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All Four Volumes of Intrigue & Stuff available as a limited edition set, all four volumes pressed on clear vinyl and including an instant download of all volumes - 19 tracks!
James Leyland Kirby returns with an uncompromising, poetic and unexpected 4th and final instalment of his long-dormant 'Intrigue & Stuff' series despatched from his new base in Krakow for his own History Always Favours The Winners label. Since we last heard from the provocateur he's issued brilliant albums as The Caretaker and The Stranger, a cracking 12" for his formative heroes R&S/Apollo, and marked his 40th Birthday last week with a 40-track album of Piano pieces...yet we can't help but feel…
Peter Brötzmann, alto, tenor & baritone saxophone, e-flat clarinet, tarogato. Harry Miller, double bass. Louis Moholo, drums. On Opened, But Hardly Touched, the Brötzmann-Miller-Moholo combination, displays the most accessible approach of the live trio recordings surveyed. An extemporaneous master who puts the spur in the spur of the moment, reedman Peter Brötzmann is surely one of Albert Ayler's most vital sons for his blowing stamina and savage sense of humor. Bassist Harry Miller and drummer …
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…
Daunik Lazro - baritone & alto sax. Jean-François Pauvros - electric guitars. Roger Turner - drums & percussion. Tracks 1 and 2 recorded live at Instants Chavirés (Montreuil) by Jean-Marc Foussat and Dominique Pauvros on 7th November 2008. Tracks 3 and 4 recorded live at festival Jazz en Frache-Comté (Besançon) by Jean-Marc Foussat on June 30th 2010. Edited and mixed by Jean-Marc Foussat
Four year after the album L’Isola (“The Island”, Snowdonia) based on a noir-horror story by Alda Teodorani and three years after the shocking techno-hc cd-single Preti Pedofili (“Pedophile Priests”, Sussidiaria), Le Forbici di Manitù think back to three decades of eclectic activism on the edge of the Italian music scene - with influences ranging from post-punk to noise, from prog-rock to ambient, lounge and folk - in a "Self-Myth-Anthology" that collects rare tracks from various singles and comp…
Nino Rota enhances the dreamy proceedings of Fellini\'s 1963 masterpiece, with a music hall-like melange of jazz, classical, lounge, and circus music. Rota composed a glorious mix of operatic interludes, cabaret swing, polka romps, and organ combo ditties, often all within one number.
On vinyl, it's the legendary score from the Fellini's equally legendary movie. The music by Nino Rota sometimes sounds quasi-liturgical, sometimes jazzy, and sometimes it rocks. Lurking beneath is the irreverence of tuba and accordions, and snatches of pop songs. The characters in Fellini's movie are forever in motion, and Rota provides the perfect music for their processions and parades.ÂÂ
Another killer reissue on Doxy, equally desirable volume, which completes the documentation of Dockstader's organized sound works. "Traveling Music was originally composed as a monaural piece (Electronic Piece No. 8). It was, in effect, my Poeme Electronique, after Varese, and my first piece to be strictly organized with a few sound-materials (instead of throwing everything in and stirring briskly, as I'd done prior to this). When I got the use of a two-track…
An accomplished group in the world of chamber music, the Concord String Quartet, active from 1971-1987, gained almost immediate attention from the press as well as a dedicated following, after winning the prestigious Walter W. Naumburg Chamber Music Award in 1972. Although the quartet was a classical string quartet, these rare 1973 recordings show the groups affinity for the "New York School" of avant-garde composers, like Earle Brown, John Cage and Morton Feldman, as well. Side B is entirely co…
Featuring two American ex-pats on bass (Barre Phillips) and drums (Stu Martin), and English saxophonist (John Surman), The Trio is a monster 2LP of avant-garde and free jazz originally released on the Dawn label in 1970. By the time this double album was recorded, the various band members had developed quite a pedigree having played with the likes of Archie Shepp, Paul Bley, Bob James, Mike Westbrook, Attila Zoller, Gong, Marion Brown, and more! Their experience and expertise are visible here as…
Originally released in 1971, 'Tales Of The Algonquin', is one of the finest artifacts of the British modal and free jazz scene of the 1960s/1970s. Johns Surman and Warren, like their contemporary Mike Westbrook, take the big band form and flip it on its head by incorporating elements of modal, free, and progressive jazz. The results are powerful and this album is perhaps the greatest example of that quintessentially British jazz style. Long sought after by jazz collectors across the globe, this …
Originally released on Deram in 1967, 'Celebration' is one of the most important albums of the 1960s British progressive and avant-garde Jazz scene. The Mike Westbrook Concert Band included some of the UKs most important jazz figures of the time, including John Surman, Mike Osborne, and Harry Miller. These recordings, culled from two days of studio work, are equal parts swinging and experimental, boundary pushing and accessible. Original copies on Deram now fetch a hefty sum, thankfully the folk…
Oud virtuoso and composer Salman Shukur was the Head of the Music Department and Professor of Oud (the Arab lute) at the Baghdad Institute of Fine Arts for over 30 years. However, despite his long and illustrious career, Shukur made only one LP, recorded in London in 1976 at Rosslyn Hill Chapel. Shukur's compositions, while based on the Arab classical musical tradition, attempt to bridge the gap between eastern and western music, and may be described as tone-poems, embodying both free and formal…
LP’s are slightly warped (entire pressing) but does not affect playback. Deluxe 3LPs in hardboard, linen-bound box with 22-page book and large poster with score. 'SEM' documents the difficult, challenging and deeply personal early works of autodidactic electroacoustic music composer Joris De Laet (Belgium, 1947) created at his Studio for Electronic Music and IPEM between 1972-1979. All material has been mastered from the original tapes and is previously unreleased. Guided by a radical sense of …
Welcome to the wild, bizarro world of the experimental artists called The Residents. Little is known about the group's origins or its members' identities, although it is widely believed that they are based out of San Francisco, California. When their debut release, Santa Dog, first appeared in 1972 on the equally enigmatic Ralph Records / Cryptic Corporation, the few hundred copies quickly fell on deaf ears and blind eyes. Rumor has it that then-President Richard Nixon sent his record back.True …
Residue Of The Residents collects outtakes, rare tracks and other experiments from this legendary San Francisco collective. Originally released on Ralph Records in 1983 and spanning The Residents' career up to that point, this first-time vinyl reissue has been expanded to a double LP and contains 26 songs from the late '70s and early '80s – the group's most fertile period.Highlights from the first LP include the Morricone-inspired "The Sleeper," the dreamlike "Whoopy Snorp" (initially on the LAF…
Impasse is a sideways journey into the archives of London based artist Luke Younger, aka Helm. Originally conceived six years ago in the wake of a Birds of Delay tour, an edited version of Impasse saw the light of day as a mini cdr on the low point label in 2008. This expanded re-issue has the two original tracks remastered along with two other pieces from the same sessions that remained unmixed and unreleased until a couple of years ago. Impasse is somewhat of an anomaly in the Helm canon when …
"Ankarkättingens slut är sångens början; poesi & ljudpoesi 1944-1993" (The Song Begins Where the Anchor Chain Ends; Poetry and Text-Sound 1944-1993) was edited and poroduced by Teddy Hultberg, and includes texts by Teddy Hultberg, Sune Nordgren and Ilmar Laaban.Ilmar Laaban´s poetry, practically a class in itself in Sweden, traverses linguistic borderlands where words can get split and torn apart, reduced to something beyond words, perhaps more universal than words, but where the various compone…