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* 2021 Stock * There were no deluxe studios for the musicians who recorded the devastating tracks contained in this collection. Nothing so grand. Most of these tracks were recorded live, with traditional instruments finding a place alongside any keyboards or guitars that could be found.
And yet, it was these experiments of Khmer rock musicians which transformed the nightlife of the Cambodian capital, Phnom Penh—and which many years later have seduced countless listeners around the world with the…
* 2021 Stock * There were no deluxe studios for the musicians who recorded the devastating tracks contained in this collection. Nothing so grand. Most of these tracks were recorded live, with traditional instruments finding a place alongside any keyboards or guitars that could be found. And yet, it was these experiments of Khmer rock musicians which transformed the nightlife of the Cambodian capital, Phnom Penh—and which many years later have seduced countless listeners around the world with the…
* 2021 Stock * Fabrice, 17 years old, is a minet, or to say it better, a mod from one of the posh neighbourhoods, the 16th district in Paris and such “golden ghettoes” as Auteuil, Neuilly and Passy. Fab’ likes to have his “ronron at the Dugstore”, as Dutronc sang it (an untranslatable wordplay on ronron, “cat food”, and a minet – “a kitten” – purring). Fabrice attends Henri IV prestigious high-school; his father, a businessman who made a fortune selling plastic flowers, and his mother, a former …
The first time on vinyl reissue of Nikolaienko's four tracks from his debut album "Loops & Cuts Soup" originally releases as a digital download on Nexsound records in 2010.Restored from the single copy dubplate record (digital files survived through time only as mp3).
Drums - Oleg BooksBass - Anton CokyRemastered by Flaty
** Mabumi Yamaguchi Quartet's outstanding modal jazz outing 'Leeward' from 1978 ** Leeward, released in 1978 on Union Record, is the second album by tenor and soprano saxophonist Mabumi Yamaguchi. Already in quartet formation for his previous album, After The Rain, released two years earlier, Mabumi Yamaguchi changes musicians here to surround himself with Ikuo Sakurai on bass, Hideo Sekine on drums and Ichiro Doi on piano and electric piano. Leeward opens with "Dawn", a long and slow piece led …
* 2021 Stock *He started his career with the 60’s musical movement known as Jovem Guarda (Young guard, as in vanguard), which was the first manifestation of the Brazilian pop rock movement, getting great success with the songs A Praça (Carlos Imperial) and Meu Bem (a version in Portuguese by Ronnie for “Girl”, the Beatles’ song). Beatlemaniac, Ronnie recorded seven songs of the group from Liverpool in his first album. Joining the naivety of the 60’s, a pretty face and a great voice, Ronnie had m…
* 2021 Stock * A Máquina Voadora (Flying Machine) released in 1970 is a landmark of Brazilian music, inspired by the psychedelia of the Beatles, almost conceptual, it contains themes of aviation and references to books written by Antoine de Saint-Exupéry , in particular the Little Prince. The soon-to-be Jovem Guarda idol Ronnie Von, still as Ronaldo Nogueira, had just graduated in 1969 in economics and pilotage, but wanted to be a singer instead. After becoming acquainted with the members of the…
All-time classic Brazilian album, featuring Jorge Ben on 'Que Maravilha’, ‘Zana’ and 'Carolina Carol Bela’ as sampled by DJ Marky on ‘LK’. Brazilian guitarist and singer Toquinho (real name Antônio Pecci Filho) was born in Sao Paulo, Brazil in the 1940’s. His first major hit single was ‘Que Maravilha’, as featured here, that he wrote with Jorge Ben. This album also features ‘Zana’ and the ultra-famous ‘Carolina Carol Bela’, also written with Ben. Toquinho had a prolific career releasing a huge n…
The debut album from the legendary Brazilian group, Os Novos Bahianos. Originally released by RGE in 1970 in Brazil, ‘É Ferro Na Boneca!’ features 13-songs composed by Luiz Galvão and Moraes Moreira. This record shows the roots of the group, moving through psychedelics, edgey pop, rock and Tropicália. After writing ‘É Ferro Na Boneca!’ their music began to move towards MPB due to the influence of João Gilberto, who began working with the group. In 1972 they released their incredible ‘Acabou Chor…
The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.
