7:25 | |
| D1 | Alphaville | 8:57 | |
| D2 | Tanuki | 8:48 | |
| E1 | Floating G | 6:20 | |
| E2 | H | 4:42 | |
| E3 | B | 7:29 | |
| F1 | F | 8:11 | |
| F2 | 2 H | 10:21 |
- Susumu Yokota
- Producer, Written-By
- Mike Grinser
- Remastered By, Lacquer Cut By [Cut By]




































