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*200 copies limited edition* More than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, released by the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.
Using mostly digital technology, Hiorthøy created a set of instrumen…
For over half a century, Sven Åke Johansson and Rüdiger Carl have explored the boundaries of music together. Villa Hügel captures a rare moment: a concert with no audience, recorded in 2020 in the library of Villa Hügel during the 2 x Kippenberger exhibition. The few present could only experience it in-house via TV transmission. Carl on accordion, Johansson on percussion, cardboard, and crackle box—an interplay of structure and openness, sound and silence. This release follows Johansson’s exhib…
Enter the hypnotic sound-world of C(or)N(e)T - the new collaboration between cornet players, inventors and virtuoso musical wizards Pierre Bastien & Louis Laurain. Recorded in residence at The Rose Hill studios in 2023 this utterly unique album is a kind of electro-acoustic Fiesta! At times it’s a combination of organic techno and free jazz, like a joyful train ride through a mechanised junglescape.. Their set up is wildly creative and full of modified objects: automaton cornet mutes, underwater…
Recorded by Christophe Albertijn - of organ and carillon music plus a 32 page booklet of/for the unveiling of Katharina AW, a relational artwork by Joris Martens.
*120 copies limited edition* Shell I is the second edition on Edições CN by Brussels sound artist Florence Cats. It is a magical collection of 23 edits for voice, field recordings, theremin and piano. Cats’ recorded piano rehearsals and singing sketches reminds us of Cornelius Cardew works. They are at the heart of Edições CN, where a sketch or rehearsal holds as much, if not more, truth than a definitive composition.
A melody line from Debussy passes by. Waves crash in the distance. Sails and f…
*120 copies limited edition* Sometimes Things Change is an album after a year of profound change. A year with a new job, moving houses, and many visits to the IVF clinic. Sometimes Things Change brings closure, and is an artistic starting point. In the course of seven compositions memories, thoughts and fantasia meet. “The sounds (…) they’re from whatever I happen to be doing wherever I happen to be. But these sounds hold memories because I was there, living those moments.” These recorded sound…
'Quintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to t…
Valentina Goncharova's work encapsulates a unique blend of innovation and tradition, providing audiences with an enthralling exploration of the vast possibilities within musical expression. Drawing upon her compositional skills honed during her academic studies, Valentina expertly manipulates the violin, seamlessly integrating it with synthesizers and drum machines. The result is a mesmerizing fusion of organic and electronic elements, characterized by slow, pulsating drone soundscapes.
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
In the space of a couple of years, Stephen Grew has recorded three absolutely sparkling solo piano releases for Discus Music. All three are spontaneous improvisations arising from years of practice and refinement. Grew is a massively undervalued artist - follow the story he tells across this release and its two predecessors and I'm sure you'll agree.
Stephen Grew writes: "Recorded in the Great Hall, Lancaster University, on the 22nd November 2024. This music was recorded on a Steinway D and what…
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
'Dog FM is the debut release by the London-based duo of field recordist Oliver Chapman and poet Phoebe Eccles. Combining Chapman’s seemingly banal snapshots of a family car journey with Eccles’ fantastic, reflective spoken verse, Dog FM deftly transports the listener through a series of uncanny and oft-times bizarre audio travelogs where tension and expanse alternate to disorientating effect. By exploring the dynamics of a typical close-quarters family exchange, and with repeated use of ‘canine’…
Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The first CD is a re-edition of the double mini-cd “Watering a Paper Flower” where an echoed piano goes through delicate and enchanted sound tapestries, remembering a river slowly flowing to the sea. The second CD, with the participation of a third musici…
*180 copies limited edition* sub jam is pround to announce the very first recording work by one of beijing's most active musicians and performers zhao ziyi. ziyi was born in 2007 in beijing. he has a strong desire of swallowing whatever he need and of turning himself a nameless formation of the cheapest noise, embarrassed silence and a mirror of the witnesses' own existence. by playing and recording this piece he stands with all of us, who can't bear the meanlessness of time and words any more. …
Composed and performed by Ronan Courty, this piece for solo double bass slows down the layers of time by invoking an invented age-old music, somewhere between imaginary folklore and early music. Acoustically produced, the violent and obsessive friction of the bow on the string gradually reveals hovering layers of harmonics that extend the suspension of the moment while evoking a kind of electronically produced ambient sound; the illusion created by the emergence of sustained tones is particularl…