Tom Zé is a songwriter, multi-instrumentalist, innovator and composer who was hugely influential in the Tropicália movement of 1960s Brazil. Zé is often thought of as Brazil’s answer to Zappa or Captain Beefheart; a true innovator and a true artist. Mr Bongo re-issued Zé’s debut record ‘Grande Liquidicao’ originally released in 1968. This, his second solo album, is self-titled, and was released by RGE Discos in 1970. After the peak of the Tropicália period, Zé went into relative obscurity. It wa…
In winter 1976, a few years before Olexandr Shapoval headed up the well-known band Vodogray, a jazz band called Shapoval Sextet recorded three pieces "Kobzareva Duma" in live at the Donetsk Jazz Festival. The tape has been lost for almost 45 years, until now. The most radical, experimental and psych jazz recording from the Ukrainian Soviet-era found to date.
Composed and arranged by, flutes, saxophone: Oleksandr ShapovalTrumpet: Oleg AnapolskyElectric organ, piano: Oleg KoskoGuitar, spoken words…
* 2021 Stock * Congregación was the most legendary of the many excellent bands of the early 1970's Chilean music scene -- one could easily say that for many people, this album has had the impact of a religious experience. There is good reason for that: Congregación's music has a highly evocative sense of space, using natural sounds, native Andean instruments, and acoustic textures to foreground ecologist and mystic Antonio Smith's soaring melodies and deeply felt, philosophical lyrics. The resul…
* 2021 Stock * 2006 reissue. Official reissue of this Christian underground basement psychedelic rock album, a massively-rare 1974 release on the Missouri-based American Artists label (AAS1164), of which only 2 or three copies are known to be exist in private collections. Despite the song titles, this is actually a strange and unusual rock album which just happens to have religious undertones. Organ, fuzz guitar, male and female lead vocals and masses of electronic embellishments. High-quality v…
* 2021 Stock * Keeping a band together was difficult in the late 1960’s. Tough too, because Michael Oosten was writing songs that veered away from pop-song structures. There was also the relative ease and lack of responsibility required for hauling around a guitar. So, Oosten took off, with a Martin guitar in tow, playing coffeehouses and clubs across the country. By the end of 1973, he was ready to record an LP—five psychedelic folk/rock tracks, ranging from the brightly smiling ‘Sunny Day’ to …
* 2021 Stock. 8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph’s poetry from the Daszu era. * If there’s one thing we’ve learned from doing reissues for twenty years, it’s that there is often a lack of justice in the arts. All too often, the intensely talented are shunted aside, or not able to access the means to a greater hearing, or marginalized (or eradicated) by larger societal (commercial) (racial) (poli…
Among the greatest artefacts of 1970s Latin American music, Lion Production’s first ever vinyl reissue of Montevideo Blues lone, self-titled LP, stands as a rare document of revolutionary music being made in Uruguay, and a crucial counterpoint to the sounds of Tropicália from Brazil. Fusing the rawness of rock with indigos Uruguayan rhythms, not to mention plenty of heavy grooves, it’s easily one of the most captivating records of its day.
* 2021 Stock. Rated by many as the best “folk/progressive” and/or “folk/psych” album ever made. Sourced from the master tapes. Huge insert comes with lyrics, liner notes from the band, and more * Hypnotic, mystical, largely instrumental tracks, all based on a complex interplay of recorder, hand drums and acoustic guitar—one of those hidden gems that make life better when you discover them all these years later. Ptarmigan recorded the basic tracks for what would eventually become their only album…
* 2021 Stock * Aura was a San Francisco Psych-Funk band that formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo. The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura album has grown in stature to become a major…
It was 1967, the summer of love, and the young radicals were huddled together experimenting, sweating in a tiny airless room. Gibberish, scat, sighs, whispers, as well as more refined musical tones, were coming from their vocal cords. For this was not Haight-Ashbury but Urbana, Illinois, and the New Music Choral Ensemble (NMCE) was merely exploring the boundaries of music.
Instigated by Kenneth Gaburo, pioneer of electronic tape music and compositional linguistics at the University of Illinois, …