5
Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
9
Wow, we're getting old. Our favorite Norwegian electronic/jazz/WTF improvising unit, Supersilent, are already up to number 9 in their discography! Almost into double digits. (Of course, that's not nearly as prolific as some bands, imagine if Circle, Nadja, or good grief Acid Mothers Temple numbered their releases. you'd never be able to recall which one was which, that's for sure. But, hey, you would at least know what order they came in... c'mon AMT fans, do you remember if Ominous From The Cos…
8
Helge Sten, Ståle Storløkken, Arve Henriksen and Jarle Vespestad celebrate 10 years as Supersilent, the groundbreaking quartet with their first studio album in almost 5 years. Their music lives in a no-man's-land between the genres, somewhere between rock, electronica, jazz and modern composition. Yes, we say composition because when listening it´s not far fetched to think it could have been, although everything here is improvised, as it has always been with Supersilent. With ”8” they have yet a…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
Undistilled
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
JazzEx
This album is a collection of early works from the late 60’s by the french electro-acoustic composer Bernard Parmegiani. Born in Paris (1927) and rich of a “catalogue des oeuvres” of more than 60 pieces, including classics such as “Violistries” 1965, “La Roue Ferris” 1971, “Pour en finir avec le pouvoir d’Orphée” 1971/72, “De Natura Sonorum” 1974/75, the 4 pieces presented in this edition is a perfect exemple for discovering the unusual territories and the eclectism language of the composer: “Ja…