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2010 release. Deluxe collector's item issued in a limited edition of 475 (numbered). 81 minutes of duet recordings with Cecil Taylor and Tony Oxley. The pieces were selected by the musicians from ten hours recorded during their two weeks at New York's Village Vanguard in 2008. Comes in a gatefold sleeve; Accompanied by museum-grade folio, including exclusive original poetry by Cecil Taylor and paintings by Tony Oxley. Personnel: Frank Lowe - tenor saxophone, soprano saxophone, flute, voice, perc…
160-gram DMM LP version. Limited edition of 350. Includes download code. Immortal Light is the debut solo album by psychedelic folk guitarist-singer-songwriter Buck Curran. Since 2005, Curran has recorded and performed as one half of the psych-folk duo Arborea. To date, Arborea has released five albums, including 2013's ESP-Disk' release Fortress of the Sun (ESPDISK 5002CD/LP). Curran's music has developed through a decade of playing with Arborea, and the experience of playing blues and folk thr…
The intense individuality of Morton Feldman's (1926?1987) art and its 'painterly' aspect have tended to push his rich output of works into a zone all of their own, surrounded by a moat of stillness. This recording attempts the reverse process -- to bring his choral works (the previously unrecorded Chorus and Instruments, Voices and Instruments 1, Voices and Instruments 2, and The Swallows of Salangan) into a 'gallery' of other choir compositions of his times. Through the interaction with works o…
This recording is the first ever devoted to the orchestral music of Christian Wolff (b. 1934) and thus documents a little-known aspect of his wide-ranging work. John, David (1998) introduces in its second part a prominent role for solo percussionist, playing a wide range of pitched and non-pitched instruments, including marimba, glockenspiel, a variety of drums, wood and metal instruments and other sources, the exact choice left to the performer. Rhapsody (2009), in contrast, uses instruments of…
This DDAA legendary debut LP from 1982, here available as an expanded and fully remastered edition. There were bands like Can in Germany, Nurse With Wound in UK, The Residents in USA, and there were Deficit Des Annees Anterieures in France. Formed in 1979 by 3 artists from the Beaux-Arts of Caen: Jean-Luc André, Sylvie Martineau-Fée, Jean-Philippe Fée; DDAA was one of the leaders of the independent, experimental, industrial '80s French scene with their highly artistic, peculiar and thoughtful vi…
First album under his own name. This compilation is the best works of
Thierry Müller during his first 10 years 1974 - 1984! Titled clearly,
all tracks presented are rare and almost all are published here for the
first time and came from the all 5 different formations of TM's early
days: Arcane (never released before - 1974 TM's first band, dark
underground madness), Ilitch (unreleased live recordings 1975), Breaking
Point (never released before - 1978 genius-synthi-pop) , Ruth (1978
rare …
**Edition of 100** Here is DDAA’s Holy Grail: the first five single reissued for the first time on CD! “GNz-11” traces the beginnings of the band that had never really been revisited before: the first five years 1979-1984 in term of record productions! But more precisely the origins of the band are still older: DDAA was founded in April/May 1977 (and not in 1979, as we can read on a well-known music database site: this information is wrong!). DDAA with Die Form (Philippe Fichot) are two crucial …
Corrected Slogans was first pressed by Art & Language and The Red Crayola in 1976; it was the first mention of the The Red Crayola's name on LP since 1968. The only review it received at the time was by Glenn O'Brian in Interview magazine; his response was a positive one, though he found the material ironic. By the time the album was made available to the public, it was clear that The Red Crayola would continue with Jesse Chamberlain joining Mayo Thompson. This was the start of five years of st…
"The Red Krayola live to see another day. Having communed with their fans around the world in 2005 -- in Europe, Japan and the U.S. -- they were invigorated. Last summer they returned to one of their favorite haunts, the recording studio, for a session to capture the magic all at once. Today the result -- Introduction, 15 songs strong -- is here, and does just that. Introduction is an epic that presents The Red Krayola at their very best. Featuring the contributions of long-time members Stephen …
"What is Woo? Woo are two - the brothers Mark and Clive Ives, who in the 1980s made a pair of addictively appealing yet largely unknown records. Their second, It's Cosy Inside, released in 1989, qualifies as some of the most electronic organic music ever made. We hearken back to a friendlier time, the 1970s, when Woo first began recording their relaxing and mysterious mood music, using electronically treated acoustic instruments without pretension, creating a sort of pop music for another univer…
