Sometimes Things Change
*120 copies limited edition* Sometimes Things Change is an album after a year of profound change. A year with a new job, moving houses, and many visits to the IVF clinic. Sometimes Things Change brings closure, and is an artistic starting point. In the course of seven compositions memories, thoughts and fantasia meet. “The sounds (…) they’re from whatever I happen to be doing wherever I happen to be. But these sounds hold memories because I was there, living those moments.” These recorded sound…
Quintela
'Quintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to t…
Campanelli
Valentina Goncharova's work encapsulates a unique blend of innovation and tradition, providing audiences with an enthralling exploration of the vast possibilities within musical expression. Drawing upon her compositional skills honed during her academic studies, Valentina expertly manipulates the violin, seamlessly integrating it with synthesizers and drum machines. The result is a mesmerizing fusion of organic and electronic elements, characterized by slow, pulsating drone soundscapes.
Then I Heard The Clear Voice Of The Flute
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
Successful Utilization of Elements
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
Fire
In the space of a couple of years, Stephen Grew has recorded three absolutely sparkling solo piano releases for Discus Music. All three are spontaneous improvisations arising from years of practice and refinement. Grew is a massively undervalued artist - follow the story he tells across this release and its two predecessors and I'm sure you'll agree.
Stephen Grew writes: "Recorded in the Great Hall, Lancaster University, on the 22nd November 2024. This music was recorded on a Steinway D and what…
New World, Lonely Ride
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
Journey to the Cave of Guanyin
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
Tournures Cessent / Tournures Cessent Orchestrales
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
Dog FM
'Dog FM is the debut release by the London-based duo of field recordist Oliver Chapman and poet Phoebe Eccles. Combining Chapman’s seemingly banal snapshots of a family car journey with Eccles’ fantastic, reflective spoken verse, Dog FM deftly transports the listener through a series of uncanny and oft-times bizarre audio travelogs where tension and expanse alternate to disorientating effect. By exploring the dynamics of a typical close-quarters family exchange, and with repeated use of ‘canine’…
Watering paper flowers and snakes
Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The first CD is a re-edition of the double mini-cd “Watering a Paper Flower” where an echoed piano goes through delicate and enchanted sound tapestries, remembering a river slowly flowing to the sea. The second CD, with the participation of a third musici…
Once we run out of time. Storm remains
*100 copies limited edition* Electroacoustic improvvisation between:
Alto Saxophone, Voice – Jun-Y CiaoElectronics, Voice – Yan JunViolin – Matthias Kaiser
recorded in 2017, Cologne
Sorry
*180 copies limited edition* sub jam is pround to announce the very first recording work by one of beijing's most active musicians and performers zhao ziyi. ziyi was born in 2007 in beijing. he has a strong desire of swallowing whatever he need and of turning himself a nameless formation of the cheapest noise, embarrassed silence and a mirror of the witnesses' own existence. by playing and recording this piece he stands with all of us, who can't bear the meanlessness of time and words any more. …
Synesthesia
Composed and performed by Ronan Courty, this piece for solo double bass slows down the layers of time by invoking an invented age-old music, somewhere between imaginary folklore and early music. Acoustically produced, the violent and obsessive friction of the bow on the string gradually reveals hovering layers of harmonics that extend the suspension of the moment while evoking a kind of electronically produced ambient sound; the illusion created by the emergence of sustained tones is particularl…
Extracøntinent
The extracøntinent that Damien Mingus invites us to visit on this new album from his My jazzy Child project is by no means an imagined or imaginary space. It's the palpable space forged by the musician's 25 years of activity, where popular and traditional music, free music and learned traditions collide. And don't confuse the ∅ (empty set) with the Ø (island in Norwegian) used in the title of this album and some of the tracks - it's insularity that's being asserted here. An island-continent made…
Experimental Music of Japan vol.16 (Old Instruments From the Future, New Instruments From the Past)
The exhibition, "Old Instruments From the Future, New Instruments From the Past (and Characters)((by Artificial Intelligence))," was held from May 27 to August 4, 2024, as the 15th-anniversary celebration of Kanazawa Art Gummi. This project involves faithfully constructing physical versions of instruments designed by AI, interpreting the playing methods suitable for these instruments, and drawing music from them.
This special edition will be added a CDR reissued long out of print his early w…
Strata
*20 copies limited edition* Melantónia presents its first album on the label, a concept LP produced in Matera and inspired by the rock sedimentation process in which the southern Italian city was built. Strata is an experimental electronic music composition combining electro-acoustic improvisation with cutting-edge sound design. This daring project brings together a collective of accomplished musicians and sound designers, who have crafted an immersive auditory experience, building upon the iter…
Strata
*300 copies limited edition* Ten years on, Joana Gama and Luís Fernandes show no signs of slowing down. Over the past decade, the duo has released five albums, composed soundtracks for film and television, and created pieces for performing arts. With “Strata”, they embark on a bold exploration of their musical identity, breaking new ground by seeking the primordial, the raw, and forging a deeper creative synergy. This evolution makes their music feel less like a conversation and more like a unif…
Glory Fades
*300 copies limited edition* Glory Fades is a song book written using a common collaborative musical language developed by Yair Elazar Glotman and Mats Erlandsson, building intimate musical spaces, primarily focused on acoustic instrumentation with electronic counterparts contributing light and shade. Throughout the eight songs on the record, each piece unfolds according to its own logic while simultaneously reflecting the overarching tonality of the song book as a whole. The music focuses on th…
Música de Baixa Fidelidade
*300 copies limited edition* Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescu…