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The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
"A mainstay of the Bay Area experimental music scene, Thomas Dimuzio played countless times at this comfortably carpeted venue, that kind of privately public space where it can be hard to properly tell the music apart from the community. Though ’LCM’ is technically a live album — two side-long suites, each built out of three continuous movements — it’s also been seamlessly composed from so many different nights that it represents an entire era, evoking the sites that allow music like this to com…
"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …
**200 copies limited edition** In August 2021 Moving Furniture Records curated a music program accompanying the minimal art exhibition 'Less is More', presented by Polderlicht at Factor-IJ, Amsterdam. On this occasion the Orphax performance was recorded live. This CD features the full set - no edits, no cuts. This live set merges Orphax's fascination for minimalist art and his idiosyncratic take on drone music, offering warm and organic atmospheres in which the listener drifts away, losing not o…
In 1978, keyboardist and composer Joël Fajerman published « Racines Synthétiques » in collaboration with Jan Yrssen. Some songs were featured on « L’Aventure des plantes » soundtrack, one of the first ecological program on french TV. Living up to its title, this is an astonishing album filled with melancholia and beauty.
**Double vinyl, 300 copies limited edition** László Hortobágyi is an electron released in the current world sound system galaxy. His sound art is simultaneously an expanded ethnography of an invented folklore and a way to preserve his acoustic environments for future generations. They are compositions of both terrestrial and spatial sound that present a rich auditory ecology and trace the path from the past to the future. Ancient and futuristic environments interconnected by invisible historical…
Constructive is proud to present some radical reinterpretations of four tracks from Takuma Watanabe’s debut album ‘Last Afternoon’ by Vladislav Delay.‘Clouds Fall x Tactile’. Like taking a widescreen trip through Takuma’s perfectly constructed digital worlds. Loops of conversations, sheared sounds and bursts of low-end frequencies fill the air. All underpinned by those unmistakable strings.‘Text x Bruges’. Hyper chemistry of rhythmic urgency and Joan La Barbara’s vocals. Cut up and used as percu…
When Robert Fripp’s Music For Quiet Moments started to appear with relatively little fanfare in May 2020, as a series of weekly uploads to YouTube and streaming services, their overall effect was one of balm. Moving through the digital ether, Fripp’s ambient soundscapes slowly drifted their way through a collective psychological environment grappling with the uncertainty of pandemic times. The series unfolded over a year, 52 weekly entries, each offering another aspect of an ever-changing same: …
Akuphone is pleased to present the first compilation dedicated to musician John Bolloten, aka The Rootsman. As a precocious punk, he formed his first band, State Oppression, in his teens. Yet he is best known for his dub music, a genre that gave him international recognition. Largely influenced by the rhythms of North Africa and the Middle East, he built his musical identity around samples from these regional repertoires. His encounter with Bryn Jones — better known as Muslimgauze — further defi…
Digipack CD with Obi * First-ever officially licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket * Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japan…
**Limited edition of 300** The inner journey of Lorenzo Fortino brings to mind many example of minimal and contemporary music, verging on sophisticated ambient electronics textures. A pleasant experience all in all, a tender scenario and a truly looking-forward album with a real taste for harmony and arrangements. A lifting experience for a mature young composer." - Luca Collepiccolo
“I have movies in my head” describes Tobias Freund the source that inspired his new album to fill it with a fantastic life of its very own. Consequently, each of the eight tracks represents a scene out of a fictitious short film, some of them with a claustrophobic and tense atmosphere while others appear light and hopeful on the screen of imagination. What they have in common is an adventurous spirit that is inherent in and played out by three main characters: repetitive electronic and acoustic …
Feelings was written and produced by Ekin Fil amidst the months of anxious tension that 2020 laid upon us, taking around 1 year to manifest in its final form. Yet underneath the opaque veneer of swooning drones, timeworn chords and verbal lamentations, glimpses of sanguinity and optimism flicker through the fabric of the work, mirroring the perpetual state of uncertainty and isolation we collectively faced that year, suspended between months of dissolute ambivalence and minute, optimistic spurs.
Neon City is the debut release by Erik K Skodvin & Otto A Totland's Deaf Center project, finally re-issued 18 years since its first appearance. Listening to Neon City in 2022 is like taking a melancholy journey down rainy city streets of the early naughts, made by the then two young Norwegians in their mid 20s after spending time together in a basement full of vintage items. Armed with young optimism and a sense of musical experimentation, they started sampling everything around them, be it an o…
Tip! * Edition of 100 * 160 gram opaque purple swirl vinyl housed in a 12", semi-rigid picture disc sleeve. 4-1/4" fold over flap & strap. Full color labels. 3.5"x2" Hype sticker. Hand-numbered and autographed by Zakè. Carolina was produced during a four day excursion in several secluded areas in Cherokee and Spartanburg counties, S. Carolina. The primary emphasis in each composition is field recordings captured in the quiet hills of rural Chesnee, solemn wooded areas of Gaffney, and hidden cree…
San Francisco Moog documents for the first time a critical missing link in the history of electronic music. In 1968, a young singer named Doug McKechnie got hold of one the very first Moog Modular Series III synthesizers ever made—serial number 004—and began experimenting with it. Soon, he was hauling its many components around the Bay Area, performing improvised concerts for audiences whose minds had been opened by psychedelia but whose ears were often unfamiliar with electronic sounds. Working…
**Edition of 200 copies, 4-page insert of photos** Alex Twomey’s Days Off, the second full length album under his own name, pronounces his evolving compositional approach. Following The Entertainer (Recital, 2019), this new album features a more intimate ensemble of piano, strings, bass, and guitar. Written between 2019 and 2021, the arrangements resemble pop-structured songs within the margins of sedate orchestral music. Twomey’s use of electric guitar is also unique; more as a blurred harmoni…