The Grave and Beautiful Name of Sadness
ICR distribution present a new Nurse With Wound LP, remastered by Colin Potter. 600 copies. The Grave And Beautiful Name Of Sadness features two archive mixes of the original 1984 recording. A 2007 epic variation recorded for possible inclusion in Peter Strickland's film 'Katalin Varga' and a unique 'psychedelic' version from 2012 which until now has never been heard.
Can Stones Evade Taxes?
*50 hand-numbered copies* The voice from the box said, "What if the ultimate border situation between garbage and art is actually laughter? (...) The literal yoga of excrement (排泄物的瑜伽), a coprolitic essay on how we, as listeners, encounter 'objects of fear,' process them, and transform them into sound. It's 石头 in our ears."I said, "But 'for our purposes,' it seems to me that 'just a lonely voice' is needed."Onufr Gaptev said, "For those who take a vow of silence, any word is shit compared to the…
Deer's Breathe In Every Color
*200 hand-numbered copies limited edition* Lake Mary is the moniker of Chaz Prymek, a guitarist, composer, free improvisor and painter currently based in the US. Through spacious personal hymns exploring the wilderness of deep emotional narrative, Prymek’s long-form compositions and improvisations are boundless meditations on the landscapes, river ways, and wildlife, both external and personal. Perhaps most widely known as a founding member of the group Fuubutsushi, Prymek's work as Lake Mary le…
Cross Sections
*300 copies limited edition* Clothilde’s new album sounds like a constant departure from almost everything. Up until now, her music pieces seemed uncontrolled, a total commitment to the machines. She was, somehow, in between us - listener, audience - and the idea of a machine producing sounds she doesn’t seem to control. Of course, none of this was entirely true, she was mostly in control, but the fantasy, the orchestration of it was beautiful. It was sci-fi-ish, Metropolis-magnificent. In “Cros…
Anthropology Cavernous Tremors
*40 copies limited edition*
Completely handmade packaging.The package consists of:-cardboard cover (200 grams thick) printed in color. The cover measures 12x10 cm. closed, and 12x20.50 cm. developed, The cover is closed with three double satin ribbons in blue, white and red, reproducing the French flag-2 mini CDRs with a black and white printed surface, which are contained in a double-sleeved envelope with adhesive attached to the front. The envelope is contained inside a fold of the cover-minip…
4th Generation: Lilburn Electroacoustic Music Studios
4th Generation was released on the 40th anniversary of the Douglas Lilburn Electroacoustic Music Studios at the New Zealand School of Music in Wellington. When Lilburn established the studio it was the first electroacoustic music studio in the Southern Hemisphere and, four generations later, continues to be utilised by composers creating exciting and innovative works. Music by Philip Brownlee, Dugal McKinnon, Lissa Meridan and Michael Norris
08
Tip, few copies available! **Edition of 100** Dissimilar works documenting different experiences. A collection of disparate live and studio recordings, sourced from field recordings and weird self-made instruments. A curious mix of acoustic and electronic sounds like many little voices buzzing and screaming in a desolate mechanic land establishing an otherwordly surreal landscape. At times bizarre, at times claustrophobic.
Dead Eyes Opened
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…
Polar Code
Glacial Movements is pleased to present Polar Code, the debut album by Italian multidisciplinary artist Lia Bosch, which is also the first work by a woman to be released in Glacial Movements' almost 20 years of activity. Polar Code is a project where narrative, visuals, and music blend into an immersive and conceptual experience. Bosch personally oversaw every aspect of the creation: she composed the album, conceived the narrative, and crafted the accompanying visuals, creating a multi-dimension…
Eine Nacht
Deaf Lions is the recording project of T.S. Vickers who was based out of the San Francisco area. Although only active for a short period during the 1980s and early 90s, Vickers pioneered an enigmatic style of industrial / ambient utilizing early digital sampling techniques, Roland Juno compositions, and reel-to-reel tape loops.
Cassettes by Deaf Lions were self-released under the Stolen Art Productions imprint, though 1987’s “Copia” saw an official label release with Al Margolis & Sound of Pig. …
Nati Infiniti
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
Lewis Spybey
From out of nowhere comes a unique collaborative album from Edvard Graham Lewis (Wire) & Mark Spybey (Zoviet France). Mixing lush electronic rhythms, sonic collage, ambient soundscapes and manipulated field recordings, these six compositions form an album with a strong identity. That this is such a vital and fertile partnership should come as no surprise. After all, both men have made careers out of creating confidently questing musics. Lewis with Wire, He Said, Hox, Dome etc. and Spybey with De…
Jardin Au Fou
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…
Diagenesis
*CD Version* Russell Burden (Being) is a sound and visual artist living on the south coast of the UK. His practice develops work that explores qualities of ambient perception, most often through the lens of hydrological, geological or biological processes. He has delivered gallery exhibits in various mediums including live cymatic feed, and dark space installation. Russell was also a member of The Humble Bee & Players and last year as artist in residence for a site specific project produced a se…
Àlááfíà
Honour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The…
September 23rd
September 23rd is the first release in William Basinski's new Arcadia Archive series. Recorded in September 1982 in his first loft in the pre-gentrified DUMBO neighborhood in Brooklyn, New York, September 23rd is a recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, September 23rd quickly evolved into a vastly different work. As Basinski explains: "The original piano rec…
Plume
‘plume’ is the latest in a series of cassette releases Nate Scheible made following his acclaimed album ‘Fairfax’ (2017), following ‘indices’ on Never Anything Records (2019) and ‘prions and scrapie’ on Unifactor (2020). The sounds on ‘plume’ date back to around 2021 when Scheible received a small grant from Rhizome in Washington, DC to produce work for a new Community Supported Art initiative. His contribution to the program included recordings of over 100 miniature pieces which were distribute…
Ephimeral
SOFA is proud to have discovered a great jewel in Spanish music. The Madrid based soundartist and composer Miguel Angel Tolosa has during the last five years become a special member of the SOFA family, having contributed on several SOFA albums both as an artist and as a recording and mastering engineer. Now, on "Ephimeral" we hear him all alone. Tolosa says about his music that it's not meant to convey extramusical contents, such as philosophical or religious ideas, political propaganda or adver…