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*200 copies limited edition* Heavy drone trio Petrozavodsk return with their vinyl debut, “Forest Fire”. The band deepens its ongoing collaboration with UK-based electronic producers, this time it’s Container, and Moa Pillar (who has mixed all of Petrozavodsk’s material to date). The LP is divided into 3 distinct movements: a relentless thrashing electroacoustic rave piece by Container, a dubbed-out drone-rock track, and a side-long drumless slow-motion guitar wash that nods to the genre’s touch…
Oxblood vinyls. Nearly three decades into an activity that has consistently redefined the outer territories of heavy music, Stephen O'Malley and Greg Anderson return with their tenth album - their first for Sub Pop, and the first to bear their own name.
Recorded in January 2025 at Bear Creek Studios in Woodinville, Washington, co-produced and mixed alongside Brad Wood, sunn O))) finds the duo stripping the project back to its irreducible core. For the first time, all instrumentation was performe…
On Geometry of Murder: Extra Capsular Extraction Inversions, Earth x Black Noi$e stretch the 1991 debut into an even slower, more vaporised continuum, where Carlson’s primordial drones are rerouted through modern electronics into a smeared, time‑dilated echo of the original.
2026 stock Formed in Rome in 1984, this is a newly mastered release of ARPIA's first demo tape from 1987. “De Lusioni” is comprised of 7 songs -clocking at 71 minutes- which the band has described at an "experimental demo but of rich forms and ideas later developed in a more organic way." The massive reverb on the vocals and guitar on the opening track, "1783," immediately reminds one of Paul Chain. Some songs find the band dropping into the experimental/theatrical realm with vocals that sound…
"This album is my response to my father's death. In mourning, my emotions gave way to a musical rendering of a threshold, the transition between life and death. The emergence of animals and environmental apparitions - the death knell that rang at the village church marking my father’s passing, the howling of foxes at night, the slithering of worms and the wails of peacocks - became omens, weaving the narrative of this record." - Ombrée
*2026 stock. 200 copies limited edition* Vomit & Tear (구토와 눈물) is a doom/drone/noise band consisting of two bassists and one vocalist, with no drums. They released their first recording on cassette tape in 2016, and have collaborated with artists such as Hong Chulki and Taku Unami.
On Park of Reason, Paul Chain loosens doom metal’s grip just enough to let in air, colour and delirium, fusing obsidian riffs, reverb‑soaked keys and his unmistakable glossolalic vocals into a wandering, lysergic meditation on faith, doubt and psychic drift.
On Ash, Paul Chain strips his sound down to its smouldering core, turning slow‑burn riffs, funereal keys and desolate vocal invocations into a stark ritual of aftermath, where every chord feels like a fragment left behind by some unnamed catastrophe.
Together, Samuel Kerridge and Maxim 'Panda' Barron conspire against the living with their electrifying new project, Death Disco. Drawing deeply from the rebellious roots of punk and the DIY ethos, the duo has crafted with their debut album ‘Death Notes’, a sense of urgency and authenticity. Samuel’s fierce vocal work and electronics gives the album an emotional depth that goes beyond its aggressive nature, while Maxim’s pulsating rhythms keeps cutting through the atmosphere with skin-stripping p…
Eternity’s Pillars b/w Raise the Chalice & Reverential consists of three brand new tracks created and performed by the iconic duo of Stephen O’Malley and Greg Anderson and co-produced by sunn O))) and Brad Wood. Brad Wood recorded the material at Bear Creek Studios in Woodinville and Sea Grass in Los Angeles in 2025. The tracks on this maxi 12” are the first official sunn O))) studio recordings to feature only the original core duo on heavily saturated electric guitars and synthesis. sunn O))) g…
2025 stock The long awaited follow-up to the awesome Variations On A Theme debut is comprised of two epic songs that build on om's use of cyclical rhythm, riff, and vocal incantation, the duo's new album Conference Of The Birds blends metal, chant, drone, dub, and psychedelia. The band's lyrics expound upon the structure of the universe, potentiality, and freedom from the physical body. Engineered by Billy Anderson and produced by the band, Conference Of The Birds progresses beyond their debut, …
2025 stock Signed to Atlantic Records in the hubbub after Nirvana's Nevermind (1991) exploded, the Melvins' fifth album Houdini was a conscious attempt by the band to make a record that wouldn't alienate their fans but that the band members themselves would also enjoy. Their best-selling release by a country-mile, this album crested at number 29 on the Billboard Heatseekers chart. Houdini would be most folks introduction to the band and songs like 'Honeybucket' received MTV airplay. First time o…
*100 copies limited edition* Metallic silver cassette tape with black direct imprinting housed in a clear norelco box. Loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Cassette box housed in a thick, matte O-Card wrap. Shrinkwrapped. Cassette design and layout by Zach Frizzell. Pressed and printed in the US, exclusively for Post. Festival, 2025 by Past Inside the Present. Marketed and distributed by Post. Recordings and Past Inside the Present.
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2007 release ** "I've rarely heard anything this slow avoid being repetitive this successfully and, in fact, it wouldn't be too difficult for other bands to take a leaf out of Solemn's book and try a similar approach. One of the ways in which this does well is down to the structuring of the album. The two opening songs are both colossal slabs of slow doom that include lots of subtle keyboards and soundscapes, as well as an outstanding vocal performance, more on which later. They pack in just abo…
2025 stock. Did you know there are horses on the cover of Earth's Earth 2: Special Low Frequency Version? There are at least three in the right hand corner, gathered inexplicably near a white canvas tent, a human possibly perched among its folds. As widescreen and vast as the cover may seem, those little details-the horses, the possible human, the faint wisp of white clouds-give it depth and wonder, something to which the imagination can return. Did you know that the music on Earth 2-repressed n…
Road Extents, the latest offering from Cadaver Eyes on Orthodox, is a bold and challenging release from the veteran duo of drummer/vocalist David Opp (Barbara, Carnation Dingthang, Heart & Crossbone Records) and no-input-mixer virtuoso Eran "Zax" Sachs (Dumitrescu's Hyperion Ensemble, Asher.Zax). Over the past two decades, Cadaver Eyes have been exploring the experimental terrains introduced by John Cage and Gordon Mumma, using unpredictable electronic systems to crack apart and access sheer cos…
Black Vinyl. On I Shall Die Here, The Body sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. Sharing their heathen vision with The Haxan Cloak, The Body's tried, true, and absorbingly tragic sound is mutilated by process and re-animated in a spectral state. This double LP set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body’s bruta…
*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…
Kieh! Kieh’s! Traumático Desmame, “Pseudonosologia da Psicopatologia” (2xK7 release, limited to 50 hand-numbered copies. Includes the 2nd issue of the “Berzerk” fanzine.)
From the catacombs of sludge comes an unprecedented monstrosity that will have you dunking your face in sulphuric acid while vomiting your guts out.