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*2020 stock. Edition of 200. 52 pages, Risograph printed artist book with CD* During the late 1960s and early 1970s, as members of the performance art group Exit, Penny Rimbaud and Gee Vaucher turned to creating outside of the gallery system and artistic conventions. Taking inspiration from Eastern philosophy, particularly Buddhism and Taoism, they searched for ways to push beyond the boundaries of Western art practices and rationalities.
This resonates with Redza Piyadasa and Suleiman Esa’s 19…
Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an eccentric and un…
Edward Ka-Spel is an English singer/songwriter and musician residing in Nijmegen, The Netherlands. He is best known for his work with the band The Legendary Pink Dots, which he co-founded. He is also known for his work on The Tear Garden with Skinny Puppy's cEvin Key. In 2017, he collaborated with Amanda Palmer on the album I Can Spin a Rainbow.
In The Dots, he was initially known as D'Archangel, Prophet Q'Sepel and he used other pseudonyms as well. He has also released numerous solo albums (ini…
Pascal Comelade was born in Montpellier, France. After living in Barcelona for several years, he made his first album, under the name of Fluence, influenced by electronic music and by the group Heldon. Since 1980 Comelade releases music under his own name. Ever since, his music has become more acoustic and is often characterised by the sounds of toy instruments, used as solo-instruments or as an integral part of the sound of his group, the Bel Canto Orchestra.
Marc Hurtado is one half of the exp…
The show on this album was performed in Olomouc, Czech Republic, at the Moravian Theatre, in the year 2010. The Ceasar gallery organized a retrospective exhibition called “The Residents Residence“ in Olomouc. The exhibition contained art, constumes, masks and other artefacts of The Residents and Už Jsme Doma were asked if they could create their own versions of The Residents’ songs, and play them to support the exhibition.
As Randy, the Residents’ singer, was invited for the opening and staying …
The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identitites were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform.
Recently, several new albums have been released, …
Master of myriad styles, Sir Rick Bishop takes in baroque, flamenco, surf, and harder to place fusions of phantasmagoric sound design, Gaelic folk and Indian Raga, and more lysergic expression in this bounty of a new album.
Five years after Tangier Sessions, Sir Richard Bishop, we presume, is back from his travels around the world. With Oneiric Formulary, he’s dug deeper into his bag of extra-musical gestures from the eternal and unknowable, along with a few sounds we might recognize, all transm…
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…
A unique and extraordinary 45-minute composition for piano & keyboards + percussion, written for the GBSR duo: George Barton & Siwan Rhys. Composed by Oliver Leith in 2018, and recorded in March 2020 by Mark Knoop.
"I like looking at and framing everyday life, sometimes banal things. Good day good day bad day bad day is almost an incantation, I was interested in the rituals, habits, things we tell ourselves to keep going, invasive irrational thoughts, odd pleasures and reliefs of life. Mainly be…
Epic 45-minute microtonal composition by Kraig Grady, using a 17-tone scale, the Meta-Slendro tuning, created by Erv Wilson. Composed in 2020. The instruments were specially built or adapted for the unusual tuning system.
"The idea of Monuments came from the sound of the brass, in which I include the saxophone here. Brass seems to be used much less in newer music than strings, winds and percussion which is unfortunate. Since they are used less than strings or winds in new music, they seem to inv…
Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's 'All Corpses Smell The Same'. Originally released on the band's own Ver…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a f…
**few copies available** Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. All Corpses Smell The Same, The Ex's first single, marks the beginning of this DIY odyssey -- appearing in June 1980 on Hé Records, a precursor to th…
Wonderful lo-fi synthpop/collage LP by Marseillaise duo Jean-Marie Mercimek. Something has been brewing in France in recent years. Underground record shops, small venues, micro labels, and young musicians are creating a new vibe in various parts of the country. A broad range of styles and genres get randomly mixed into a melting pot with refreshing results. Jean Marie-Mercimek is one of those projects coming out of this new scene. The duo of Marion Molle and Ronan Riou revisits French lo-fi synt…
Alexandre Bazin is a member of the Groupe de Recherches Musicales, better known as the GRM, for which he writes documentaries about music for the radio. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno. This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main …
"Her new work Flood has extraordinary depth and dimension." --Kevin Press, Badd Press"Her music is all-immersive, it is all around you and especially when played a bit louder offers a whole sonic depth that you wouldn't notice otherwise. This is the field where field recordings, drone and musique concrete meet up. This is a very fine follow-up to her debut." --Vital Weekly"An innovative sound that oscillates like the bridge between robots and future tech. And just as the cover depicts, this is a…
**300 copies. 180 gram RTI pressing, comes with two inserts** this LP is one of two vinyl releases from recording sessions at the Chummery late in 2006. The Chummery was the Seattle home to Sun City Girls, Sublime Frequencies, Abduction, and The Sea Donkeys. In fact it was the last residence of Charles Gocher who passed away in there only a few months after this session. Along side this there is the highlight from NNCK's concert in Vancouver, British Columbia on that same trip. This record foll…
A Colourful Storm presents a new album by Beequeen, the duo of Frans de Waard (Kapotte Muziek) and Freek Kinkelaar (Brunnen). Over two long-form pieces, new material from 2020 and almost-discarded fragments dating back to 1988 are collaged to form a brand-new composition. Think woodblock, guitar, static radio signals, ethereal ambience. An honorable addition to Beequeen's discography and a beautiful piece of the Dutch avantgarde with historic ties to Edward Ka-Spel, De Fabriek, Merzbow, and Nurs…
**Embossed, Matte laminate sleeve, insert card** This album is a distillation of the many long-term relationships I’ve had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.
In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I curren…