Electronic / Psychedelic

*70 copies limited edition* A collection by Peruvian visual artist Jonathan Castro between 2024–26 at home studios while living in Amsterdam, then Rotterdam, NL. The compositions were made using various synthesizers, samplers, electronic percussion, congas, and an array of effects pedals. Knackered out salsas, looped up and chucked down into a custom dub chamber. Given his background living in music, listening to music, and in music — the regional rhythms on display are not a surprise. It seems …

fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…

Spencer Clark returns as Monopoly Child with five electronic sound paintings inspired by Rome's Villa Borghese gardens: distorted voices, transformed bells and luminous synthesizers as a manual of levitation magic.

Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits you inside are wildly different and often contradictory. This peculiar dungeon is actually a magical dungeon, the foolish (or perhaps amusing?) experiment of a diabolical 36th-level wizard: the dungeon is constantly changing, or perhaps it does not e…

Or (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics.

On the eve of the 15th anniversary of Vladimir Karpov’s voyaging, visionary solo synth entity X.Y.R., the project unveils its vastest quest yet: Saga. Recorded and revised intermittently at his home studio in Alexandrovskaya, St. Petersburg across 11 years, the album’s four side-long songs span overlapping panoramas of twilit drone, desert wind, stargate electronics, and jungle temple percussion, alternately elevated and desolate. Working with his signature Soviet-era synthesizer, the Formanta-M…

Rekombinant is the solo project of Rome based composer and sound artist Alfonso Montagnese. Blending electroacoustic composition, analogue electronics, magnetic tape and sound design, his work explores the physical qualities of sound, embracing imperfection, transformation and degradation as expressive compositional tools. Borrowing its title from the physical principle of parity symmetry, the album is less interested in scientific theory than in the possibility that an identity may endure even …

Following two remix EPs featuring reworks by Mad Professor, Peaking Lights and Danilo Plessow, Sensible Soccers return with Camminando di Notte, an album exploring the space where instrumental electronics, organic rhythms and dub-inflected textures converge into a sound of warm, hypnotic and subtly disorienting beauty.The album opens with “Chuva Morna” and "Balsinha Mentirosa", setting the tone with softly played guitars, hazy electronics and rarefied percussion. Rather than moving towards a con…

Bill Laswell music true legend, “man with the golden ears“ – 2013, he has been involved in hundreds of recordings with many collaborators from all over the world. Bassist, composer and music producer - enough to say that he was the producer for such legendary albums like Motörhead ‎- “Orgasmatron”, Iggy Pop’s “Instinct”, Public Image Ltd - “Album” or Swans “The Burning World” to name just a few. In 1997, Bill Laswell released his sixth solo album “City of Light” recorded in Banaras, India, and m…

In a digital timespace stalked by the shifting and pixelating apex predator of Desire Optimization, fling ii has decided that a humble american neokrautrock n-gon of various part time participants lacks the resourcing and relevant domain knowledge to meaningfully compete with the Leviathan of Hypertargeted Urge Satisfaction. The market for pursuing what people actually want is supersaturated, leaving a marketable capability gap for those creating things nobody wants or asked for. 3 is an album e…

After many requests to reissue the seldom heard cassette EPs and VHS releases, Akuphone compiled this archival release which illuminates the group’s early development from 2008 as enigmatic practitioners of post-apocalyptic folk and ritual psychedelia. These recordings capture Ak’chamel’s signature sound in its most primal form: thoroughly f*cked lo-fi production, warped tape hiss, detuned instruments, and melancholic hysteria captured on cassette.

*Much needed repress!!* Ak’chamel, The Givers of Illness plunged into truly deranged extremes to summon the decayed, otherworldly essence captured on Spiritually Unemployed, embracing unhinged and esoteric methods during the tracking process. Recorded in a makeshift adobe studio amid liminal border-zone ruins. Nocturnal treks along forgotten stretches near the U.S.-Mexico line, through derelict border outposts and sun-bleached vehicle husks, yielded unique recording opportunities: Ak’chamel drag…

Three long-form pieces from Cameron Stallones' Sun Araw on his own Sun Ark label, close to thirty minutes of textural, psychedelic drift across Proper, So Far and Clear Tint Ether, mixed by Jack Callahan.

