“Nécropolis, the latest compilation of works by Swedish composer Åke Parmerud, is altogether more problematic.”
Nécropolis, the latest compilation of works by Swedish composer Åke Parmerud, is altogether more problematic. Last year’s Growl indicated a composer fond of confining himself to discrete aesthetic and sonic limitations, but in the case of these four pieces, it’s surprising and disappointing to hear a recurring vagueness permeating them. In the case of Dreaming in Darkness, an attempt to “create surrealistic fragments of a blind person’s dreams”, it’s not entirely clear whether the overt lack of clarity that’s surely the work’s defining feature means Parmerud has succeeded or failed in his aims. Surrealistic it certainly isn’t, which is a shame as it might have provided something outside the palette of rather hackneyed bells, whooshes and thuds that comprise the primary content of the piece.
Originally published by 5:4.Read the full review on 5:4
