Joy, Oh I Missed You
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…
Nothing Left to Dissolve
A local to Pittsburgh, Pennsylvania, Nick has been involved in the electronic music scene since the mid-90s. Known mostly for live hardware techno sets, Nick spent years making broken beats as Vasculator, spaced-out techno as 1/2 of Untethered, and gutter-dipped "dub" as 1/2 of Gnarled Horse Throat.
In 2022, a virus of some sort made percussive transients and loud sounds difficult to tolerate. This resulted in a shift to deeper listening music not aimed at the dancefloor. A trip to Asia served a…
We Who Live Under Heaven
'We Who Live Under Heaven’ - it is a phrase from James Joyce's Finnegans Wake. Through software transformations, the music freezes and in some cases fossilises some mostly old recordings. The text for the track 'The Clouds Are Not Inaccessible' is from a letter written by James Joyce's daughter Lucia in the 1930's to her psychiatrist. Spoken by Mary Costelloe.
The album consists of 8 immersive ambient tracks played solo by Roger on keyboards in his home studio in Co Wicklow, Ireland.
Roger Doyle…
Subterranea
Newcastle-based electronic artist Bartholomew delivers Subterranea. An album which delves deep into emotional terrain—fusing generative electronics, orchestral flourishes, and raw sonic textures into a poignant meditation on instability and resilience.
Degrees of Freedom
Future music doesn’t come from nothing. It’s out there in latent space. This new Berlin-based imprint is devoted to the natural world in her oldest and wisest form. Not green spaces, or living things, but underneath it all: potential.
The Dip
The Dip is Thomas Ankersmit’s sixth album and first for Students of Decay. Composed on the Serge Modular, it blends psychoacoustic intensity with introspective, melodic depth. A cinematic, analog soundscape unfolds in two long pieces—an immersive, spatial, and quietly radical work.
Archaeology of Intimacy
Marta Forsberg’s ‘Archaeology of Intimacy’ is a bold, intimate album of experimental pop. Centered on her voice, sparse synths, and improvisation, it blends vulnerability, melody, and futuristic beauty, marking her most personal musical statement yet.
Mer Changeante
"To whom does a record belong, once it’s been released, once it's released and lives its own life, outside the thoughts of those who composed it? Does it not also belong to those who listen to it and find in it realities, unsuspected joys and desires at the time of its creation? For as long as I've known him, Michel Wisniewski has been exploring, under the pseudonym Supermalprodelica, the effects that the music of others, which he listens to with a sensitive ear, produces on him. And he has the …
A Synonym for Repetition
""A Synonym for Repetition" weaves together a tapestry of parallels, all intricately linked to Japan. The project initiates with a collaboration with a Tokyo-based musician, which ultimately fails to materialise during Jason Kolar’s recent visit to the country. From an original approach that has to mutate in its starting phase, the record was conceived from the beginning to embody a sincere homage to Ryuichi Sakamoto, also a Tokyo native. Shaping ideas within the context of a city with a vibrant…
Ornamental Hermits
"Incidentally this cassette confirms a sinister suspicion I've had for a while that the synthetic pan flute is back - fantastic! I feel so lucky for this generous amount of delightfully bubbling synthesizer music from C.D. Noé. A 90 minute exploration of melodic geometry—intricate yet efforless, synthetic yet alive. Melodies ripple, chords shimmer, patterns unfold like a living system in balance. The artist never falls into the sharp-edged maximalism that, at least to my ears, often weighs down …
The Last Question
**Transparent lime vinyl, limited edition of 150 copies. Very last copies** Tim Clark’s The Last Question is a foundational work of cosmic electronic music, now reissued in a definitive edition that brings this elusive 1973 private-press masterpiece back into the spotlight. Originally composed and recorded while Clark was Music Director at the Strasenburgh Planetarium in Rochester, NY, these pieces were crafted as the soundtrack to the planetarium’s adaptation of Isaac Asimov’s visionary short s…
The flow of the river is ceaseless, and yet its water is never the same, while along the still pools foam floats, never stay long.
*200 copies limited edition* Yoshiki Ichihara is a Tokyo-based synthesizer player who performs at concert venues in the Tokyo area, including the space at Ftarri. In 2022, he released the CD Live at Ftarri (Ftarri, ftarri-963), a recording of his duo concert there with Naoki Nomoto (computer, synthesizer).
This CD is a solo album made up of three pieces studio-recorded and produced by Ichihara. In addition to synthesizer, he plays guitar and six-string cello, as well as two tracks with ambient d…
Электронная Музыка АНС (ANS Electronic Music)
Available on CD (or any other format) for the first time outside USSR, Soviet composers perform their works on the legendary ANS synthesizer.
Chinese Restaurant
*2025 repress* Spittle Records presents a reissue of Chinese Restaurant by Italian new wave duo Chrisma, originally released in 1977. The album was recorded between London and Milano during the second half of 1977, and the results were something like post-punk. More in the direction of bands such as Ultravox, The Stranglers, and Suicide than the Sex Pistols and the Ramones, due to the use of electronic keyboards, obsessive rhythms, tense harmonies, and scratching vocals emerging from generally d…
Mono
Material Object is the main production alias of veteran Australian producer Andre Ruello. His focus is on the most psychedelic forms of techno and ambient. As well as his own productions he has collaborated extensively with Uwe Schmidt (Atom™) and the late Pete Namlook, including releasing on Namlook's Fax label. Ruello has performed and DJed live all over the world, including a number of appearances at Japan's Labyrinth festival. The summer of 2024 sees him give his debut live performance in th…
The Blind Sublime
Andrew Ostler’s fifth album for the Expert Sleepers label continues his trajectory away from a sound largely based on synthesizers towards orchestral textures and heavily processed saxophone. Building on the string arrangements of his previous LP “Dots on a Disk of Snow”, and taking a heavy dose of sax drone from the earlier “Four Drones for Saxophone and Modular Synthesizer”, this record also adds a full choir, taking the music to another level of spiritual intensity.
The first side of the LP p…
Lars Boutrup's Music For Keyboards
2005 release ** "The man behind the album is the keyboard player and composer Lars Boutrup. After years in the business with rock, silent movie music and classical music. Performance as well as composing, in all sorts of different constellelations. Lars Boutrup is now releasing his first solo album. Music for Keyboards is an album with both beautiful numbers to reflect on and sense the universe to. There are also moments where you can have a laugh and freak out to funny synthesizer sounds and me…
Flux
Tip! “In May 2024, the Brazilian state of Rio Grande do Sul, where I was born and have lived all my life, faced the worst climate catastrophe in its history. After weeks of relentless, torrential rain, its rivers overflowed, flooding much of the region. Entire cities were submerged. More than 170 people lost their lives, and hundreds of thousands of animals perished. Amid this dystopian and desperate situation, flux was composed and recorded in about a week. Initially, the album was created sole…
Low Fidelity
*300 copies limited edition* ‘Low Fidelity’ brings us up to speed with Mats Lindström’s actions of the past dozen years in a range of seven works spanning live recordings and studio commissions, all sharing a certain bloody-minded, uncompromising focus on atonality and arrhythmic structures. Definitely one for harder-nosed noise and avant garde fiends, the set fits very neatly within iDEAL’s roster of brutalists, with whom Lindström shares a taste for sounds, spaces, and rationales that test the…
BBC Broadcast In Concert 1975
The legendary 1975 Fairfield Hall Croydon broadcast now available as a high quality vinyl pressing. Broadcast as part of a short UK tour following the release in 1974 of Autobahn.