*2026 stock* Jamie Lidell and Luke Schneider have created a kind of sonic tool to navigate a liminal state of mind. Their new collaborative LP, A Companion For The Spaces Between Dreams, is out this fall on Brooklyn experimental imprint Northern Spy Records, designed as a reverent companion for psychedelic journeys born from Lidell’s own ketamine therapy sessions, which deepened his belief in art’s healing power. “A mind is often found more exposed during psychedelic experiences,” Lidell explain…

"On ‘Crisis Make Up!’ the long awaited second album from Slaylor Moon, we draw deeper into the intimate sonic world of Canadian musician Sydney Koke. This time, her sensual minimalism and disjointed abstraction is even more striking as she addresses one of the most fundamental quandaries of electronic music - that of the human agent and its presence in the synthetic world of the machine. The choice to eschew computerised arrangements in favour of physical gestures - be it pushing keys, buttons, …

Portland producer devonwho returns to Leaving Records for new album of self-described “modern instrumental synthesiser funk therapy” TV2, an expansive collection of intuitively crafted loops and non-ambient ambience for hardware synthesis. Marking the tenth anniversary of devonwho’s relationship with Leaving Records, TV2 represents the producer’s first new work since 2021. “I was overthinking releasing music,” devonwho reveals, “but I’ve reached a place of enjoyment with production. Not worried …

A collection from the decomposition years1991-94 taken from the releases Historical, Rules of the Game, Inside Agitator, Cancer & Distraction. Curated by Andy Ortmann & Daniel Burke. Cover concept Andy Insert Hiroshima side: DB. legend side: Jim Sincock Remastered by Andrew Weathers in 2024 All music by Daniel Burke based on sequencer constructions and 12 bit sampling. Also featuring Thymme Jones, Mark Klein, & Jim O'Rourke on Historical (trk1), and Chris Block and Jim on “Helen..” (Trk2). Histo…

"Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmth.”"Pop blossoms to life in on…

»Music from Tokyo / New York« serves as the 2024 sequel to his previous release, »Music for Joshua Tree«. This conceptual album is divided into Side A (Tokyo) and Side B (New York), utilizing field recordings captured in each location. The ceramic images featured on LP jacket is the work of Namiko Ishikawa (NamipotNYC). On this record, he incorporates ambient, downtempo, trip-hop, and dub—bringing to life the specific sounds currently resonating in his mind and his original roots. Since the pand…

*300 copies limited edition* Stone Music returns with Into the Cosmic Forest, a deep and patient journey into open-air improvisation. The group was founded in 2022 by Tokio Hasegawa, a core member of the legendary Taj Mahal Travellers, and brings together a wide circle of musicians from Japan’s ambient and experimental scenes. While the name is new, the spirit continues. Stone Music extends the free-form, site-responsive approach that defined Taj Mahal Travellers — music shaped by environment, d…

Ambient tape misery split.

Windy and Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to 30 years prior. All active participants in Michigan independent music circles since the early '90s, Windy and Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Con…

In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…

In the wake of the acclaimed Inland See, the on-growing analog ecosystem being animated for ten albums now by Bitchin Bajas boasts new high energy views. “Isle Peaks” speaks of directions in beats of time, weather and the heart to wherever coast they found themselves when they got it all laid out. Sourced from Inland See sessions, these cuts were subjected to further edits and tweaks, with electroacoustic textures of sampled kalimba, field recordings, autoharp and EWI to activate and transport d…

Tip! The most beautiful thing we’ve ever released? It is virtually impossible to describe with mere words how emotionally powerful this work of art is. Just listen. Listen, listen, listen... A blissed-out 80-minute epic, Hatchback's Phaser For The Ocean, Chorus For The Moon is his magnum opus, a sprawling masterwork that encompasses ambient, new age and environmental music to wondrous effect. Moving, hypnotic and deeply meditative, it's FFO Mike Brooks, Deuter, Klaus Weiss, Innovative Communicat…

Release the Beast marks CV Vision’s sixth studio album and his most gleefully hybrid statement to date, a follow‑up to Im Tal der Stutzer that turns genre fusion into its main organising principle. Rooted in an adventurous krautrock spirit, Berlin‑based Denis Schulze (CV Vision) treats psych rock, Detroit techno, distorted synthesizers, black metal and library music not as separate territories but as colours on the same palette. The record unfolds as a wild, cross‑style trip where meandering gui…

You might've caught CV Vision in Berlin, either on stage or behind the mixer at some of his favourite clubs like Arkaoda, Heiners or O Tannenbaum. He could be accompanied by synths, or drum kit, or even full band – channelling his love of Bo Hansson and Claude Larson, or Soft Machine and Picchio dal Pozzo. Always heavy on the backbeat, the songs awash with heady synths and expansive psych inversions. Taking inspiration from deep in the mediaeval mists of times long past, CV Vision comes riding o…

