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“Magnetic Debris” is a collection of audio works mainly based on the editing of old archived tape loops and "found" magnetic sounds. This material as main reference was subjected to multi-channel treatments, re assembled and mixed along with audio generators, and various electronic devices. These processed debris explores drone territories as a concrete atmospheric soundtrack full of tension with a sense of mystery and a melancholic beauty.Recorded and assembled in 2018, this double album has be…
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Hours of Gold is the second in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Circles of Silver is the first in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
"Joulupukki is a stunning electronic artwork by Xambuca, which is the moniker for American multimedia artist Chandra Shukla. Inspired by northern indigenous peoples, Xambuca is in the process of creating a trilogy dedicated to and stimulated by these unique cultures and geographies. The 2014 release Kamuy (Erototox) was inspired by the Ainu people of northern Japan, Sakhalin Island, and the Kuril Islands in the northern Pacific. Joulupukkiis about the Saami people living at the top of the Fenno-…
Elliott Sharps's release on Erototox Decodings is no different in terms of his ongoing homage to science, entitled 'Phlogiston', aptly named after a substance supposed by 18th-century chemists to exist in all combustible bodies, and to be released in combustion. It’s also his first purely electronic and synthesized record to date.
Blendwerk is all about smoke & mirrors.„Potpourri" - as a track - is new, its components are old. One element per existing album by Strotter Inst. has been intertwined. The parts are old, the entirety is new. "Quodlibet" represents an impossibility, 23 loops are cut next to each other. The simultaneity - as the title suggests - is only conceivable.
The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …
** Limited edition of 300 copies. Silkscreen printing on 350 gm paper, black inner ** In Vivo is a cross-media collaboration between clarinetist and composer Gareth Davis and Slovenian-born photographer Klavdij Sluban, released on IIKKI. It sets Sluban’s images from throughout his career, primarily of jailed teenagers in prisons around the world, to Davis’s contemporary classical music informed by post-rock and noise music.
**200 copies limited edition** Behind the mysterious name 'Läuten der Seele' comes the eponymous solo debut-album from Christian Schoppik, half of the confidentially acclaimed experimental dark folk duo Brannten Schnüre from Wurzburg (DE). The record is composed of 12 abstract audio collages based on transformed sampled loops from German 50’s Heimatfilme features -a popular domestic genre involving rural settings, romantic tone and simplistic morality, centered on love, friendship and family- j…
Originally released in Japan on the Belgian Crammed Discs label and subsequently re-issued on Made to Measure, Douzieme Journee treads that odd ground combining ambient music with roots in Eno and various so-called world musics, here concentrating on those found in Northern Africa and the Mid-East. This confluence seems to have been in the air at the time as witness similar efforts from Hector Zazou and the Penguin Café Orchestra. Lew and ex- Tuxedomoon member Brown, ably assisted by label mains…
"This LP forms an index to a body of artwork called Obstacle Corpus, encompassing drawing, writing, photographic and book works, video and sound. For the recording, I alternated between the same note on two pianos, played at once, with a spoken text. The text was
written in two parts, using the titles of 75 artworks made during 2019, interspersed with a field text, written as a form of drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano …
"Gerard Lebik and Burkhard Beins create musical forms of minimalist idiom, which consist of isolated sound events as well as gradually revealing harmonies and resonances. Metallic sounds from a large heavy cymbal are amplified and blend with electronically generated sine waves of varying amplitude, unfolding in a continuous glissando. An Alphabet Of Fluctuation is the evidence of how both artists rethink their approach towards deep reduction. One can see here a great sensitivity in determining t…
Rotterdam-based quartet Hydra Ensemble features cellists Nina Hitz and Lucija Gregov, double bassist Gonçalo Almeida and Rutger Zuydervelt on electronics. The ensemble is a juncture of four distinctive expressions finding common ground – together they form a four-headed entity that emerges from highly pensive collective improvisations, creating an intricate patchwork of concurrent melodic lines, textural explorations and expansive drones. Its sonic language exists on the cracks of free improvisa…
Every new St. Abdullah record is an attempt to present new ideas and To Live A La West is no exception. Spread out over a CD on Imprec and a cassette on sister label Cassauna, To Live A La West is simply moving, a collection of profound and spiritual tracks miraculously existing at the impossible intersection of free jazz and electro where mystery and clarity exist together. Neither complicated or complex but profound, St. Abdullah’s new work is partially inspired by their love for Jon Hassell’s…
Accident In Heaven was originally released in 1987 as a hand-made micro-edition of about 40 cassette tapes. It was only the third ever release on the short-lived now near legendary SDV label which had been established that same year by Konrad Kraft, Bernd Sevens and Dino Oon in Düsseldorf.Finally finding a more substantial and appreciative audience on vinyl over 30 years after its original limited release, Accident In Heaven is a strong testament to the explorative experiments of Detlef Funder a…