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Electronic /

Broken to Echoes
*100 copies limited edition* Across 8 concise vignettes, Chantal Michelle alchemizes acoustic instrumentation with a spectrum of layered feedback and field sounds, depicting fractured beauty amongst a precarious reality. Chantal’s work is characterized by intoxicating juxtaposition and enriched with an array of source material to construct immersive narrative. Much of the work here was recorded during her time in New York City, perhaps a pre-requisite to the heightened tension at play. Opening w…
A Bot And His Dog
Tanzprocesz presents A Bot And His Dog, Fuc Lerrari's latest tape release.
FRKWYS Vol. 13: Sunergy
“Pacific Blue” on translucent blue vinyl. Expanded LP, containing the previously CD and digital only bonus track "Retrograde"
Otto Lindholm
*220 copies limited edition* Double bass player and electronic producer Otto Lindholm comes to light with his project and debut LP simply called 'Otto Lindholm' is released on Icarus Records | Vynilla Vinyls. In the mood of bands and projects as Mohammad (Pan) or James Ginzburg & Yair Elazar Glotman' Nimbes for Subtext, Otto Lindholm debut LP proposes an intense and noir three track LP, comprised by stand-alone experiments coming from a unique producing process elaborated by the artist where eac…
These Are Dreams
Founded in 1992 after Robin Storey left Zoviet France, Rapoon soon became an outstanding ethno-dark ambient project that has gained a cult following all over the world. More than 80 albums have been released over those nearly 30 years, some more beat driven, others more playful and with ambient sounds and ethnic influences. Rapoon has never stopped evolving - think of Cultural Forgeries, an album full of unplugged acoustic music. Or Downgliding, full of compositions on the piano. Recent Klanggal…
From Solstice To Equinox
Nocturnal Emissions was founded in 1980 by Nigel Ayers together with collaborators Daniel Ayers and Caroline K. They have released numerous records and CDs in music styles ranging from electro-acoustic, musique concrete, hybridised beats, sound collage, post-industrial music, ambient and noise music. The sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilising video art, film, hypertext and other documents. Early albums on the band's own Sterile Records were…
Normal
Sutcliffe No More is the follow-up name for the band known as Sutcliffe Jugend. It was founded by Kevin Tomkins in 1982. It started as a Power Electronics act, quickly gaining a name for itself, before branching out stylistically, creating a distinctive style that drew influence from all manner of genres while keeping true to their roots as a noise act. In its original form Sutcliffe Jugend existed for less than a year before Tomkins stopped the project to join Whitehouse. He reformed the group …
Slowly Forgetting, Barely Remembering
Polish composer Martyna Basta follows up her well-received label debut Making Eye Contact With Solitude, with her first vinyl release Slowly Forgetting, Barely Remembering on Warm Winters Ltd. It's a multi-instrumental ambient album conjuring scenes from the blurry edge of memory. Martyna Basta uses guitar, zither, processed field recordings and voice to render abstract, compelling images, finding beauty in uncertainty.
