Electronic / Ambient

1996 release ** CD in a card sleeve held in an A5 wraparound card folder. "Quest is the project of Frans De Waard (member of Kapotte Muziek and Beequeen). Quest started as a solo project of Frans and was initially called QST, influenced by Pete Namlook and the output of the FAX label."

1995 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 wraparound card folder. "Anyone familiar with Eno’s brand of ambient music will feel right at home as Shean weaves droning pads of calming textures and various timbres throughout. About a third of the way through, slow tribal rhythms are introduced, providing a welcome change in tempo, if not in tone. A few atmospheric flourishes come and go, including what sounds like chatter at a subway train station. Overa…

1996 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 (150x200mm) wraparound card folder. "Rarely an album comes along that elicits so many different feelings one is left speechless. Suspended Feathers achieves such sacred distinction. Executed with such meticoluos attention to detail, the music of Italy's Alio Die is afine art to behold. A splendid mixture of enchanting instruments, loops and environmental treatments combine to form a multiple layered ambience …

2004 release ** "Fluidities is not your usual double CD, but rather an open ended project designed to generate many unique musical collaborations. The tracks on these two discs were designed so that any track on one CD could be combined with any track from the other CD to create a hybrid piece. In fact any two tracks on Fluidities can be played together to create new composite tracks that are, in effect, virtual collaborations between artists who may have never recorded together. For listeners w…

2008 release ** "The latest work from one of the most prominent and outstanding Martial / Neoclassical European projects. Dedicated to warrior’s traditions of medieval Japan.Graceful and epic cocktail of atmospheric neoclassical passages, Japanese drums and rhythms. Digipak designed with a classical Japanese style."

2019 release  ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…

*200 copies limited edition* After several solo-releases on the label, we welcome back Taylor Deupree and The Humble Bee for their first collaborative album to date. Re: Case Studies is out on May 2nd and available on vinyl and digitally. While most collaborative albums are intentional from the start, this one almost never came to fruition and was born rather out of a fortunate coincidence. A few years ago, Taylor Deupree created a series of compositions entirely based on feedback loops, which n…

EXTNDDNTWRK is the enduring solo project of Andrew Fearn, who is more commonly recognised as one half of Sleaford Mods. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with t…

The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…

Brian Eno's pioneering Ambient album from 1978. Music for Airports is so delicate, lovely, and aesthetically moving, that it has been known to give rise to sensations of flying, being enfolded in warm blankets, or watching a vision take place in the heavens. If this sounds like an overstatement, you haven't heard the album. A four part 'piece' performed entirely on synthesizer and piano, Eno's composition finds a referent more in abstract painting (one visualizes bold blocks of colour in warm hu…

For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit, Insane Music) experimental spoken-word project originally released on tape in 1984. Cortex was never intended to be a conventional musical project. From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light. The narrator—la récitante—was only illuminated in the…

"This album has been a long time coming. We were lucky enough to do a tape in 2022 with Jeremy Hurewitz (aka Rootless) called what the truth leaves out. But this is the first time we’ve been able to work with long-time fave, Matt Lajoie, who appears with Ash Brooks as half of the no-longer-active duo, Starbirthed. The idea for this pairing was presented to us by Jeremy, who recorded the album at his cabin in southern Vermont in 2019. Jeremy’s Rootless project generally features at least a soupço…

*300 copies limited edition* "What a pleasure it is to hear this new album from France’s Jean-Baptiste Favory, long-distance associate of Los Lichis, presenter of France’s longest running avant garde radio show (Epsilonia), and a goddamn great musician. I Was Thinking is the solo third album we’ve done with J-B (preceded by Things Under and Ciels), and we think it’s the most varied and fascinating one yet. Using guitars, keyboards and electronics, Favory explores the edges between avant-rock, ex…

2011 release  ** "Last effort of 2011 for Gianluca Becuzzi this Nothing Is What It Seems, which is published at the end of the year by Silentes with a splendid graphic based on photos by Stefano Gentile and artwork by Andrea Marutti; Claudio Rocchetti completes the team of collaborators contributing with “sound objects” in a couple of tracks. All the rest (composition, production and mastering) is by Becuzzi. Nothing is as it seems tells us the title, and leads us to think that the sounds we hea…

2011 release  ** "Gianluca Becuzzi is an italian electronic / electroacoustic composer and sound artist active since the first half of the 80’s. He released many albums and performed live around Europe during the last three decades under various names. Since 1999, his artistic production is characterised by a strong experimental imprint and by a clear aesthetic inclination towards abstract forms and micro / macro noises / sounds. He deals with electronic / electroacoustic composition, sound art,…

