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A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album. More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes).The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the …
Recorded over the course of 4 years during late-night, afterhours sessions at RCA's Studio @ Calle Carlos Maurrás in Madrid (one of Spain's best and bigger studio around that time), it was the result of the duo's interest in unorthodox sound-sources which they manipulated in a sort proto-sampling collage technique based on random tape-loops and best heard in their original percussive studies; their dreamy, surrealist-like lyrical passages or the sort of deep primeval atmospheres first conjured b…
The work of noise musician Aaron Dilloway, formerly of Wolf Eyes, exudes a raw vulnerability and needling playfulness. His new album strikes a balance between dread and curiosity.
This is the beginning of the lumpkinazation of the world: Rilascio is out now on Riforma. The weirdo melting pot between Broshuda and Polonius breaks with an hour and half of music live recorded in Villa Rei (Turin) the 4th September of the 2021. “In Pursuit Of The Dankest Rythms At The Intersection Of Glamcore & Post Wonk Mindstates”. Krush Lumpkin rises up emerging from the crash between Broshuda & Polonius: atmospheric gases, crooked rhythms and flaky textures. At the end of the sunset the tr…
*Limited edition of 50* Split tape between Trou Aux Rats (also Vomir) and Druuna Jaguar. Trou Aux Rats, live in Tokyo at Hikari-No-Uma 20 April 2018 - performed by Romain Perrot. Druuna Jaguar, máquina poema - recorded at atelier 5-7-5 studio in January 2019. Type I Red cassette with pro-printed full color cover and printed case.
Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis finally compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP. While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with th…
Nik Colk Void is well established with her work - using modular systems, voice and guitar - as one half of Factory Floor, one third of Carter Tutti Void (alongside Chris Carter and Cosey Fanni Tutti) and with the late Peter Rehberg as NPVR, but perhaps surprisingly, 'Bucked Up Space' is her first solo album release. Void explains, “When Peter Rehberg initially asked me to produce a record for Editions Mego, I didn't feel quite ready and asked if we could make a record together instead. Collabora…
New Forces is proud to present the Domaine Poétique discography boxset. Domaine Poétique was the mail collaboration between Jeph Jerman (Hands To) and John Hudak, two of the most prominent artist to emerge from the 1980's "cassette culture" underground. Alongside artist like The Haters and Merzbow, they helped carved out a space for experimental sound while constructing the networks through which those sounds would circulate. Domaine Poétique released seven cassettes from 1987-1989, most of whi…
This edition of Electronic Sound's cover star is Hannah Peel, whose latest album is a superb reimagining of 'Electrosonic', a 1972 library music collection on KPM Records featuring The Radiophonic Workshop.
Lucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as…
Tim Olive returns for his third album on Notice, a rare solo outing from this avid collaborator. “Ribbon” is a document of his highly developed relationship with amplified object manipulation, in a manner most cathartic and engaged, and yet informed by compositional sensibility. This release is constructed from multiple tracks of a variety of sound sources recorded in his studio in Kobe, Japan; these tracks have then been edited and layered, in shifting densities and evolving textures. Despite t…
Nate Scheible's "work of gentle genius" – Fairfax – is arriving on vinyl & all digital services in February 2022. Remastered by Lawrence English and featuring brand new artwork, this edition uncovers a completely new side of the "dreamy and dramatic, meditative and somber" album by the American artist.
**200 copies** This selection of music is but a drop taken from the vast digital archive Vítor Rua uploaded to the usual online platforms over the years. Emotional but also its alleged opposite, robotic. Dynamic and physical, as suggested by the misleading title "Dance Music" that designates the last section, but also mesmerizingly repetitive, hypnotic. A perpetual groove re-engineered by the constant sliding in and out of focus of our attention. Headphone listening advised. Rua co-founded the p…
**150 copies** The occult and folk music have been friends for a while. In the 21st century, hauntology and the resurface of some cult soundtracks from the 1970s and 1980s helped to create a new sense of folk, not associated with the typical acoustic feeling, but more relatable with library, krautrock/kosmische and industrial music. João Kyron and Tony Watts, long time collaborators since the late 1990s with their band Hipnótica, and more recently with Beautify Junkyards (Ghost Box) are well acq…
Hotel Paral.lel, originally released by Mego in 1997, marks the full-length debut release from Austrian Christian Fennesz. The album followed the twitching drone as found on the 1995 EP Instrument, also included in this deluxe double-LP reissue. Once launched, Hotel Paral.lel was to instigate a sublime exploration of a wide variety of forms, from formal abstraction to shimmering drone around to ground zero glitch pop. Recorded just before mobile computing devices became omnipresent it was an inv…
**100 copies** Unrest is a word that comes to mind listening to Maria da Rocha new instalment “nolastingname”. She’s been around for a few years, living between Lisbon, Berlin and Stockholm, releasing records with Maria W. Horn (“Pink”, 2015) or on her own (“Beetroot & Other Stories”, 2018). She studied classical music (violin) but her solo musical career steps away from it, putting her foot down on electronic and experimental music. “nolastingname” was recorded in Stockholm’s Elektronmusikstudi…
**100 copies** Out of the eight “Principles Of The New Man”, making up the play staged at Malaposta in October/November 2020, four are cut out for this independent soundtrack release. Precisely those which author and director Pedro Saavedra designated for distinct sound pieces. The remaining four are accompanied by The Background (“A Base”), a long, hypnotic, meditative and pulsating piece over which the listener is offered a chance of imaginative creation, just as in the play it assumes a backg…
**150 copies** Since they started @c in 2000, Miguel Carvalhais and Pedro Tudela have been mainly focused on creating electronic computer music. Throughout the years they have developed their own language, mastered the sense of sound/sound-design in their pieces and have created a body of work that relates simultaneously with musique concrete, 90s electronic glitch music and early electronics. It does not necessarily sound like any of those genres but evokes them. “Liminal Movements” finds its o…
**120 copies** “Outros Cortes”, from “A Casa E Os Cães”, ends with some of the characters from the film whispering random phrases with a vague tone. It is fast and, at first, it sounds incomplete, interrupted. After a minute or so it becomes clear that those first impressions are wrong. The soundtrack for the film by Madalena Fragoso and Margarida Meneses is composed of fragments that create a sustained harmony. Polido explores the concept of a soundtrack, using and reusing sounds of the film to…