Dante Trilogy: Tremor. Spore. Legacy
An almost his 25 year existency as Vidna Ombana (Dirk Serries) never shied away from challenges, sometimes to the regret of many of his fans, but it’s when he was offered a record deal with the renowned metal label Relapse Records/Release Entertainment Vidna Obmana took his boldest step ever. With his Dante Trilogy he created his most ambitious, daring and unique set of albums which, for good, made him to be one of the most unique voices in the ambient and experimental scene.   Not only brought …
The Fluctuation Of Being
“Cycles of tonal phrases, washes of guitar drowned in a vast sea of sustain to create a surreal sonic mood to dwell in on repeat.” - Dirk Serries
Temporal In-Betweens
Tip! *300 copies limited edition* Andrew Hargreaves’ Tape Loop Orchestra makes his first mark of the year with a post-rock deep dive that continues the themes of his ‘Liminal Live’ (2020) tape. ’Temporal In-Between’ is presented as a conceptual soundtrack to a metaphysical road trip, ajourney through infinitely open space imbued with phantomatic energies”. Hand-in-hand with thecover art by collaborator Keith Ashcroft, the two-part record evokes its subject with a lesser-heard (as in, have we hea…
Last Index Of…
*123 copies limited edition!!* *cassette edition of sold out vinyl* Properly absorbing electronic enigmas from Zaheer Gulamhusein (Xvarr, Waswaas) and JustinTripp (Georgia), following their noses down the rabbit hole into aether-chamber interzonesadjacent to Coil, Conrad Schnitzler, Werkbund, and Jeff Mills’ deep space missions. A strong case of two artists transcending the sum of their parts, String present an immersiveexploration of the unknown, realising a “virtual vacation” from which they n…
The Concert
When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion duringthe 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’perception of time. She invited Berlin-based drummer and composer Alexandre Babel to comeup with a response to her silent exhibition, held inside a striking multi-room building designedby Bruno Giacometti and originally intended for the display of classical art. Babel assembled fieldrecordings captured at the Pavili…
If You're Into It, I'm Out Of It
*2023 repress* Christoph De Babalon was a key member of Digital Hardcore, the mutant Berlin-based splintercell who fused UK rave music with more experimental, Teutonic techno, Ambient and hardedgepolitics to brutal effect during the mid-late ‘90s. CDB was always somehow on another level tomost of his peers and labelmates at DHR, less interested in purely aggy breakbeat energy, his was asound that also embraced windswept, ice-cold ambient atmospherics and a bleak sort of romancethat was at odds w…
De Leon
De Leon returns to Mana, following their 2018 LP, offering a suite of new material that adds further waypoints to the map of their cryptic sound world, deepening and expanding the direction of travel they began within the Aught collective. The dual legacies of Javanese gamelan and minimalist composition remain clear touchstones on this second, untitled album, which employs architectures of repetition and microtonality and evokes the musical heritage of the Bay Area whilst folding in the arid lan…
Smooth Inertia
Glacial Movements celebrates the fiftieth record release with "Smooth Inertia", the new album by Polish artist Stefan Węgłowski. He's a composer, producer, live performer. His works include mostly compositions for small ensembles and solo instruments. In his works he uses minimalist and spectral techniques, combining them with broadly defined area of electronic music. He teaches at the Faculty of Media Art at the Academy of Fine Arts in Warsaw. He lives and works in Warsaw.
Primitive Sounds Of Intermittence
Berceuse Heroique returns with a new album by one half of the mighty Pilotwings crew. Guillaume Lespinasse creates a beautiful seance of pure ambience, invoking the spirits of Jon Hassell and Terry Riley but also creating a mood that would easily fit as a soundtrack to Jacques Rivvette movie. Imagine a release on Les Disques Du Crepuscule meets the more experimental side of peak time ECM. Enjoy!
s/t
*Edition of 50* Alicjia presents the self titled album by Kacper Rączkowski. Recorded in Warszawa between 2019 and 2022.
2222 and Airport
Singular Texan musician Craig Clouse hurtles unstoppably towards the 20th birthday of his dancefloor-splintering electronic project Shit And Shine, releasing a landmark LP, his first full-length for The state51 Conspiracy, ‘2222 And AIRPORT’. Acid house, minimal techno, electro, funk, krautrock, hip hop, found sound, spoken word, live percussion and industrial are blown apart stupendously and then reassembled – mad-scientist style, in a way peculiar to Clouse – into 13 hypnotic and transportativ…
Every Day
*100 copies limited edition* ‘Every Day’ is a new collaborative piece by two Hungarian contemporary composers and artists, Ábris Gryllus (The Death of Rave, Farbwechsel) and Dávid Somló. Originally conceived as an installation and premiered at the 2022 edition of Budapest Autumn Festival, ‘Every Day’ is a document of grief, and an attempt to render the dry daily statistics of the Covid-19 pandemic iInto something that is both physically and emotionally tangible.Transposing the Hungarian daily da…