Oneiric Formulary
Master of myriad styles, Sir Rick Bishop takes in baroque, flamenco, surf, and harder to place fusions of phantasmagoric sound design, Gaelic folk and Indian Raga, and more lysergic expression in this bounty of a new album.
Five years after Tangier Sessions, Sir Richard Bishop, we presume, is back from his travels around the world. With Oneiric Formulary, he’s dug deeper into his bag of extra-musical gestures from the eternal and unknowable, along with a few sounds we might recognize, all transm…
Iteration
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…
Good Day Good Day Bad Day Bad Day
A unique and extraordinary 45-minute composition for piano & keyboards + percussion, written for the GBSR duo: George Barton & Siwan Rhys. Composed by Oliver Leith in 2018, and recorded in March 2020 by Mark Knoop.
"I like looking at and framing everyday life, sometimes banal things. Good day good day bad day bad day is almost an incantation, I was interested in the rituals, habits, things we tell ourselves to keep going, invasive irrational thoughts, odd pleasures and reliefs of life. Mainly be…
Monument of Diamonds
Epic 45-minute microtonal composition by Kraig Grady, using a 17-tone scale, the Meta-Slendro tuning, created by Erv Wilson. Composed in 2020. The instruments were specially built or adapted for the unusual tuning system.
"The idea of Monuments came from the sound of the brass, in which I include the saxophone here. Brass seems to be used much less in newer music than strings, winds and percussion which is unfortunate. Since they are used less than strings or winds in new music, they seem to inv…
Repetition of the Same Dream
Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
Disturbing Domestic Peace
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's 'All Corpses Smell The Same'. Originally released on the band's own Ver…
History Is What's Happening
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a f…
All Corpses Smell The Same
**few copies available** Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. All Corpses Smell The Same, The Ex's first single, marks the beginning of this DIY odyssey -- appearing in June 1980 on Hé Records, a precursor to th…
La Flourenn En Mars
Wonderful lo-fi synthpop/collage LP by Marseillaise duo Jean-Marie Mercimek. Something has been brewing in France in recent years. Underground record shops, small venues, micro labels, and young musicians are creating a new vibe in various parts of the country. A broad range of styles and genres get randomly mixed into a melting pot with refreshing results. Jean Marie-Mercimek is one of those projects coming out of this new scene. The duo of Marion Molle and Ronan Riou revisits French lo-fi synt…
Oceans / Dream-Land
Alexandre Bazin is a member of the Groupe de Recherches Musicales, better known as the GRM, for which he writes documentaries about music for the radio. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno. This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main …
Flood
"Her new work Flood has extraordinary depth and dimension." --Kevin Press, Badd Press"Her music is all-immersive, it is all around you and especially when played a bit louder offers a whole sonic depth that you wouldn't notice otherwise. This is the field where field recordings, drone and musique concrete meet up. This is a very fine follow-up to her debut." --Vital Weekly"An innovative sound that oscillates like the bridge between robots and future tech. And just as the cover depicts, this is a…
Gitanjali + The Nascent Stigma
**300 copies. 180 gram RTI pressing, comes with two inserts** this LP is one of two vinyl releases from recording sessions at the Chummery late in 2006. The Chummery was the Seattle home to Sun City Girls, Sublime Frequencies, Abduction, and The Sea Donkeys. In fact it was the last residence of Charles Gocher who passed away in there only a few months after this session. Along side this there is the highlight from NNCK's concert in Vancouver, British Columbia on that same trip. This record foll…
Winter
A Colourful Storm presents a new album by Beequeen, the duo of Frans de Waard (Kapotte Muziek) and Freek Kinkelaar (Brunnen). Over two long-form pieces, new material from 2020 and almost-discarded fragments dating back to 1988 are collaged to form a brand-new composition. Think woodblock, guitar, static radio signals, ethereal ambience. An honorable addition to Beequeen's discography and a beautiful piece of the Dutch avantgarde with historic ties to Edward Ka-Spel, De Fabriek, Merzbow, and Nurs…
Agglomeration of Measurement
**Embossed, Matte laminate sleeve, insert card** This album is a distillation of the many long-term relationships I’ve had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.
In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I curren…
Slow Music
Records are almost always more than they seem. For all the sound and joy that they bring, they are works of art in multiple that indicate vast networks of happening, history, and ideas; beacons to be chased, leading to understanding beyond themselves. Particularly in the case of historical works, whether they emerge from dusty crates or as reissues and archival releases, these objects can reveal unexpected creative intersections that defy our notions of what was. Aguirre’s first-time reissue of …
Land of Waves
On her 6th album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world - a sonic aggregation of living creatures, plants, minerals, nature and buildings, using various sound objects, small percussions, synths, electric guitar, voice and electronics.
Tactility
The first release from Arkeen – a 7 track, 30 minute full length from Los Angeles based Ted Byrnes. Percussive abuse and aural assault. Fragmented time creating spaces between what you are about to hear, and have heard. The present does not exist.
Previous output has been released by Claimed Responsibility, Foul Prey & Absurd Exposition. Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has s…
From Somewhere Invisible
**Third pressing on black vinyl.** Edited and mixed between Montreal and Paris, From Somewhere Invisible summons the fever of experimentation and the powerful sound of the game coming together in the service of a luxuriant and psychedelic drift. Synthetic brass meets hammered rhythms, string electrics with cracked electronics, saxophone cries and laughter at a pulsing and seminal bass. Created in 2012 by multi-instrumentalists Frédéric D. Oberland and Stéphane Pigneul, Oiseaux-Tempëte (Storm Pet…
Arrival Vibrate
Arrival Vibrate is Larsen's 17th album, an alchemical suite tribute to the late Z'EV based on his poem by the same title hereby transcribed by Larsen's members into a score following the "Rhythmajick" kabbalistic musical theories by their friend Z'EV. The album documents the first live performance ever of this piece recorded at the band's March 13th, 2018 benefit concert for Médecins Sans Frontières International at The National Museum Of Cinema in Torino, Italy, and features two different versi…
Figures
The legendary experimental pop outfit returns with a brand-new record entitled "Figures", written, conceived and produced over the last couple of years by Marc Hollander (founder of Aksak Maboul and of the Crammed label) and Véronique Vincent (former singer with The Honeymoon Killers).