Live At Ftarri
*200 copies limited edition* Miki Yui is a musician and artist who was born in Tokyo and now lives in Dusseldorf, Germany. Since her 1999 debut album "Small Sounds," she has been creating a delicate, unique world of sound through the skillful manipulation of field recordings, faint noises and electronic sound and, more recently, the use of a modular synthesizer. In parallel with her solo performance activities, Yui has released collaborative works with Rolf Julius and Asumus Tietchens, and she i…
Macrocorpse – 2021-2024
Microcorps, Alexander Tucker's mutant techno alter ego, presents "Macrocorpse – 2021-2024", an 8-track collection of tracks that stray into a mutated space where techno-based composition inhabits the same space as microsound time scales, drone and noise. Regular Tapeworm collaborator Savage Pencil lends his warped graphic visions to the cover artwork.
"I'd always admired The Tapeworm from afar and over the years The Tapeworm and I would often bump into one another at gigs and enthuse about Derek…
Nucleus Of The Decay
Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus.
“(...) Ábris Gryllus, known for his performative works with choreographers, sculptors, and dancers, creates music of decay and resignation. Nucleus of the Decay is shorter than its 2020 predec…
Pudel
Dadaglobal is one of the headstrong, camouflaged in elegance: one of the crazies. With him, we are being hoaxed. He is not to be pinned down to anything other than his artistic urge to move. «Pudel» is an intermediate stop. And the bohemian forest begins to speak. The subway. The soccer stadium. New York City, London Town, Paris, Berlin, Tokyo, Kyoto, Beijing, Hongkong, Shanghai, Hangzhou, Baden. A journey, ongoing. Dadaglobal takes a seat at the Clavinet, bells in orbit and gameboy on standby. …
Live Performance 2019 - 2020
«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš