60bpm 33rpm
"After six minutes, time flips into reverse. The sounds of Ramsgate start running backwards. Cackles of seagulls are sucked back into tiny throats, while the distant yelps of school playtime turn giddy and abrupt, doubtless punctuating games of backward hopscotch. Central to the piece is the steady tick of the steam-age turret clock at St George’s Church, which was installed almost two centuries ago. When ticking runs forward, it seems to gift a divine guarantee to the formidable flow of time; a…
Wildnis
During numerous sessions in their own Inkiek studio in Unna/Germany and a residency in Montoriol/France in 2025, Klangwart have created their new work „Wildnis“ („wilderness“), inviting Sébastien Del Grande to add tenor and alto saxophone, drums, marimba and other various percussion instruments to their electronic textures. Catalan composer and performer Ivan Chin aka Ivan Telefunken also participated in the recording sessions by contributing to a Catalan version of Swiss group Grauzone's famous…
Lummernikt
Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…
Elsewhen
Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.
Looks Far Woman
Cellist and composer Aliya Ultan announces Looks Far Woman, a new solo album out June 26 on Kou Records, recorded, mixed, and produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson). The album takes its name from a guiding figure in Aliya's personal mythology — a seer who moves between worlds carrying the medicine of patience, prophecy, and transmutation — drawn in part from Jamie Sams' The Thirteen Original Clan Mothers. Structured as a six-part song cycle — Wind Song, Road Song, Mountain Song,…
Shade Zero
Flutist and composer Taiga Ultan announces the release of Shade Zero, her debut full-length album out June 26 on Kou Records and recorded, mixed, and produced by Randall Dunn (Anna von Hausswolff, Annea Lockwood, Danny Elfman). Structured as a three-part work, the album traces a gradual transformation from virtuosic flute performance rooted in classical discipline to extended techniques, spoken language, and poetic reflection. At the center of Shade Zero is an investigation into the relationship…
Man Eating Tree
Tip! Man Eating Tree is the first solo album by Belgian-born, Oslo-based pianist Jonas Cambien. On prepared piano and electric organ, Cambien channels a soundscape of meditative repetition and oscillating rhythms. Cambien's background is dappled with diversity. While training in classical piano at the Conservatory of Brussels, he focused on contemporary repertoire. This would deeply shape his playing and ensuing projects, largely in Norway, where Cambien has embedded himself as a pillar of Oslo’…
The Will Of Tongues
Hardback book style packaging, 24 page booklet + 140 minutes of music - The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens.
Over the last decade, Davachi has emerged as one of the most singular vo…
Know I’ve Been Here Before
*40 copies limited edition* »Know I've Been Here Before« by Dan Gilmore is a suite of eleven songs, based on reassembled and overdubbed audio files recorded between 2007 and 2010. What I hear in these recordings are not only various sound sources such as the guitar, the (self-built) synthesizer, or microphones, not only movements, rhythms, textures, or even harmonies, but also ideas, aspirations, circumstances, a mode of production. It is music that, through association and disassociation, makes…
Headwater
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
Electroacoustic Work
*30 copies limited edition* Electroacoustic Work is a collection of experimental sound pieces recorded in 2024-2025. It includes work spanning from performance and composition to interactive installation material. A running theme between all tracks is the use of feedback. Crying Bark and Liquid Arm are concerned with feedback between performer, live electronic systems, and acoustic space. Lichen Cloud uses microphone feedback, spatialised by the tracked positions of people in the installation ro…
All Thoughts Fly
Sacro Bosco (“Sacred Grove”) is the starting point for Anna von Hausswolff’s All Thoughts Fly. Here in solo instrumental mode, the entire record consists of just one instrument, the organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. Sacro Bosco is a garden, based in the centre of Ital…
Wall of Lanterns
*20 copies limited edition* Chiming gamelan like flutterings, a clean ascendant nothingness, recorded live on two iphones.
Copper Maze
*20 copies limited edition* Shrill zen noise guitars and ornate percussion.
États des lieux
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
Vinti 'e Maju
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
Dans-sons as we are
With Dans-sons as we are, Audrey Lauro, Christian Pruvost and Peter Orins deliver an album shaped by subtle shifts, restrained tensions and slow transformations of sound matter. A music of listening as much as gesture, where each intervention seems to open a new space rather than occupy the previous one. Brought together through a shared practice of free improvisation, the three musicians develop a collective language that is both dense and constantly in motion. The trio never seeks spectacular …
s/t
This tape is the culmination of a series of collaborative performances between Kevin Coleman and J.W. Bird that took place in the latter half of 2024. It is meant to encapsulate the spirit and energy of those performances; spontaneous and communicative. Musical conversations between banjo and fiddle that left no language off the table. A great combination of elements from avant-garde classical, to American Traditional/Primitive, and free improv, exploring improvisational spaces of widely varied …
The Rest Is My Ghost
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
For Hind Rajab
For Hind Rajab is a deeply personal and meditative exploration of sound, memory, and sonic embodiment. Across the album’s intimate unfolding, Khoury draws on extended techniques, silence, and subtle timbral shifts to create a landscape where each gesture resonates with emotional and cultural depth. Inspired by and dedicated to Hind Rajab, the work weaves contemplative lyricism with bold experimentation, revealing the violin as an instrument of both introspective nuance and radical presence. The …