Reissues
Live 1971
We Release Jazz presents its fifth release, the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26-minutes+ jazz adventure -- Nick Kletchkovsky on…
Soothing Songs for Babies
Incredible archival LP collecting lullabies recorded at different times and from several countries, co-published by the prestigious Museum of Ethnography of Geneva and swiss renowned Mental Groove Records. All the lullabies presented here come from records published with a copy kept in the Archives internationales de Musique Populaire of the Meg. Lullabies xist in almost every culture in the world: while they relate to the world of childhood, they also evoke the privileged relationship establis…
Contribution
Shawn Phillips' first major album, recorded in 1968 with help from the members of Traffic, among others, is a condensation of a far more ambitious studio original that was intended to fill three LPs. The range of sounds on this record is shockingly diverse, from breezy folk-rock ("Man Hole Covered Wagon") to pieces incorporating classical guitar and phantasmagoric lyrics ("L Ballade" finds Phillips' at his most Donovan-like, but with a better voice), and, in between, bouncy throwaways ("Not Quit…
High Risk
Never before released 1974 recording of the all-female Spiritual jazz Californian outfit High Risk. A unique musical experience that is oozing the spiritual freedom of the early seventies in a creative mixture of jazz, folk and poetry – all fuelled with political lyrics.From an all-female band consisting of Virginia Rubino (of BeBe K’Roche fame) on keys, Cyndy ”Cynth” Mason Fitzpatrick (of flutemedicine fame) on saxes and flute, Bobi Jackson on bass and Sandy Ajida on percussion. The album featu…
Diom Futa
Killer! Seminal and much sought after Afro Jazz session recorded in Paris in 1979 featuring Senegalese percussionist Cheikh Tidian, produced by Jean-Paul Rodrigue for his cult Freelance label. The session features saxophone player Jo Maka - leader of the Celestial Communication Orchestra but perhaps best known for his work with Angolan singer Bonga - and regular Steve Lacy collaborator Bobby Few, in a Parisian answer to Black Jazz and Strata East. A Brilliant leftfield spiritual jazz release fr…
Nakara Percussions
Killer! Within the history of efforts dedicated to percussion, Nakara Percussions’s 1984 lost marvel LP stands apart. A singular work, made remarkable by the
diversity and range of its sonorities and structures. From
the delicate pulse of nature, deep resonances and carefully placed tone,
intricate structures and tempos as slow as they go, across its movements
the album rewrites how composition for percussion should be understood,
before giving way to consuming and ecstatic rhythms which referen…
Ecstatic Computation
Caterina Barbieri is an Italian composer who explores themes related to machine intelligence and object-oriented perception in sound through a focus on minimalism. Following 2017's acclaimed double-LP Patterns Of Consciousness (IMPREC 449LP), Ecstatic Computation is the new full-length LP by Caterina Barbieri. The album revolves around the creative use of complex sequencing techniques and pattern-based operations to explore the artefacts of human perception and memory processes by ultimately ind…
Resolutionary (Songs 1979-1982)
There's a myth about music critics according to which they are frustrated wannabe performers. Evidence to the contrary: Vivien Goldman. The London-born, New York-based Goldman is one of the foremost chroniclers of the perfect storm of reggae, punk, hip hop, and Afrobeat, but between 1979 and 1982, she was also a working musician, creating songs that, years later, would be sampled by The Roots and Madlib. These rare girl grooves are now collected for the first time onResolutionary, covering Goldm…
Alice Coltrane bundle
**In process of stocking** of Alice's four extraordinary albums Eternity, Radha-Krsna Nama Sankirtana, Transcendence and Transfiguration in bundle. With liner notes by Mark Richardson and rare photos by Gary Heery and Ginny Winn. Alice Coltrane was a pioneer - one of a tiny number of women in 1960’s jazz to be allowed through the door – wielding her instrument with a force and artistry which couldn’t be ignored. It was her visionary mind which helped push her husband toward the astounding sonic …
Crossings
Crossings was the second release by the Herbie Hancock Sextet lineup known as the Mwandishi Band, following 1971's Mwandishi which stretched Hancock's already-adventurous writing and expanded the music through post-production. This approach would play an even larger role on Crossings, the pianist's final album for Warner Bros. For two of Crossings' three pieces ('Quasar' and 'Water Torture'), Hancock took basic instrumental tracks to Patrick Gleeson's Different Fur Studios, hoping to learn how t…
