Rausch
Komet // Frank Bretschneider is one of the founders of the esteemed raster-media label. This album - originally a CD released on 12k in 2000, features clean sine-tones and an austere sound palette contrasted with playful polymetric rhythms.
Issue 100 (Magazine)
CD included. Get the balloons up! It’s the 100th issue of Electronic Sound this month and we’re heading into THE FUTURE with a special themed edition of the magazine.
We’ve invited many of the leading lights of electronic music to help us explore and examine the possible futures that lie ahead of us. John Foxx, Jeff Mills, Gazelle Twin, Miss Grit, Martyn Ware, J Willgoose Esq and Chris Watson all appear on a panel of artists offering their thoughts on what the world will be like at the end of th…
Letters Never Sent
Alina Kalancea is a sonic alchemist who can warp and weave electronic signals into complex tapestries of synthesized analog timbre. These transportive environments were recorded using the artist's personal collection of historic Buchla electronic music instruments including Allen Strange's expanded Music Easel. Letters Never Sent, Alina Kalancea's second full length for Imprec follows 2021's double LP titled Impedance and is being released at the same time as a new cassette titled Alchemy. Kalan…
Fehlerlinie
*2023 stock* Medical Records is honored to release the first full LP by Dutch cosmic explorers Staatseinde. Formed in 2006, Staatseinde released a multitude of cassettes, singles as well as a CDR album in 2012. "Fehlerlinie" represents the culmination of a very productive couple of years including stellar performances at the streaming IFM Fest, the release of compelling collaboration tapes and other releases. Though impossible to confine to a single genre or style, their music can be described a…
Trust
Trust, originally released on Play It Again Sam / Nettwerk in 1989, is collection of electro-pop, rinsed through with Chris & Cosey’s unique erotic vision – “Seldom have electronics this glaciated and deep-frozen exuded so much warmth” wrote Dele Fadele in NME.
Techno Primitiv
The remastered releases for August includes 1985’s Technø Primitiv, originally released on Rough Trade, the album is from Chris & Cosey’s whiplash minimal ‘80s icy synth period.
Pagan Tango
Pagan Tango – described by Melody Maker as “C&C formulating perfection” - followed in 1991 on Wax Trax!, and sees the pair once follow their own hypnotic beat in new directions.
Computer Sourire
The fifth release on Tempo Dischi comes from one of the true pioneers of Italian disco: Maurizio Dami aka Alexander Robotnick. 'Problèmes d’Amour' and 'Computer Sourire', included in the mini album "Ce n’est q’un début" are two fundamental songs in the history of electronic music made in Italy. 'I started with music very late. I was 27 years old. In the early 80s Florence became the music capital of the new rock in Italy. There was a movement, different from what we were used to in the 70s, vari…
Issue 100
This month's Electronic Sound put together a spectacular double CD to accompany Electronic Sound 100, with 23 tracks inspired by visions of the future, from cyber worlds and life on other planets to AI excursions and madcap B-movies.
The Worm Turns
Eric Random is a British pioneer of post punk electronica. Born in 1961 Eric soon joined the Buzzcocks’ road crew. At the age of 17 he became a third of a group called The Tiller Boys, the other two being Pete Shelley and Francis Cookson. They played their live debut in 1978, supporting Joy Division at Manchester’s Factory club. For Pete Shelley The Buzzcocks were his main concern, so The Tiller Boys soon fell apart. Eric founded Free Agents with Cookson and soon met Richard Kirk and Stephen Mal…
Muzik Fantastique!
First released in 1992, Chris & Cosey's hyper melodic, electro-tinged 'Musik Fantastique!' is finally released on vinyl for the first time as part of the duo's remastered limited edition vinyl series.
Auf Dem Schwarzen Kanal
Auf Dem Schwarzen Kanal is one of the most outstanding, most sought-after releases in Conrad Schnitzler's extensive catalog. It was the only Schnitzler record to appear on a major label and saw him flirting with the experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed to sound idiosyncratically unlike any other music around at the time. Recorded with Wolfgang Seidel at Peter Baumann's Paragon Studio in Berlin, the four tracks take…