We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Tip! Twenty years after its initial release, Amon's "El Khela" still shines out like a pillar in the dark ambient field. Mysterious, catacombal, bleak, monumental, cryptic ambience. This new edition contains a remastered, repackaged and graphically renewed version of the original album + a second CD with rare, unreleased and reworked tracks. Coproduced by Eibon Records and Silentes, "El Khela Al'Akhdar" comes in digisleeve + 2 inner sleeves."This album from Amon (Andrea Marutti) is a particular …
Reissue of early 80s underground releases by Pekka Airaksinen, NWW-listed founding member of legendary Finnish improv group The Sperm. Vertical Pillars comprises five expansive pieces - Dundubhisvararaga, Kanakamuni, Kashyapa, Shakyamuni, and Jambusuvarnadhvajakacanabhasa - that draw inspiration from ancient texts and Buddhist philosophy. Airaksinen’s compositional process integrates mathematical structures with elemental rhythms, dividing percussion into four symbolic layers: earth, water, fir…
Sunergy brings together synthesists Kaitlyn Aurelia Smith and Suzanne Ciani for the thirteenth installment of FRKWYS, RVNG Intl.’s intergenerational collaboration series. For this edition, a panorama of the Pacific Coast provides the place and head space for a musical appreciation and consideration of a life-giving form vast and volatile with change.Fortuitously (as is the freaky way), Smith and Ciani were discovered to be neighbors in the small coastal community of Bolinas, California. The two …
2012 release ** "Gridshape is an intersection of heavily distorted violent sounds with points of kinetic aural quietness through the interaction between digital electronics and guitars. Franz Rosati: Electronics, distorted guitars. Francesco Saguto: Classic, distorted, prepared guitars."
New England's Lee Tindall has been a mainstay of the noise/electronic scene for some time. Working as Zerfallt and Belarisk, and in a variety of groups (including Astronaut with Daniel Lopatin), Tindall has been perfecting what he calls "Hy-Fy mutant music" for a decade, working on the fringes of a sound that has slipped in-and-out of focus. Moments In Shapeshifting is Tindall's most fully-realized release to date, bringing together his interest in abrasive noise, abstract electronics and h…
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, Makrophonie 1 is also their very first studio album. ItÔs the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. Makrophonie 1 can be described as KDJ music in highly-concentrated form.The album was recorded at Audiplex Studi…
Anyone who has experienced Swans live on one of their recent tours will know who Norman Westberg is: the almost stoic, tall man, who coaxes rhythmic sounds from his guitar with an incomparably minimalist power and elegance. The play on words in the title can be applied to Westberg's own musical work, because whereas Swans are hard to surpass in terms of brute force, the artist's solo work is much more subtle, and therefore also quieter. The resulting juxtaposition between the dense metropolis of…
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
For the first time, the music of French electro-acoustic lynchpin, Jérôme Noetinger is played by an instrumental group, Ensemble Phoenix Basel with uniquely dynamic, rugged results for Poland’s Bocian Records. In June 2012, Ensemble Phoenix Basel commissioned me to create a work for them to play. It was the first time in my life I had received such a request. After several months of reflection, I accepted and began working on a way of communicating a music with other musicians.Not knowing classi…
2016 release ** Modelbau is one of the many names Frans de Waard (Kapotte Muziek, Goem, Wieman, Freiband, etc) uses for his music. Moving Furniture Records is proud to release the first proper CD by this project after many tape releases and a couple of CD-R’s. Frans de Waard in his own words about Four Squared Wheel: "Somewhere in 2012 I had the idea that it was time for that all needed change, having played around with laptops for a decade or so. Actually it was something that was in the air fo…
2013 release **
"Korn presents two pieces, each 30 minutes long, which, though dissimilar in pitch (the second is higher), are otherwise tougher to prise apart than the Beugers above. Each is composed of a single sine tone, initially heard as a continuous sound for some 1 1/2 minutes, then repeated with silences interpolated, silences which increase in both length and number upon each iteration. The last line, the eighth in the example printed in the booklet, consists of three very brief blips. …
2006 release **
this cd is not conceived just to be listened to.supplemented with a simple "score", it may induce a "performance at home".you are invited to experience with your ears, eyes, body and mind, the space of your everyday life, your home, "colored" a little bit differently, alone or in the presence of one or more close persons.the cd consists of a one hour sequence of sounds, three times interrupted by substantial silences. the "score" contains 7 suggestions for simple activities.adjus…
2007 release **
"Between 2004 and 2006, Pisaro began a series of field recordings. Each time, it consisted of a single sound recording made in Los Angeles, in a single location, strategically placed so that nothing stood out, places without a center, blurred spaces at which Pisaro pointed a microphone without moving. From this series of recordings was born Transparent City, two monumental and epic double CDs in their duration: they exceed 4 hours and 40 minutes in fact. Each disc is composed of …
The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…
2025 Stock. Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the E…
2015 release ** “OU” is the result of the collaboration of two atypical creators. Electronic composer Bob Meanza (“Cicadas”, 2013) meets sitar player Filipe Dias De in a cycle of musical performances in which they fearless blend improvisation, experimental electronics, drones and beats. In Berlin, city of electronic music, the two musicians are moving through different languages: Mediterranean background and Indian roots, with a Mitteleuropean perspective. Their music is the sound of a hypotheti…
Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was…
** restocked ** Milestone!! Housed in a glorious mini-LP gatefold japanese style papersleeve packaging with custom OBI, double CD edition. This reissue of a largely unknown yet spellbinding touchstone in the canon of early doom music heritage is finally available again. Paul Chain has, in fact, stood as a pillar in the Italian metal scene for over three decades, launching his cult career with the infamous Death S.S. Everything the man has touched is gold. Some of the best releases ever, doom or …