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Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record’s sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and textu…
Coming a couple of years after High Peak Selections, Early Music was the second 'studio' full-length album by Jon Collin. More spare and sparse than its predecessor, both in atmosphere and presentation (the track names are simply numbers), it's also perhaps more focused and consistent in terms of sound and mood (as well as instrumental set-up and recording locale). While High Peak Selections and later recordings feature environmental and external sounds bleeding in and out of recordings, the onl…
Recorded in churches and industrial buildings in the the North of England, and originally released on Winebox Press in 2013, High Peak Selections was the first full-length vinyl release by Jon Collin. Across its six mostly improvised tracks, it showcases an artist somewhat at odds with much of the wave of fingerpicking acoustic guitarists that was in the middle of breaking around this time. While the base technique here is still fingerstyle, his use of various preparations, metal slides, feedbac…
Ella Fitzgerald meets Gangsta Rap and the Beach Boys encounter their despotic father. American Psyche by Raymond Pettibon & Oliver Augst is an ABC of Jazz standards and nostalgia on speed, "that the world will never forget."
*2026 stock. 350 copies limited edition*
Keith Rowe - Guitar, Electronics, DrawingKjell Bjørgeengen - Video, Dave Jones Synthesizer
Recorded by Byron WestbrookExperimental IntermediaNew York City, NY, USA5 December 2010
Mastered by Giuseppe Ielasi
Dedicated to Phill Niblock (1933 – 2024)
Tip! *300 copies limited edition* fold/interval is an audiovisual project and publishing and curatorial platform founded by Giuseppe Ielasi, Fabio Perletta and Giulia Bruno. This is their first release. Thirty minutes of guitar and electronics duos with a 12-page photo booklet and a letterpress sleeve.
Late one afternoon, my son and I took a short walk to Prospect Park, Brooklyn, to sit together at Monuments to Motherhood, the elegant looping bronze sculpture by Molly Gochman. At the sculpture, we listened and made a series of recordings of small string and reed instruments. I wanted the ambient sounds of the environment to filter into the recordings so they wouldn’t have the sterile sound of a studio, but rather the warm ambience of the site. I crafted these recordings into a series of loops,…
*2026 repress. 300 copies limited edition* After serving for years as a sought-after harpist in various constellations and genres, Laura De Jongh now shares with us an intimate insight of what sounds like the Third Space of her daily, rooted life as a music teacher and mother of two offsprings, where she composes meandering miniatures free of ego, validation and urge.
With references to New Age, ambient and the proximity of field recordings, Laura De Jongh teaches us that music doesn't need to g…
Tip! Maybe it was inevitable that Vilhelm Bromander and Fredrik Rasten would find each other. A symbiotic musical alliance of suggestive combinatory magic that stretches back to the interstitial two day space that separates their dates of birth and manifests here as the movement between ‘perfect’ or ‘just’ intonation and the ragged, psychoactive energy of the slippages from and towards that togetherness that render otherwise simple patterns or generally understood repetitions as wildly other and…
Drones, hums and overheard sounds, bladders and strange vibrations, air currents, roars and ticking, friction and the thudding of a drum-beating fish, the wail of a dervish’s mixer, the manic circling of a dreamt-of tone by sonic lathe-workers…
Live Unison and Unison Continued is the latest collaborative effort from American composer-performers Kieran Daly and Sam Weinberg. Unison marks the fourth album released by the duo since 2022 with this release documenting the second live recorded performance.
*50 copies limited edition* Even for a prolific artist such as Delphine Dora, 2026 is a very busy year with the release of three albums already before the end of April; the harmonium and vocal improvisations of ‘D’une nostalgie inconnue’ on Akti, the impressionistic piano and keyboard instrumentals of ‘L’ineluctable du temps’ on Marionette and the church organ explorations of ‘Vents d’aether’ made in collaboration with Jérôme Bouve for Hallow Ground. ‘La lune’ is another impressive addition to D…
Great collection of experimental works spannong from 1952 to 1963, including an electronic piece, two open form compositions for ensemble (one with tape) conducted by the composer himself and one for piano performed by Davis Tudor, released on CRI's "Contemporary Music" series in 1974.
Manifestations in the Shadow of an Uncertain Land unfolds through aleatoric composition and intuitive process, shaped by deeply entangled political and aesthetic lineages. Rooted in lived experiences of bodies and minds navigating the localized and global weight of imperialism, the work also draws from the temporal logic of film and literature, where memory, dread, and anticipation coexist. Working with voice and modular electronics, Lowe treats sound as a sculptural and cinematic force, informe…
Three great 1960's experimental works, two for orchestra with very unusual sounds and one for solo percussionist, released on Turnabout's "The Contemporary Composer in the USA" in 1973.
Three experimental compositions for piano (solo, with percussion and tape, and with violin) spanning from 1954 to 1971 by the great electronic/computer music pioneer, released on Turnabout's "The Contemporary Composer in the USA" in 1973.
*30 copies limited edition* Our compostions for prepared violins and objects, Including glass, tile surfaces, metal, plastic, cork, knitting needles, springs, etc.1. Bell peppers , bedsprings and brontosaurus2. Angle poise porpoise protestations.3. Phosphorous , figs and airvents.4. Vicious viper vituperation suiteSide b recorded may, june 2025 by Adrian Northover.Produced and mastered at Oxo studios by Adrian NorthoverAll music and text by Adam Bohman
Tip! You’re approaching the region where gravity feels tampered with; “Dreaming With The Lights On” is to drift into a zone where bodies and objects appear to have slipped into a dream’s editing room and reassembled themselves according to priorities still unfamiliar. The music begins long before the sound does—inside a suspended brightness, a sky that hums with the possibility of transformation. The listener’s mind becomes a surface onto which impossible gestures imprint themselves: limbs blend…
The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Espèces d’espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, generally needs a ‘void’ to move. It demands openness and, as such, is an invitation.