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BYG Records Sale🔥: special 10% discount on the label's entire catalog until Sunday at midnight!

Electronic /

Pneuma
Random Gods debuts on Souk with a haunting, futuristic album shaped by industrial rhythms, eerie textures, and deep bass. Emerging from Portugal’s experimental scene, it channels tension and beauty into a sonic journey through dystopian soundscapes.
The Cassette Mythos Audio Alchemy CD/K7
1991 release ** "A great deal of the newest music is found only on cassettes or computer discs that are freely exchanged through the mail or available through word-of-mouth contacts and small publications soliciting contributions. (One might be reminded of Frankie Mann's remark that some of the best music in the country is made by "12 year olds in their attics with cassettes.") This is a collection with some of the most inspired, sometimes gawd-awful, but always unique samplings of the cassette …
The Early Work Of Val Denham
A deluxe box set from Vinyl on Demand, “The Early Work Of Val Denham” compiles rare and unreleased tracks from Val Denham’s pioneering early projects—The Death & Beauty Foundation, Silverstar Amoeba, and Counterdance. This essential anthology captures Denham’s avant-garde spirit and the vibrant underground sound of early-1980s England.
The Insane Box
"The Insane Box" by Vinyl-on-Demand is a deluxe 2009 box set featuring four 12-inch and one 7-inch vinyl, compiling rare and unreleased tracks from key experimental and industrial artists of the cassette culture era. This collector’s edition captures the innovative spirit of the late '70s and '80s underground electronic scene.
Aube Reworks Maurizio Bianchi Vol. 2
2006 release ** "Static music, suspended by a thread of silence. Circular flowing audio structures. Archeology of sound. Mind expanding texture. A new fascinating operation of disassembly and restructure of sonic material by Maurizio Bianchi (the entire album The Testamentary Corridor), by incomparable japanese 'audio sculptor' Aube."
Aube Reworks Maurizio Bianchi Vol. 1
2005 release ** "A superb work of re-editing and re-composition of original material by Maurizio Bianchi, that saves the distinctly experimental aim of the music by the hystorical Italian artist, renewing it in surely less extreme and hard but equal new form, unquestionably catching and sure effectiveness."
Alienation
2008 release ** "Maurizio Bianchi's second artistic season continues to be enriched with new releases, often the result of collaborations with other authors, as in the case of "Alienation", a work performed together with Claudio Rocchetti, a skilled audio manipulator with an evident interest in the analog sounds of the past. In line with other recent products by Maurizio, this album also has its fulcrum in an interiority that explodes towards the surrounding world through electronic and abstract…
Early Works 1988 - 1992
A raw sonic document of exile, trauma, and transformation, this CD collects early works by Hungarian artist Sándor Vály, recorded between 1988 and 1992. Created using homemade instruments, rudimentary electronics, and cassette gear, these tracks trace a turbulent path through desertion, psychiatric confinement, political escape, and cultural rebirth. Inspired by the Tibetan Book of the Dead and personal upheaval, Bardo Tödol I–II, SoulDrum, and other recordings evoke a haunting inner journey bet…
Invocation Of The Beast Gods
1989 release ** "If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning.."
Tutti Quanti Sognano Porno (Compiuti I Dieci Anni)
2018 release ** "Le Cose Bianche is the power-electronics project founded by Giovanni Mori in 2007 dedicated, in the best tradition of early industrial, to abrasive and dissonant sounds. The themes addressed by Le Cose Bianche are scabrous and often speak of pornography, which is given a very decadent and nihilistic interpretation in which the impulses of eros and thanathos coexist in a sort of “vision” not so distant from that of the Marquis De Sade. L.C.B.’s discography is endless and also inc…
Cyberflesh
1993 release ** "Following a successful European tour with Italian industrial musick giants Sigillum S, Phallus Dei expanded to a three piece unit with the addition of multi-instrumentalist Mk. E & drummer, multi-instrumentalist Richard van Kruysdijk. With the additional help of Joris Huijbregts (who had previously played with Richard v. K. in the band Lament), the band recorded their follow-up album Cyberflesh. The sound of the group had progressed greatly on Cyberflesh, forming a more matured,…
Exclusivo!
2025 stock Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France C…
Near Marineland
Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been stapl…
Stadia
2025 stock Diseño Corbusier is the avant-garde electronics duo of Javier G. Marín and Ani Zinc, formed in Granada, Spain 1981. Like Sheffield’s relation to London during the punk explosion in the UK, Granada developed an experimental music scene 400 kilometers south of Madrid. As a child, there were no records in Ani’s house, so she grew up listening to the radio and was hypnotized after hearing ‘Remember Love’, by Yoko Ono. While attending university in Granada she responded to an ad in a music…
The Black Square
2006 release ** Limited to 444 hand-numbered copies in card sleeve with a six-page multi-fold card insert. Fresh survey of Russian post-industrial scene performed by KultFront activists. The continuation of line started with "Red Square" compilation. 15 exclusive tracks by: BRZB (collaboration between Dmitry Zuboff from Hypnoz and Alexei Borisov), Bardoseneticcube, Ganzer feat. Lenochka, Ritualnaya Bioingeneria, Cyclotimia, SS-18 (side-project of DMT), Evilution, EKRAN (collaboration between Kry…
The Passing Gods
1993 release ** Featuring: Vidna Obmana, Kapotte Muziek, Asmus Tietchens, Das Synthetische Mischgewebe, PBK, S.Core, Frank Dommert, Hesskhé Yadalanah, Chop Shop, Brume, Hybryds, Temps Perdu?.
I Don't Get The World I Deserve
*100 copies limited edition* released December 21, 2024
Imaginary Time
*2025 stock* Imaginary time is a representation of time that appears in some approaches to quantum mechanics; mathematically speaking, it simply is a line perpendicular to the time axis.   Inspired by this concept and by the possibility of transcending the normal restrictions of time and space through the power of imagination, Industrial / DIY music cult act Nocturnal Emissions released a first raw and irregular version of Imaginary Time in 1996, followed three years later by a new more rave ins…
Live At R.P.M. 01.01.1983
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33 cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick).
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