Mwandishi
After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…
Fat Albert Rotunda
If Fat Albert Rotunda sounds like the most fun Herbie Hancock had in
his early years as a band leader, it should. He composed the music for
the pilot of the children's television show Fat Albert, redirecting the
post-bop jazz he honed in a five-year stint with the Miles Davis Quintet
towards the R&B and funk styles with which he was becoming
enamored. The result was a playful, joyous album in which Hancock
clearly had a great time.The same goes for the rest of his Sextet, which by the time…
Je Suis Un Sauvage / Le Moral Necessaire
A single produced by the highly-revered Saravah label at the time, featuring the Art Ensemble of Chicago backing the poetry of the little-remembered Alfred Panou, is not as well-known as the label's other releases. Seen in the 1967 film Weekend by Jean-Luc Godard, Alfred Panou who is of mixed Benin-Togolese origin, already had a career as an actor in political theater when, pushed by producer Pierre Barouh, he recorded two of his texts concerning Black Power. Panou's prose is one of the first, i…
Worlds Within Worlds: Part I And II
Last copies, sold-out at source. Milestone. Edition of 1500 with 300 on gold vinyl; the LPs will be mixed randomly -- there will be no way of telling which color is which as all LPs will be sealed.Basil Kirchin's Worlds Within Worlds: Part I And II is one of the most important experimental and improvised jazz-based recordings of all time. Released in 1971 it sold just a handful of copies, but has become a keystone in the development of ambient sounds; originals now fetch £1000+. This is the firs…
Bursting Absolute Moods. The Lost First Album 1989
** Ltd 300, deluxe silver silkscreen on black cardboard + inserts. Masonna first (and lost) album, released for the first time** Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “ Japanoise ” scene. Predating the era of dig…
Extreme Gospel Nights
** Ltd 300, deluxe silver silkscreen on black cardboard + tissue golden paper (plus sticker) as original tape release** Incapacitants are the best noise band to ever come out of Japan. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa, a bank employee who then became a deputy general manager of one of the largest securities brokers in Japan, later moved to Tokyo, where he joined with government office worker Fum…
Scerizza
** white and blue marbled vinyl, edition of 100 copies** Since their launch back in 2015, Florence based been issuing quiet waves into the reissue market. Working slowly, with eye for quality over quantity, they’ve brought forth a wild mix of albums which unquestionably fall into the category of overlooked and neglected holy grails from the Italian underground. Their expanded, double LP editions of Paolo Modugno’s Brise D'Automne and Roberto Aglieri’s Ragapadani, haven’t strayed far from our tu…
Kaunis Maa
**White and green marbled vinyl, edition of 100 copies ** Reissue of to the 1988 Experimental / Electronic masterpiece by the Italian contemporary guitarist Riccardo Giagni, originally released on Stile Libero (Italy) featuring Antonella Ruggiero, Roberto Colombo and Mauro Pagani. Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s. All outputs are licensed by the artis…
Orpheus Variations
Orpheus Variations is a new composition by Alvin Lucier for solo cello and seven wind instruments. It is based on a particular sonority from the first movement of Igor Stravinsky's ballet score, Orpheus; a sonority that has haunted Lucier for decades. Orpheus Variations is one of eight large-scale compositions made expressly for Charles Curtis by Alvin Lucier in the last 15 years. This performance was conducted by Petr Kotik, with Charles Curtis playing solo cello alongside members of the SEM En…
Chamber Music: Alvin Lucier & Morton Feldman
Anthony Burr and Charles Curtis present a collection of curated compositions from Alvin Lucier and Morton Feldman. Two Lucier pieces, "August Moon" and "Trio For Clarinet, Cello & Tuba" are presented here for the first time. Liner notes are excerpted from a lecture on Morton Feldman given by Alvin Lucier. A selection from Alvin Lucier's liner notes: "For Feldman, dynamics serve an acoustical function. When he mitigates a piano attack he reduces that spike of noise that's at the onset of every pi…