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Originally released as a double album Wee Tam & The Big Huge for some reasons gets commercialized as two separate Cds, the first called Wee Tam and the next being The Big Huge. Again the Boyd/Elektra connection is present, the pastoral setting of artwork (both albums photos taken from the same shoot (same clothes) and the group was at its apex. This Cd reissue of Wee Tam should read side 1 & 2 of the double vinyl issue Well no matter how you look at it, ISB’s better moment had turned with Hangma…
During their lifespan, The Incredible String Band contained several wives, children and pets, and were a five-piece when they disbanded in November 1974. Basically, everyone else acted as a supporting cast to the songwriting nucleus of Robin Williamson and Mike Heron. Liquid Acrobat As Regards The Air marks the halfway point, more or less, of the Incredible String Band. This 1971 release was their first for Island Records, following Joe Boyd (formerly Elektra UK's director of A&R) to the label. …
Credited with being the first artists to fuse folk and psychedelic sensibilities, the Incredible String Band benefited from having two very complementary frontmen. Robin Williamson and Mike Heron were also extremely versatile musicians, as this, their third album, indicates: he two of them play 17 instruments here, including harpsichord, water harp, sitar, and oud. While Hangman's is a fascinating record dense with exotic rhythms and instrumentation, it also suffers in spots from the airy excess…
New remastered edition, originally issued in 1970, I LOOKED UP represents the end of the Robin/Mike/Likky/Rose period of the Incredible String Band. Later that same year would see te release of the 2-lp set U, which would introduce new faces and influences into the melting pot that was the 'sound' of the ISB.Other than being the last album by this line-up, I LOOKED UP is notable for several other reasons -- for one thing, it was the last album they recorded that was mostly acoustic (I don't cons…
Their 1970 album intended as a soundtrack to their theatrical stage show, this was subtitled A Surreal Parade in Song and Dance. Includes the epic 'Rainbow'. Never before on CD, this the amazing Elektra remastered edition."U" is something special, and almost accidental. Its structure, dictated by its title, seems almost unapparent in the music itself. Look closely at the cover: it represents a "Siddhartha" like journey from the purity of innocence, down into the temptation and turmoil of the phy…
This album is essentially the first recording by Robin Williamson and Mike Heron as a duo. What's most exciting about this album is that fans can witness these songs take creative flight for the first time. Most of these selections found their way onto subsequent studio recordings, but there are also a few unreleased songs, including Williamson's "Born in Your Town" and Heron's "Lover Man," which was later recorded by Al Stewart. The discovery of these tapes was made in 1985. They finally saw re…
Jack Rose's new full length, Dr. Ragtime And His Pals, coupled with a reissue of last year's self-titled CD/LP housed in a custom designed and fabricated off-set printed card cover with j-card style obi (there is also a jewel case version on the UK label Beautiful Happiness). Limited edition of 1000. "The Appalachian Trail runs 2175 miles south from Mount Katahdin in Maine to Springer Mountain in Georgia, though there are those who want to stretch it further, into Alabama, because the mountains …
They really don't write them like this any more. "Big Ted's dead / He was a great old pig," sings Robin Williamson. "He'd eat most anything / Never wore a wig." Although the Incredible String Band had always been delightfully ramshackle, 1969's Changing Horses found the innovative folk-rock duo of Williamson and his mate Mike Heron becoming almost a slipshod stoned parody of themselves--with assistance from their girlfriends Rose and Licorice. Of the six tracks, two ramble on at such length (ove…
This quartet incarnation of the Incredible String Band featured primary songwriters Robin Williamson and Mike Heron as well as their significant others, Christina "Liquorice" McKechnie and Rose Simpson. The ISB's tradition of quirky, and at times atonal, acoustic material is well served by the nine compositions on this platter. The lengthy opening track, "Maya," foreshadows their less-focused upcoming works I Looked Up and U. Although there are a few moments of brilliant playing, the ambling nat…
The 5000 Spirits or the Layers of the Onion was the second LP by The Incredible String Band, released in July 1967. Since recording their debut album the previous year, the original trio had been reduced to two, Mike Heron and Robin Williamson. They recorded The 5000 Spirits... in London in early 1967. The album also featured Pentangle's Danny Thompson on double bass, Williamson's girlfriend Licorice McKechnie on vocals and percussion, master sitar player Nazir Jairazbhoy (credited as "Soma"), a…