2002 release ** "T.A.C. is a group of sonic alchemists who fuse synthetics, strings, acoustic instruments and treatments into a tapestry of psycho/ambient soundscapes filled with hypnotic atmospheres and synthetic incantations. It is surreal, cerebral and unique "cosmic" music of a new sort. "Waiting for the Twilight" announces the return of T.A.C. after five years from their previous release "Apotropaismo". After a long time of hibernating sleep, this unforgetted experienced italian band is bac…

2008 release ** "The minimalism that Andrea Sartori had proposed to us some time ago, rich in live sound objects, field recordings in tune with ambient, returns deprived of the connection with the dancefloor in this beautiful album by Mou, lips!, a sonic creation by Andrea Gabriele. The proposal inevitably hooks up with the sandy drifts of Boards of Canada in the very hot incipit Non è colpa mia! to then move on to a meditative journey made of acoustic guitars (for INstruments), trumpets and cla…

2006 release ** "Debut of young czech project Anhedonia/ destructive forces, which is comming with technological soundtracks full of industrial bandages, supernatural athmospheres, which are over laping with hybrid rytmical structures and beautiful electronic. Unreally developed and inteligent item. Music that enchant and don't let breathe out.Project that is echo of sound of bands as Gridlock, Flint Glass, Polygon. Technologic revolution in the world of pulsating generators and noncomercional b…

2019 release ** "Ten years after their first collaboration (“Into”, Silentes, 2009) KK Null and Deison are back together with “Yugen”*, a new work exploring darkness and controlled chaos thru deep and dense sounds. Pulsating and fractured electronics are mixed with an eerie atmosphere of clunks, broken tribal drums and hovering electronic tones."

2011 release ** "Extreme and uncompromising electronic stimulations, vibrations and synthetic pulsations floating off, disturbing buzzes and algorithmic waves in expansion, fragmented and deconstructed Synthetic Chaos... But also hints of hypnotic unfinished musical sketches, clips of embryonic melodic sequences, fragments of human voices, oscillating electronic pads, distorsions, improbable synthetic clones of nature sounds and noises... An intransigent work of disturbing and destabilizing elec…

2011 release ** "Frail and delicate ambient atmospheres, clusters of rarefied piano notes lying on discreet drones, soft and evanescent clarinet riffs, suggesting and catching natural sounds... Light and ethereal pastel-coloured musical plots... Eight tracks, one hour of suspended and quiet sonic passages, flowing like discreet background, or to listen/see in a passionate mood, dreaming in silence, lying in gloom... Wonderful ambient stuff from these two Russian artists in the same vein of some …

2009 release ** "Penetrating “Hi-tech” music, always on the border between sound,silence and noise… Splinters of sonic fragments, buzzings, electronic hisses, pulsations, hypnotic loops, ambient textures, sudden rays of light… A kaleidoscope of syntethic sounds and digital glitches, in a universe dominated by binary codes, that evolves through the cold-hearted control of sophisticated algorhythmic mutations programmed by human entities that already reached a level beyond the borders of our earth…

2006 release ** Limited edition of 150 copies.

**Edition of 300 copies, die-cut sleeve, gloss laminate finish** Soda Gong presents “Support Surfaces,” the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design …

2002 release ** “Lambent is one Akira Inagawa from Japan, currentely in Berlin. Akira started to play music while in art college in London, meeting the people from ‘Insine’ label and after moving to Berlin playing electronic music and being a hip-hop DJ. As Lambent he doesn’t use any computers, just samplers and synthesizers in a live approach. This is quite important to realize when you listen to this music, because once you know this, the music makes much more sense.”

1996 release ** Limited edition of 550 hand numbered copies. All tracks [except 1] were originally released on tape by Midas Tapes between 1987 & 1991. "Band known also for reissue on Industrial Recollections. Great old noise from Holland! Must have for fans of 80's pe/industrial noise!"

Tip! Four Seasons in Kyoto marks the final chapter of The Kyoto Connection’s Ambient Japanese trilogy, following Postcards (2018) and The Flower, The Bird and The Mountain (2022). Like its predecessors, this album pays homage to the pioneering ambient and environmental music movements of 1980s and 1990s Japan. The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 15 evocative compositions, The Kyot…

Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop. Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …

*150 copies limited edition* “In September 2022 I bought a piano. I had had access to pianos previously but had quite limited knowledge on how to actually record it in a good way. Especially since I had also acquired a dampener for it and was mainly interested in capturing that piano tone, which lacks a lot of the overtones that it normally has. So the idea was to write and record something quickly, using mainly piano and mainly first takes. To go with my gut feeling and leave the mistakes in th…

