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*200 copies limited edition* Looking back, looking forward..."Adverse Camber" is a return to simple solo guitar with heavy ambient sounds, combining drifting drones with noisy textures in attempt to encompass both the light and the dark at the same time.
"On ‘Crisis Make Up!’ the long awaited second album from Slaylor Moon, we draw deeper into the intimate sonic world of Canadian musician Sydney Koke. This time, her sensual minimalism and disjointed abstraction is even more striking as she addresses one of the most fundamental quandaries of electronic music - that of the human agent and its presence in the synthetic world of the machine. The choice to eschew computerised arrangements in favour of physical gestures - be it pushing keys, buttons, …
*150 copies limited edition* Here CON presents an uneasy experimental piece exploring obscure liquid sonic realms and their contents. Schnitzler continues to take the familiar and transform it into something unrecognizably warped. Nachtfahrt is a deeply hypnotic album. CON guides this grim tale through numerous moods, CONveying a transition from dreamy weightlessness to noir tension.
*150 copies limited edition* LichtPunkte is a dense work, enhanced by inventive arrangements and powerful narrative ideas so abundant that the album could serve as a launchpad for several more works. There are spaces filled with melodies that float and hover, and there are layers that are intricate and full of forward movement. CON's drive and focused creative energy make this work an outstanding example of the 'Berlin Kosmische Schule'.
Birmingham Frequencies, a landmark ambient classic recorded in 1997 by Higher Intelligence Agency and Biosphere, receives its first release on vinyl. The follow up to Polar Sequences, a previous collaborative project between Biosphere & HIA, Birmingham Frequencies features location recordings of the city’s sonic landscape, captured by Bobby Bird and Geir Jenssen, which form the basis of the compositions.Birmingham Frequencies was first presented in concert on 4th October 1997 within the sublime …
Rick Potts and Joseph Hammer met at a Halloween party in 1982. At the time, Joseph was making tape loops and recording with Points of Friction, while Rick already had many years of freakdom service under his belt with the LAFMS. They began collaborating on new recordings, with Joseph providing loops and Rick playing an Optigan borrowed from Joseph. The Optigan, made by a toy manufacturer for home use, is a primitive 1970s sampler that plays prerecorded discs ranging from exotica, pipe organ and …
A sequel to 2011's communication from our future selves on 'The Spectacle of Light Abductions', this new endeavour by restless netherzone traveller Spencer Clark envisions a space map towards the other side of human life.
A meditation on the paintings of Vedran Kopljar, these two side-long pieces, recorded and performed at Kopljar's exhibition at Muhka Museum in Antwerp in 2024, tap into the barren world inhabited by Clark while wandering what he calls the "Abomination Plateaus".
Searching for m…
2006 release ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. These are the very qualities that a whole host of copycats usually latch onto, often to the point of suffocation. Let me reassure you right away: Monno are not among the copycats. Their music is saturated—in the truest "noise" sense of the word. Noise. Somewhere be…
»Ampersand Curve« initiates a brilliant new phase of work by North Manchester’s most elusive artist, best known as Michael J. Blood. His string of ruffkut club bangers, as well as jams with Rat Heart & Samizdat over the past seven years, have made his records a true cult property, and now find him signed to one of the UK’s most foundational techno imprints – more of which later this year.
But under the Sees aegis, he swims in very different waters, following his instincts to use the studio-as-in…
2026 stock. It is genuinely difficult to place Rod McKuen anywhere in the twentieth century. He read alongside Kerouac and Ginsberg at the Jazz Cellar in San Francisco in the early 1950s, sang with Lionel Hampton's band, worked as a contract player at Universal, and cut the beat-poetry record Beatsville for HiFi Records in 1959. The early 1960s took him to France, where his encounter with Jacques Brel produced the English versions of Ne me quitte pas and Le Moribond that entered the language as …
*50 copies limited edition* In December 2025, I performed alongside Asmus Tietchens and Jetzmann at the final Hörbar Ausklang Festival. This cassette was produced for that occasion. It contains preliminary studies for my live modular synthesiser performance. The tape wasn't sold on the night, and its release ended up being postponed until now. At one point I had almost forgotten that I had even produced it. Now it's finally here—but what does that change?
The title Miszellen Band is derived fro…
*250 copies limited edition* "Whenever I perform a concert, which is usually a one-off, I like to try something new that I have prepared and rehearsed. It's very rare to return to the music afterwards and record a studio version. On 25 November 2023, I played a concert in Münster, Germany, and I was very pleased with how it turned out. However, because I was given 30 minutes, I felt it was a bit rushed, and I recorded a new version at home shortly afterwards.
The inclusion of shortwave radio sou…
When in 2006 our Zonic Spezial "Voltage. Power. Resistance. Magnetic Tape Underground GDR 1979-1990" was published in cooperation with Verbrecher Verlag and the legendary label ZickZack, there was some amazement. Especially when the enclosed CDs were listened to from a Western perspective. Part of this weird Kassettentäter-Ost potpourri of swirling post-punk variety, which Bert Papenfuß, Bo Kondren, Bernd Jestram and Ronald Lippok compiled with well-founded interpretive authority, was also a pie…
Final Image’s fourth release is a compilation of three works by the composer, mastering engineer and artist Jacques Beloeil, on the anniversary of his passing in 2023.
Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their …
*200 copies limited edition* Ten years after "Il dipinto ucciso", Candor Chasma returns with "Seance". While the album comes full circle, revisiting the project's original fixations - the spirit world, stripped of any gothic overtone - it also signals a decisive shift in sonic language. Frameworks of abstract noise, fractured post-techno structures, asymmetric rhythms and heavily processed percussion, filters and saturation pushed to their limits: all shape five compositions poised between hypno…
Tape loops and noises from our friend dolphin hospital, initially they were performed live this spring in Paris, being overwhelmed during the shows, we just asked for the live recordings and decided to release them, voila!!!
Mystery Hearsay / Mike Honeycutt was a major node of the 80s cassette culture network, his radio program in Memphis TN being a touchstone for home taping artists of a similar caliber to Don Campau‘s “No Pigeonholes”, RRRadio, or Schimpfluch’s “Psychic Rally”, all of which featured MH as an active participant. He also collaborated and traded extensively with the likes of Zan Hoffman (Larb), Minóy (Life Of Work), Swinebolt 45, and Agog.
Audio and video works by Mystery Hearsay were distributed pri…