The songs are also a rather gentle and melodic bunch, with "I'll See You Again" and the tender "Forever" being particular highlights. Harper's usual collection of heavy friends are present, including Ian Anderson, Keith Moon, Jimmy Page and David Bedford, all of them contributing well. But as always, this is strictly Harper's show. 10 track album originally released in 1974. Guests include Jimmy Page, Keith Moon, Pete Sears and Max Middleton. Originally released on Valentine's Day 1974, VALENTIN…
The follow-up to Roy Harper's career-defining song cycle STORMCOCK, 1973's LIFEMASK does an excellent job on building on some of the most successful aspects of the previous album without sounding like a mere retread. Wisely, Harper doesn't attempt ... Full Descriptionto repeat the unusual four-lengthy-songs structure of STORMCOCK, instead favoring shorter songs and mood pieces which cohere into a satisfying whole. Jimmy Page, used sparingly and to great effect on STORMCOCK, plays on nearly ev…
Originally released in 1975, HQ is Roy Harper's 8th studio album. Roy describes HQ as his most integral 'rock record'. It featured Harper's formation of Trigger, a relatively straightforward hard rock trio anchored by ace guitarist Chris Spedding and former King Crimson/Yes drummer Bill Bruford. (The unit disbanded after this album, however.) Pink Floyd guitarist David Gilmour and Led Zeppelin bassist John Paul Jones are among the other all-star contributors on this album. The album was original…
Eccentric, prolific British singer/songwriter Roy Harper is a legend on the U.K. folk-rock scene. He began recording in the late 1960s, as something of a cross between Bob Dylan's troubadourism and Syd Barrett's freewheeling, wild-eyed visions. Though Harper has had an impact on British rockers who gained greater fame (he's feted in Led Zeppelin's "Hats Off To Roy Harper," sings lead on Pink Floyd's "Have a Cigar," and was a major influence on Jethro Tull), his mix of folk and prog-rock has earn…
Flat Baroque and Berserk was the first record of Harper’s to go into the charts. Peter Jenner was assigned by EMI Records to produce the recording – the two have been good friends ever since. EMI Studios, Abbey Road was at that time the most advanced studio in Europe, and over the next ten years Roy Harper was to record in near-perfect conditions. Over those years, the studio buzzed with four separate Beatles, some Stones, The Pink Floyd, Cliff and the Shadows, Gracie Fields, three of four music…
Originally released in 1979, Grosses Wasser is Cluster's last great album. Combining the ambient space rock of early albums on some songs with a more updated, beat-driven, (dare I say space-disco?) sound on others, it at times sounds like the best of both worlds. Cluster were probably the most influential and ground-breaking group to come out of Germany in the '70s (no small feat) and every one of their records is pure trailblazing musical history. Includes a 12-page booklet.
Although he left an extended and varied output, including five major stage-works, several shorter dramatic pieces, a number of significant choral and orchestral works (not least the famous Sinfonia of 1968), and a sizeable body of instrumental and vocal pieces, the music of Luciano Berio is encapsulated in the Sequenza series running through 34 years of his creativity. Not only have many of them set standards for performance prowess and stamina, each embodies a redefining of the technical limits…
For folks familiar with AMM, this one really doesn’t need much by way of introduction. However, as an entry point, it serves up (relatively) short digestible tracks that illustrate the organic genius of AMM. By the time they recorded this album, this was AMM’s third incarnation. By no means the groups most decisive or challenging work, the songs clearly demonstrate the various shades of free improv mastery that give the group it’s perrenial status as one of the finest examples within the genre. …
In the culturally turbulent mid-1960s, the visionary, otherworldly musical being we have all come to know as Sun Ra formed a brief but tight bond with the late storyteller, activist and poet Henry Dumas. The Ark and the Ankh is a vintage 1966 document of dialogues and meditations between the poet and the musician set to the fervent musical experiments of the Arkestra recorded live at the legendary downtown New York club and haven for the insurgent black music scene, Slug's Saloon. The Ark and th…
This is the third and last entry in the Ann Arbor Blues & Jazz Festival, The Sun Ra Trilogy, produced by John Sinclair in agreement with the late Alton Abraham. This time the year is 1974 and the program of the evening includes some of the Arkestra'a greatest hits plus one number never recorded before, It Is Forbidden. This performance has never been released. 2001 release.