Start Merge Fade
* Edition of 200 hand-numbered copies * First material from Adrian Corker since 2013's 'Raise' album. This debut release on SN Variations is an experimental piece (Start Merge Fade) for cello, hammer dulcimer, tape and moog. Driven by evolving drones that emerge you in a trippy hypnotic state, the track slowly opens up into a cascade of harmonics, sound and noise.
Flip this over for two remixes of album cuts via Circle Traps and Richard Skelton. The remix of 'Changed' is a melodic and deep techn…
Balloon
* Edition of 250 on transparent red vinyl * Balloon was originally commissioned by the London Sinfonietta as an acoustic piece, and first performed at the Southbank centre’s Sound Unbound festival in 2019.
“This is an arrangement for synthesisers of many tunings. I called it Balloon because I had this image of thrashing a balloon with a baseball bat or something, rather than breaking or bursting it just sort of floats off - unhurt, even if you absolutely pelted it.”
Slide “ is old and one of my …
Noise In The Library
* 2020 Stock * Bob Rutman's life could be compared to the life of Odysseus, although we're not here to write his biography. Putojefe is happy to present his phenomenal Noise In The Library, recorded with the U.S. Steel Cello Ensemble, an all-steel string quartet established by himself in Boston in 1976.
The Ensemble consists of one Steel Cello and three Bow Chimes, played by Rutman and a rotating cast of guest musicians: in this instance, Daniel Orlansky –one of Rutman’s closest collaborators an…
Along Came Joe
Recorded at Freedom of the City festival, London, England on 1st May 2006.
Skins n Slime
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste.
In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
Gruppo d'Improvvisazione "Nuova Consonanza"
**White vinyl LP** Re-issue of the incredibly rare Gruppo di Improvvisazione Nuova Consonanza 1975's album, which comes in a fully remastered version with new sequence / structure as per recently discovered original tapes.When gazing over the expanse of 20th Century avant-garde music, few European projects can claim the seminal importance of the Gruppo di Improvvisazione Nuova Consonanza. Formed in Rome in 1964 and considered to be the first experimental composers collective, its membership incl…
BOW
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities and blending a large scope of influences.
Its debut eponym LP, due to be released on Sub Rosa, gathers five instantly-composed pieces that were recorded live by Christine Verschorren in the Echo Collective studio in Brussels. During the day, BOW repe…
The Lightest Words
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…
Good Day Good Day Bad Day Bad Day
A unique and extraordinary 45-minute composition for piano & keyboards + percussion, written for the GBSR duo: George Barton & Siwan Rhys. Composed by Oliver Leith in 2018, and recorded in March 2020 by Mark Knoop.
"I like looking at and framing everyday life, sometimes banal things. Good day good day bad day bad day is almost an incantation, I was interested in the rituals, habits, things we tell ourselves to keep going, invasive irrational thoughts, odd pleasures and reliefs of life. Mainly be…
Monument of Diamonds
Epic 45-minute microtonal composition by Kraig Grady, using a 17-tone scale, the Meta-Slendro tuning, created by Erv Wilson. Composed in 2020. The instruments were specially built or adapted for the unusual tuning system.
"The idea of Monuments came from the sound of the brass, in which I include the saxophone here. Brass seems to be used much less in newer music than strings, winds and percussion which is unfortunate. Since they are used less than strings or winds in new music, they seem to inv…
Repetition of the Same Dream
Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
Cantus, Descant
**2CD Edition** The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddh…
Kreiselwelle
irr. app. (ext.) is the sound-engineering project of Californian M.S. Waldron, whose liminal slippages and detourned croons have been spotted recently on stage in Nurse With Wound. Yet for all of the antics that are required for the NWW spectacle, Mr. Waldron still dedicates himself in the parallel pursuits of irr. app. (ext.) with a discography that reads more like a wunderkammer of uncanny investigations into futility declared as its reverse.
Kreiselwelle is the third and final installment to …
Agglomeration of Measurement
**Embossed, Matte laminate sleeve, insert card** This album is a distillation of the many long-term relationships I’ve had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.
In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I curren…
Harbors
**Matte laminate sleeve with black inner reverse print** Over the last 20 years, since its humble launch at the outset of the millennia, Lawrence English’s Room40 imprint has grown into an unmistakable force in the landscape of experimental, electronic, and electroacoustic music, enveloping a vast global context that extends far beyond its Australian roots. Somehow as humble as it is ambitious, with a catalog number into the hundreds - covering an incredibly diverse range of practices, as well a…
Breaking the Elephant’s Legs
Marc Behrens presents six extended surrealist songs ranging from psycho rock to dismantled R&B, crossing into doom jazz and spoken word. Animal field recordings; electronic boom and buzz; synths; detuned sitar; violins played by Portuguese master musician Carlos Zingaro. None of this is in any way what you would expect.
Arrow
Sarah Lipstate’s work as Noveller, the vehicle through which she explores the possibilities of instrumental, primarily electric guitar compositions, has resulted in a rich body of work, one that has elevated her to the level of similar innovators like Vini Reilly and Roy Montgomery. Arrow continues that journey, further developing her darkly beautiful work in songs that combine the tranquility of meditation with elements of tension and unease.
Album opener “Rune” is based around a deep, pulsing …
Customer's Copy
**12" pink-hued clear RTI vinyl pressing** Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.
Preferring the star…
Chanteuse
Since the early 1970s, Jacqueline Humbert has collaborated as performer, visual artist, and designer with leading innovative artists, filmmakers, choreographers and composers worldwide. Her approach to vocal performance has influenced many composers, and the works in Chanteuse represent a new and exciting extension and reinterpretation of the "song" genre. Humbert on the release: "Chanteuse is a collection of new or previously unreleased songs, many of which were written for me by a broad range …
The Consummation of Right and Wrong
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…