2017 "upgrade" of this early Creel Pone title; this replica edition includes all of the material from Reinhold Weber's two Corona-label LPs, "Elektronische Musik" & "Elektronische + Phonetische Kompositionen" - Creel Pones #009 & #099, respectively - along with everything from his two later Sound Star Ton LPs (again) "Elektronische Musik" & "Computermusik", all on four separate discs. Those who have already acquired the first two titles in earlier sweeps can simply purchase the CP 009-099.2 pack…
Faust stand among the most influential creative forces to have emerged from Germany in the late '60s and early '70s. Along with Can, Agitation Free, Neu! and others, they rejected the Anglo-American norms of rock 'n' roll to start a back-to-basics and uniquely Teutonic revolution in sound – later dubbed by the UK press with the semi-derogatory term "krautrock." They would reach near-mythical status through a series of classic albums recorded between 1970 and 1973 at their secluded Wümme studio.A…
Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982. While all of Bender's work draws from intimate home recordings – featuring the artist alone with various keyboards, analogue sequencers and tape delays – Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the …
2018 edition. As I understand it, in the short history of Creel Pone thus far, there have been a few candidates for replication that were refused simply on the grounds that the music within fell outside of the “Core” EAI - or "Era of Interest" - represented by the series: 1948 - 1981; those dates on the foil-seal. Why these specific dates, you ask? Well, on October 5th, 1948, the ORTF broadcast Pierre Schaeffer’s “Cinq Etudes de Bruits,” hailed by many as the birth-date of Musique Concrète and s…
Issued privately in 1972 by Toronto's Carmen Lamanna Gallery following an Autumn 1970 exhibition, this "Sound Work" by Sculptor Robin MacKenzie is a wonder of simplicity. Presenting a series of unadorned Sound Events - the approaches & recessions of single vehicles on what sounds like a lonely stretch of the 403 at 3am, then the Composer's footsteps similarly walking toward & away from the microphone's singular vantage point - in a manner befitting both the storied "Sounds of the Junkyard" Folk…
2018 repress. Issued privately by Stockholm’s "Elektron Musik Studion” (EMS)
between 1966 & 1973, the four “Dokumentation” LPs were something of a
seasonal report card of the studio’s charter output, “internally”
issuing key early works. Composers Ralph Lundsten
& Leo Nilsen - whose side-length “Aloha Arita” & “Kalejdoskop”
have only been issued in severely excerpted form in the interim, -
Karl-Birger Blomdahl, Bengt Emil Johnson, Jan W. Morthenson, Arne
Mellnäs, Lars-Gunnar Bodin, and Sv…
Lovely set of tape-music by composer Jack Tamul, issued in 1980
by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area
powerhouse that released William Hoskins’ “Galactic Fantasy” &
William Strickland’s “An Electronic Visit to the Zoo” the year prior -
“recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic
materials: “Genesis” is a choir piece peppered with synthesizer &
tape-manipulation; “Lament for Gettysburg” is …
Handy, double-pack reproduction offering a pair of Compilations on the Greek Music Box label, the first comprised of key Magnetic Tape & Spectral Computer Music pieces by Iannis Xenakis, Dimitris Kamarotos, Xaris Xanthoudakis, & Vasilis Riziotis, the latter of, essentially, Dark Ambient & assorted "Wave" & "Age" fare by Vangelis Katsoulis, Lena Platonos, "Antitheseis" alum Michael Grigoriou, & Minas Alexiades, each on its own disc inside a "Gatefold" booklet. Released pretty much back-to-back - …
On the Creel Pone short-list for easily as long as #200's William S. Fischer title, this 1973 compilation of music, all composed at York University's Electronic Music Studio during the late 60s & early 70s has been a real white whale for ages & ages, until composer Martin Wesley-Smith's personal copy landed (literally) in the lap of the core C.P. cognoscenti earlier this year. Consisting of three sides (1, 3, 5, appearing here as disc one) of music by resident composers, staff, and hangers-on at…
Replica edition of this impossible-to-find, internal compilation of
early-mid-80s Australian Tape Collage & Digital Assemblage, issued
privately by Sydney Classical radio station 2MBS & consisting of
five extended pieces; one each by Composers Peter Mumme, Peter Schaefer,
Robert Douglas, Jon Rose, & Michael Hannan. There is a fair
deal of the Fairlight's timbral & formal palette across the album's
otherwise conceptually disparate offerings; understandable given
the era & geographic associ…