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The British composer's powerful 1972 orchestral composition backed with his fantastic 1971 electronic piece in collaboration with Peter Zinovieff, released on Argo's "Calouste Gulbenkian Foundation Series" contemporary music series in 1975.
Great electro-acoustic split LP with a 1976 piece for singing cellists and live-electronics by the British composer backed with a 1974 piece piano and synthesizer and a 1971 piece for trombone and orchestra, released on Bärenreiter-Musicaphon's "Basler Komponisten / New Music From Basle" contemporary music series in 1978.
"La Vera Storia di una Macchina Inventata" is a conceptual album built as a surreal sonic narrative. Conceived as a continuous journey rather than a collection of tracks, the album tells the story of an “useless machine” and its inventors, moving through exhibition halls, highways, rest stops and imaginary radio stations. The project was born from an intense period of collective research by Metameccanici, a trio formed by Angelo Trabace, Alessandro Trabace and Sebastiano De Gennaro. Working betw…
*100 copies limited edition* Salix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly. The EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where…
Four classic compositions spanning from 1931 to to 1973 for percussion ensemble performed by the La Scala theatre precussionists, released on the tiny Italian label I Dischi Dell'Ippopotamo in 1979.
2LP set including some of the most important compositions for percussion ensemble of the 20th century, performed by Les Percussions De Strasbourg and released by Philips in 1983.
Three pieces for percussion ensemble composed in the 1960's and performed by Les Percussions de Strasbourg, released on Philips outstanding "Prospective 21e Siècle" experimental music series in 1975.
*200 copies limited edition* 'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression. Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cov…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
*50 copies limited edition* Somewhere at the edge of Waziers, Bruno Duplant listens deeply. His recordings collect the soft turbulence of vacant parcels of land, the drift of wires that hum, the weathering of surfaces that remember more than they reveal. In these materials he finds the beginnings of new fictions. Not narrative fictions, but the kind that arise when memory, chance, and close attention begin to overlap. Duplant describes himself as a discreet witness. The act of recording is not e…
On Tectonic, Simon Berz turns drums, electronics and electronically manipulated Icelandic basalt into a roaming, 15‑year travelogue: club‑pressured rhythms, gamelan echoes and cavernous ambience formed with stones as both instrument and co‑author.
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.
At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…
*125 copies limited edition* After 8 years since their last release, Becoming Forest is the fifth full-length record by Amuleto. It comes from an encounter between the group’s core duo, Francesco Dillon and Riccardo Wanke, and multi-instrumentalist performer and composer Stefano Pilia (Mike Watt, Rokia Traoré, 3/4HadBeenElminated, Massimo Volume, Afterhours, Zaire). This meeting — developed from long-term parallel collaborations and converging musical paths — produced a set of tracks that combin…
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read…
Tip! Alex Zhang Hungtai stands in stillness on 'Dras', but it's the kind of stillness that contains entire ranges of possibility. Recorded in 2019 inside Montreal's Saint Joseph Oratory (right before a piano demolition, no less), these nine pieces sat dormant on his hard drive through pandemic years until something finally clicked. What emerges now feels like watching someone trace the contours of their own interior landscape, each melodic line a careful negotiation with the unconscious. This is…
*100 copies limited edition* Low Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration. The project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates h…