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*300 copies limited edition* Mister Water Wet returns to Soda Gong with "Things Gone and Things Here Still," an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu’s work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alum…
Elations Recordings presents Return of the Airpoets, an exploratory recording from longtime collaborators Reuben Lewis and Adam Halliwell, occupying a unique space between contemporary experimental music and avant jazz. Engineered and mixed by Reuben Lewis in 2023, and featuring guest appearances from acclaimed Australian drummer Ronny Ferella. Return of the Airpoets continues a conversation begun with "Cygon Dance", an extended duo between Lewis and Halliwell from Halliwell's 2023 LP Freedom La…
*50 copies limited edition. All revenue from these tapes placed towards families in Gaza via mutual aid organisation Art Saves Collective, hand-marbled, each one goes different* Leaving label boss/producer/composer Matthewdavid presents a long-form cut from the Los Angeles trio of Aaron Shaw, Carlos Niño, and himself. The deep listening collage of zither, saxophone, and percussion was constructed through a process of re-sampling source material from the trio’s archive of live LA community concer…
Duo improvisations for shakuhachi and ney recorded in Ealing, west London, July and October 2007. Clive Bell (shakuhachi) and Bechir Saade (ney) - two deeply committed improvisers working at the intersection of traditional practice and contemporary exploration - unite for their first recording as a duo. An entirely acoustic affair. Both instruments are made of plants from the same grass family - the shakuhachi from bamboo, the ney from reeds - and share fundamental similarities in timbre, breath…
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
Forgetting is Violent, Patrick Shiroishi’s latest solo LP, is his most immediate release yet, expanding the scope not just of his music but of his extramusical considerations. Where his past releases on American Dreams reckoned with racism against Japanese Americans or presented Shiroishi’s saxophone as heard in a parking garage, Forgetting is Violent considers racism as a whole, historical and ongoing, with the urgency it deserves. Here, for the first time, we hear Shiroishi joined by a support…
Originally released in 1990, Get The Flu is the debut album from Karen Mantler-a witty, idiosyncratic songwriter, vocalist, and multi-instrumentalist-joined by her feline muse, Arnold. Recorded at Grog Kill Studio in New York, the album blends deadpan humor, offbeat storytelling, and jazz-inflected pop across ten distinctive tracks, including “The Flu,” “I Love Christmas,” and “Let’s Have A Baby”. Mantler’s vocals, harmonica, and organ are at the heart of the project, supported by a remarkable e…
Bill Orcutt’s The Four Louies is a daring and inventive hybrid, merging two iconic pillars of 20th-century organ-driven music—The Kingsmen’s “Louie Louie” and Steve Reich’s “Four Organs”—into a single, genre-defying composition. Through meticulous digital cut-ups, looping, and live transcriptions, Orcutt transforms these classics into a new work that is as much a celebration of raw garage rock energy as it is a study in minimalist structure and repetition
Bill Orcutt’s "The Anxiety of Symmetry" is the final chapter in his “counting” trilogy, blending six samples of female voices singing scale degrees into hypnotic, melodic computer music. The result is a mesmerizing, trance-like journey between noise and harmony
2004 release ** "Dexter George Morrill (1938-2019) was a composer, trumpet player, and professor of music best known for his collaboration with jazz saxophonist, Stan Getz during the premiere of 'Getz Variations for tenor saxophone and tape' (1984); a Morrill composition which merged jazz improvisation with computer-generated sounds. In his early years, he studied trumpet with Dizzy Gillespie at the Lenox School of Jazz, and later composition with Leonard Ratner and orchestration with Leland Smi…
Formed 29 years ago (1996) by Nate Young, Wolf Eyes is currently a duo generally characterized as "noise," though they have called themselves "psycho jazz" (among other things). Extremely prolific, they have literally hundreds of releases and are a towering presence in underground music. Saxophonist Anthony Braxton was an early member of the AACM (Association for the Advancement of Creative Musicians) and has won a MacArthur and been named an NEA Jazz Master, though his work is hardly confined t…
Big Tip! “You’re living in a dream, Coley…” Surreal, layered, Lynchian landscapes by Birmingham, Alabama poet, Johnny Coley. On his Mississippi Records debut, Coley takes a completely improvised and semi-hallucinatory journey down decrepit southern trucking routes, gaslit Victorian alleys, past “a small frame house / transparent with fire,” and by women arguing on the cobblestones outside a dark club in Rome (“you could only see their lips”). It’s a world of flesh vehicles, supernatural waiters,…
Four years after their Discrepant debut - 'OOOO' -, Lisbon-based travellers Jibóia return to the fold with another offering of globetrotting psychedelia with 'Salar'. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a…
*2024 stock. 150 copies limited edition*
Susana Santos Silva: Trompete, Flauta Irlandesa, Caixa De MúsicaJorge Queijo: Bateria, PercussãoCarlos Guedes: Electrónicas
Convidado Especial: João Menezes – Electrónica on “Desert Rush”
Gravado na NYU, Abu Dhabi, 2017, por Sami NacachMasterização: Miguel CarvalhaisCapa: SupercobraDesign: Jettoki DB
Sam Gendel is known for his work with saxophones and wind controllers. Benny Bock is a keyboardist, composer, producer and sound designer from Oakland, California. Hans Kjorstad is a musician and composer in the field of contemporary microtonal music, informed by Norwegian traditional music and experimental improvised music.
*28 copies limited edition*
new white tapes with stickers in cases, no cover. Recorded spring-summer 2023 at jazz union tbilisi
Mårble - drums, percussion, fx, recording and mastering (@marble house)Dolphin Hospital - grand piano, saz, modular fx, mastering (@ertad)
"A couple of years back, during a period of frequent relocation, and with no permanent studio set up, I came across the original DAT parts of a project I completed in 1992 just before I moved from Australia to The UK. The sessions for New Maps Of Hell evolved out of a rhythm track I’d built in my studio. I was (and still am) fascinated the twin, revolutionary, 70’s phenomena of electric jazz (Miles, Hancock, Williams, Priester) and Krautrock (Can, Faust, Tangerine Dream). I was trying as a solo …
Horse Lords bring the fervor and fury of their live show to the confines and comfort of your trusted playback device with As It Happened: Horse Lords Live, a collection of recordings that capture the quartet’s galvanic energy as never before while toying with the trope of the live album. Captured at a series of concerts across Europe spanning Horse Lords’ multiple 2022 and 2023 tours, As It Happened is a mediated, sometimes obviously edited presentation of a live performance that strives for a c…
Electric Cave, the sequel to Emil's debut, Electric Forest (2022). A dystopian world, inspired by science fiction. Rigid electronics combine and collide with spontaneous, human improvisation. This time the soundscape has moved from an open forest to a deep, dark cave.