The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…

Lone Bison / Nick Bonell lives by the sea in Ramsgate. Mainly a guitar player and pedal freak, Nick bought a used Korg MS20 and fell in love with synths. As one half of Stuntmen, Nick released the sample-heavy single 'You're the Beat Find' on the groovy Tummy Touch label, which led to him scoring three Ford adverts in the U.S and a few pieces of well-used production music - which paid for more synths and pedals! An album, 'Transistor Memory' and single 'Drugs' came out via Dom Martin's Polytechn…

Milk magic, cheesy rhythms, preset delirium. Magia Láctea departs from a simple setup: a Solton arranger keyboard, used not for accompaniment but as a central sequencer. Its built-in presets - Latin, Italo, and other cheesy standardised patterns - form the starting point. Two long-form improvisations unfold from this set-up. The Solton acts as both driver and instigator, pushing and entangling the Future Retro Vectra and BARP 2600 into a dense, slightly deranged ecosystem of dairy delirium. Side…

Formed in Taipei in 2013, Scattered Purgatory (破地獄) has occupied a liminal space between drone, ambient, psychedelic folk and ritualistic kosmiche experimentation. Their early work, including ‘Lost Ethnography of the Miscanthus Ocean’ (2014) and ‘God of Silver Grass’ (2016), blended dense instrumental drones, improvisational guitar, and ambient textures rooted in the heat, humidity, and urban pulse of Taiwan. Over the years, the duo-turned-band has drawn on Krautrock, minimalist electronic music…

Created for the Centre for Fine Arts Brussels, "Sumerian Star Creatures" premiered in 2017 as a part of Spencer Clark (The Skaters / Monopoly Child Star Searchers / Pacific City Sound Visions) and Xavier Garcia Bardon's "Imagineers in the Underworld" Film Series. Typhonian Highlife and Corum made a slithery soundtrack to intersperse between the stories of South Africas former National Laureate, Credo Mutwa; who's early work magically catalogs folk histories of the Zulu people, and later, begins …

*50 copies limited edition* Megachurch is a collaborative album by Perry Frank & Matteo Cantaluppi, featuring Marco Scipione on processed saxophone.Combining ambient textures, analog arpeggiators, and sculpted timbres, the record explores the idea of the “church” not as a religious site, but as a mental and acoustic space. It is a sonic cathedral built from echoes, delays, silences, and layered textures. The saxophone does not preach — it breathes. The synthesizers don’t lead a ritual — they rep…

Tip. Teleportations is the debut solo album by Dan Leavers (Danalogue), known for The Comet Is Coming and Soccer96. Conceived and performed entirely by him as a continuous, journey-like piece, the album transforms personal loss and upheaval into a warm, playful science-fiction voyage that moves through celestial ambience, kosmische shimmer, space disco, liquid jazz-funk and deep Detroit house. Sequenced as a single trip rather than separate songs, it invites listeners to join a self-styled “tele…

In the second chapter of De Mutanten Processie, W. Ravenveer once again warps, fractures, and mangles free jazz recordings into a modular synth stream of cosmic mutoid racket — this time sourced from the work of the legendary Andy Ortmann. The result is a dense clarinet noise fest dripping with alien texture. Limited edition cassette co-released by Kerm and Ravennest Recordings. Mastered by Jürgen Deblonde

*25 copies limited edition* 10 sequences recorded, improvised late at night on the elka omb 5 (one man band 5), a rare Italian arranger keyboard/synth/drum thing that is total digital from 1985 consisting of couple of fm voices and pcm drums, except for the string sounds that go through an analog bbd chorus ensemble etc. A weird thing that gets hot and has a loud inbuilt fan to cool it off. The omb 5 gets mixed into the solton commander 4000s, a rare analog power mixer/tape delay/spring reverb c…

Castles in Space are thrilled to present this deluxe special edition of the second Warrington Runcorn New Town Development Plan album, "People & Industry". Originally released in September 2021, this is a beautiful new edition featuring four bonus tracks on a second 12"disc which have never been released on vinyl before. “It’s been amazing to revisit this album”, says Gordon Chapman-Fox. “It’s one that people didn't get chance to hear, and it was overlooked following the success of the debut alb…

*20 copies limited edition* Turbo GR is a treasure trove of previously unreleased tracks from Acid Castello. They're best known for their live performances, where acid basslines and electro beats can rock any dancefloor.

New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…

“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept. The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting; Nej / inga klockor märker ut / döda längre
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