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Colliding Bubbles (surface tension and release) is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. "The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and…
*300 copies limited edition* "Keith was a dear friend firstly. He was a generous, wonderful person and, of couse, a genius, a true artist. We all owe so much to him for we started our label with his critically acclaimed piano solo “Mujician IV - Live in Piacenza”, way back in 2015. We welcome this album as a real blessing for the soul. So long dear Keith: your music shall live forever." - Max Marchini
Music for Labyrinths is an open live project for a soundtracks of labyrinths around the world a…
Sofa is proud to mark its 100th release with the stunningly beautiful double album Hereafter, a new major work from guitarist/composer Kim Myhr, written for the 15-piece Stavanger-based ensemble Kitchen Orchestra. “Hereafter can be seen as a meditation on mortality and transience”, Myhr explains. “It was written at a time where the prime minister of Norway told the country’s population that ‘you have to be prepared to lose someone dear to you’. It was like taken out of Tarkovsky’s “Sacrifice”. T…
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
"Olivier Messiaen once said that all you need to make music is a note and silence. For the composer Arash Yazdani, born in 1985 and raised in Isfahan, Iran (and now based in Tallinn, Estonia), a slightly adapted adage applies: All you need to make music is two frequencies – though Yazdani has a clear preference for notes extremely close in pitch. His music is full of tightly coiled beatings, both stationary and set in motion. These beatings function like black holes in his works, drawing other s…
From the composer, Leonardo Barbadoro, comes “Musica Automata”, an engrossing foray into the expressive possibilities of electronics and robotics implemented by an acoustic instrumentation, culminating as a genre-blurring excursion into the outer reaches of experimentalism. Created with entirely digital source material, rendered by the Gent based Logos association's orchestra of automated, robotic instruments - percussion, woodwind, brass, organ, and numerous unconventional instruments - this st…
*150 copies limited edition* "Most of the music I am attracted to represents some kind of undoing. Sun Ra's undoing of the big band, or of the jazz solo. Schoenberg, Berg, and Webern's undoing of the classical music concert. The A.A.C.M.'s undoing of the jazz combo and the club date. Pauline Oliveros' undoing of the musical score. Alice Coltrane, Don Cherry, and Cornelius Cardew's various undoings of the profession. What's more, none of these undoings are antagonistic or destructive. The thing u…
"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…
*2023 stock* "This, the first CD dedicated entirely to work by composer Dario Palermo, features three substantial electroacoustic works written between 2009 and 2012. Palermo (b. 1970) has been involved with the use of new technologies in music since the early 1990s. His background includes studies with Giorgio Colombo Taccani and Giovanni Verrando and others, including Gerard Grisey, as well as in orchestral and chamber performance. His work, as typified in the three pieces presented here, is b…
Tip! Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music’s relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Mu…
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion Of Shadow and Substance.
'A room outdoors' is a 48 minute piece written in 2006 by Michael Pisaro-Liu for sustaining instrument, harmonium and field recordings. This was the first work in which Pisaro-Liu incorporated field recordings into his score. This double CD contains two different realizations of the piece, one made in Brussels during the lockdown in April 2020 and one set up in Cremona in June 2023, each realized by the following artists: Disc 1 features Belgium-based Guy Vandromme (keyboards) and Adriaan Severi…
The set of The Weather Pieces are reflections on the perception of meteorological phenomena. The listener is immersed in a hybrid sound world, as the line between the live performer and the computer generated propositions becomes blurred. The musician follows a score that leaves room for interaction with the computer’s ever-changing proposals. The works also use the performer’s voice, using spoken texts to convey inner thoughts and feelings. Les si doux redoux for basset horn grew out of an…
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
*2023 stock* A beautiful collection of recordings from 1972 to 1978, first released in 1990 (with different artwork). "Selbstportrait VI" contains compositions Roedelius did in addition to his work with Cluster, Harmonia and Brian Eno in the legendary Forst years. In the booklet Roedelius looks back on this personal and artistical important period of his life. He explains the magic of the idyllic place and its influence on his music.
*2023 stock* If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. Rarely has the title of a Roedelius album so poetically and yet so accurately described its content. On "Like The Whispering Of The Wind" from 1986 Roedelius expands his Études towards amorphousness, then suddenly a disarmingly familiar melody appears, from a completely different source perha…
*2023 stock* Contemporary classical composer Masamichi Kinoshita was born in 1969 in Ono, Fukui Prefecture. He currently lives in Tokyo. Kinoshita regularly performs at Ftarri in Suidobashi, Tokyo. In February 2020 he held the first concert in the series "Ftarri's Harmonium," featuring the harmonium housed at Ftarri. The series has since continued at a rate of one concert every few months; the fifth was held on July 3, 2021. In each concert, Kinoshita (on harmonium) performs his own compositions…
*2023 stock* This CD documents a series of works that I call "Musical Procedure." In composers' usual works, the sounds to be performed are written in a score; but in these pieces the procedures (which could also be called programs, algorithms or specification sheets) for shaping music, such as performance methods and the general ideas of the works, are written as concisely as possible, and the type of sound to be produced is left largely to the performers. The score is merely an arrangement of …
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…