After previous under-the-radar releases on the fabled Low Comapny and The Trilogy Tapes, Zaheer now appears under his own name on Thomas Bush's Men Scryfa. The sixth Screfys release, an image of wingless flight through flowing darkness. Focused Buchla studies exploring the process of unbelieving and realisation of the ultimate heretic as the self.  Zaheer Gulamhusein is a Leicester-based musician and lifelong student of esotericism, with previous releases appearing under the aliases XVARR, WASWA…

Previously unreleased (mostly) these tracks are the missing link between the band's Untitled 10" and Scene In Mirage LP, exploring both naive beat-driven electronica and ambient experiments. As its name suggests, 1983 Unearthed is an excavation of OYC’s early years based on a deep dive into the band’s archive of cassettes and master tapes. The music here is from the period immediately prior to the recording of OYC’s seminal debut album, Scene in Mirage, in 1984, highlighting a definitive year fo…

2007 release ** "Here is a record that sounds so retro that it seems modern and obsolete. Be Invisible Now! is the musical project of Marco Giotto from Treviso, a guy with a past in various bands, a collaboration with With Love and a passion for vintage instruments from the 70s. Neutrino, his first record, is played entirely with deliciously old-fashioned analog instruments. Vintage Roland and Korg keyboards, tube synthesizers and theremins at full blast. The result is a cosmic kraut journey wit…

* Edition of 400 * Alessandro Adriani marks his comeback on his own Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers. Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fra…

1995 release ** "Main were a British band formed in 1991 by guitarists Robert Hampson and Scott Dowson, both formerly of the English rock band Loop. Drawing on that group's experimentation with drones and guitar texture, the duo moved further into ambient sound, eventually abandoning traditional percussion and rhythm altogether. They released a number of albums and EPs to critical praise in the 1990s. Dawson left the group in 1996."

Infinite Expanse follows up their first two LPs with a return to the cassette format, diving deep into the world of the underground cassette network with a focus on SoundImage, a label founded by Martin Franklin and active in Slough between 1989-91. Presented is a compilation of two compilations – Premonitions (1989) and Spiritual (1990) – featuring stalwarts from the scene, including The Vitamin B12, M.Nomized, Konrad Kraft and Hybryds, as well as a host of ungoogleable artists, such as The Hap…

2003 release ** "Michael Hartman and Junko Okada of the electronics group TV Pow has established his own Kuro Neko imprint, and based on the label's first two offerings, he's got his eye on a number of different scenes. Motor is a man from Moscow who, whether working in abstraction or (as is the case here) with pulse-based forms, prefers austerity and minimalism. Though rhythms clearly sit at the center of Freeze, they are subtle and don't detract from the melodic elementss, the subtle electroni…

2006 release ** Packaged in an oversize gatefold cardboard sleeve with five postcard-sized prints. "Reissue of 'The Flight Of Real Image' MCD, released on Hic Sunt Leones (1993), with six bonus and exclusive tracks. The classical sound of Alio Die is harmoniously combined with his newer musical experiments with zither, salterio,flutes, bells and other instruments. All original material has been carefully re-mastered. Additionally this release comes with 5 art-cards showing installations by Itali…

*100 copies limited edition. 2025 stock* Stéréogramme returns with the second opus of his “Interactive Pictures” series. Walking the same road as last year, paved with new age, freak folk and leftfield synths, the Paris-based label also ventures to new paths like minimalism, no wave and vocal experimentations. Once again divided in two musical panoramas, this 11-track tape will definitely bring back your happy childhood memories to the surface. First, take a nap with the soothing lullabies of Hé…

Tip! *50 copies limited edition* After introducing Babau for the inaugural cassette, the second installment of the sunitty focus showcases another contributor of the “Vapordub” V/A, with Egyptian Seif Gaber aka Polonius, dear friend of Artetetra, where he released the “Anaxia” and “Shades of Paradise” timeless yet time-bending cassettes (January and March 2019). For the occasion the Milano-based musician exhumed the fourth opus of his Antique Fantasia series, a saga of six demo-tapes recorded be…

*50 copies limited edition.* “All The Gurls Were At The Women’s Archo Ashinto” is the new work by post-exoticist duo Babau, a project of Matteo Pennesi and Luigi Monteanni, both founders of Artetetra, a label and platform pursuing practice-based sound research on digital folklore and internet world music, which they term Quinto Mondo; a spin on Jon Hassel’s Fourth World. After releasing their own output on labels such as Discrepant, Communion and Artetetra and being selected as SHAPE+ alumni 202…