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"A live recording of freely improvised improv captured at All Hallows Church in High Laver, Essex in 2023 from the trio of AMM drummer and Matchless label-leader Eddie Prévost, Zürich and Maastricht trumpeter Silvan Shmid, and London double bassist Tom Wheatley of the group Widdershins, heard in three investigative conversations of great creative drive." * squidco.com
"Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique." - squidco.com
"In 2022, Eddie Prévost celebrated his 80 th birthday with the series Towards a Bright Nowhere, a series of July concerts at Café Oto that appeared as both a series of four CDs and a documentary. These two CDs document later duo performances from October 2022 to June 2023 with French pianist Marjolaine Charbin, apparently a recent association, and saxophonist John Butcher, a longtime creative partner. Each emphasizes a different dimension of Prévost’s creativity. He’s credited with percussion on…
Big tip! Deluxe LP housed in tip-on jacket with gloss film laminated cover and printed inner sleeve featuring photograph and painting by Michael Morley. Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980’s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley’s love of song form has never been far fr…
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Mohammad Syfkhan is a Kurdish/Syrian Singer and Bouzouki player. He began playing music in 1980 while he was in college studying nursing. When he got his degree in 1983, Mohammad moved to the city of Raqqa, Syria where hebegan working as a professional singer and started his own band, The Al-Rabie Band which played concerts, parties, weddings and festivals all over Syria. The Al-Rabie Band were a much sought-after group. Their live sets included Kurdish, Arabic, Turkish and some Western songs as…
In 2022 Lori Goldston went on a small 4 date tour of Ireland playing in Cork, Limerick, Leitirm and Drogheda. Willie Stewart of Nyahh Records drove her on the tour and recorded each performance. With Lori’s permission, Willie edited and mixed each performance and put them together to make this album. The end result is a collection of improvisations and spontaneous moments. Every performance is drastically different to one another in mood, energy and technique. In these recordings you can hear ho…
*200 copies limited edition* Tokyo-born recorder player/improviser Eiko Yamada has lived in Germany since 1984 and currently resides in Heidelberg. Yamada performs in formations ranging from solo to large ensemble, as well as with a variety of artists including dancers and poets. She returns to Japan once or twice a year and appears in a small number of concerts in Tokyo.During her stay in Japan in summer 2023, Yamada performed with pianist Fumi Endo at Ftarri on August 13. In addition to their …
Tongues slap and flutes trill! The wild spirit of Dawn the Faun has returned, raising the young in the light of each new day and playing around the fire to welcome back the spirits at night. The bounty and exuberance of NOW, under the eternal skies of yesterday and tomorrow
Tip! Just when you think you’ve heard everything you want to hear from a solo piano record, something comes along that challenges your preconceptions all over again. Efstathiou has been developing a unique language with the instrument for some time, building up a reputation for idiosyncratic preparations and extended technique. All that’s illuminated in flickering candlelight on ‘Edge of Chaos’; moody and deliciously ambiguous, it’s based on mathematical systems, specifically the transition stat…
There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.
Iinterdependenzen is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording device, the musician. "There is no part of me that is alone...."
Conic Tube comes from the idea that the saxophone is nothing but a metal conical tube that amplifies, modifies and pushes the air through the room, if the instrument is just an object and sound is just air and air is inside-out of us, pushing this air becomes the tool to structure our space and surroundings making possible changes on our environment and energies. With this in mind and spirit this record was produced with the intent to fulfill and open new possibilities for the minds and spirits …
The first solo release of baritone saxophonist Sofia Salvo, “Rotarota” consists of a series of improvised pieces. They evoke emotional memories aspiring to set them free and mutate them into blaring music.
Monophonic is the name of the new album by Maria Bertel. As the title hints the album is a study of music played with 'one voice'. The amplification of the trombone mimics the effect of a magnifying glass, that let otherwise inaudible sounds be heard and brought forward. The compositions are long swathes of sound slowly developing, heavily inspired by drone and noise.
"Tenor saxophonist Ada Rave, born and raised in Argentina, decided to move to Amsterdam, the Netherlands in 2013. She had heard ‘the call’, followed her musical intuition and became part of the colorful community of Dutch creative improvised music. Educated in the jazz tradition she started to look for a more personal language. A deep search. Not an easy path to go. The destination is always changing. Each step made will call for a next step. A slow process of collecting material, sounds, techni…