Experimental / Free Improvisation

Tip! On this striking new CD, Joe Morris wields his guitar with deliberate restraint, building deep layers that breathe around Brad Barrett’s cello — its bowed lines resonating with both plaintive lyricism and edgy percussive accents. Beth Ann Jones anchors the trio with a sculptural bass, her tone rich and propulsive, providing an essential counterpoint to Morris' explorations. It's a beautifully measured session—each player deep-listening, unfolding subtle dialogues, and seamlessly shifting be…

Ada Rave and Marta Warelis, two luminaries of Amsterdam’s improvised music scene, unite on Peel/Mondo to craft a compelling dialogue between saxophone and piano. Rave, an Argentinian saxophonist renowned for her bold tenor sound and innovative techniques, joins forces with Warelis, a Polish pianist celebrated for her sonic versatility and explorations of the piano’s timbral possibilities.

This double album was recorded on the night of June 3, 2014, at Saint-Merry Church, in the heart of Paris. Beyond its architectural beauty, Saint-Merry possesses an extraordinary acoustic quality, which has shaped countless sonic experiences and left its mark on this recording. It was in this inspiring setting that we had the privilege of recording this music with Michel Doneda, in a moment of deep immersion, carried by the unique resonance of the space. The talented Augustin Muller masterfully …

CD version. Innersleeve with liner notes and lyrics, as well as photos. With this release, EM Records shine a light into the dark and yet strangely uplifting world of Inryo-fuen's early '80s wonderland: a surreal, adventurously analog, positively negative realm of freedom. Following the EM Records release of Inryo-fuen's enigmatic Ho-aku (EM 1125CD), Early Years 1980-82 collects the band's earliest recordings, originally released on flexi and vinyl, here re-edited, re-mixed and remastered.…

L'oeil au centre de l'oeil by La STPO distills decades of avant-garde experimentation into a collection where tumultuous rhythms, surrealist poetry, and unrestrained instrumentation converge. The album’s elliptical structures mirror the disjointed vividness of dreams, mapping an abstract and ever-changing sonic landscape that refuses conventional boundaries and draws listeners into a whirlwind of meticulously orchestrated chaos.

kÖök continues their journey into the unknown and invites vocalist Sarah Camille and folk musician, Harding fiddler and harpist Tuva Færden into their musical universe. Over a few days in the studio, the four musicians have played and experimented with sound and interplay, and the result is a unique soundscape consisting of poetry, improvised Norwegian folk tunes and extended use of instruments, voice and space. The music and song titles paint a picture of a gloomy world, but with hope for a bri…

2025 stock 1992 release. Frank-O-Fest is a loose grouping of Milwaukee old-timers led & directed by John Frankovic, who recorded this in one cloudy session in a church in 1992. Utilizing percussion, sitar, bouzouki, trombone, pipe organ, jews harp, didgeridoo, bass, cello, bamboo & clay flutes & more, this is a long, form-defying floatation exercise in space-out improvisation.

Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio. Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…

Culmus (Latin for "stalk") marks the latest chapter in an ongoing collaboration that began in September 2023 and continues to evolve. As co-inhabitants of a shared ecological and mental space, Franki Wals and Chang Deng-yao navigate a sonic continuum that bridges the human and the non-human, creating a piece where electroacoustic improvisation productively meets the indeterminate resonances of wind-activated plant matter. These materials intertwine and form a subtly layered aural tapestry, where…

Heavy Tip-On jacket with large tri-panel insert, gloss film laminate and uncoated paper finishes. Over the past decade Sult has created a thrillingly dynamic and visceral sound world, forging a musical unity while also asserting the radically unique languages of its three core members, Guro Skumsnes Moe (contrabass) and Håvard Skaset (acoustic guitar) from Norway along with Jacob Felix Heule (percussion) based in California. Their raw acoustic improvisations crackle with an energy that makes ind…

Formed 29 years ago (1996) by Nate Young, Wolf Eyes is currently a duo generally characterized as "noise," though they have called themselves "psycho jazz" (among other things). Extremely prolific, they have literally hundreds of releases and are a towering presence in underground music. Saxophonist Anthony Braxton was an early member of the AACM (Association for the Advancement of Creative Musicians) and has won a MacArthur and been named an NEA Jazz Master, though his work is hardly confined t…

*250 copies limited edition* "I’ll definitely listen to Eric Arn & Margeret Unknown’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk." - Jay Hinman, Dynamite Hemorrhage

*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras/Baxter/Brown, Western Grey, Stone Echidna, Dumb & the Ugly, and countless other sonic explorations) making the ensemble behind this album a un…

Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills/screwdrivers. Astasie-abasie is a project of Ian Andrews which evolved out of a long running perfo…

Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.

Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.

Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.

Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.

Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.

2025 Stock. 300 copies. Jac Berrocal and David Fenech have been recording together for over a decade, a partnership that has produced albums with Ghédalia Tazartès (RIP) and Vincent Epplay, and led to performances alongside Felix Kubin, Jean-Hervé Peron, Jean Noel Cognard, and Thierry Müller (Illitch). Their work together occupies a distinct zone in French experimental music—playful without being frivolous, structured without being rigid, drawing equally from free jazz, musique concrète, and the…

Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.​

*200 copies limited edition* Reconfiguring the notion of bridge building on a multitude of terms, it feels fitting that the tenth and final installment of Die Schachtel’s Decay Music series, Sergio Armaroli and David Toop’s “And I Entered Into Sleep”, was co-created by an artist whose work featured in the first suite of LPs issued by Brian Eno’s Obscure Records in 1975, the groundwork toward which Decay Music’s own efforts nod. Since that auspicious debut, “New and Rediscovered Musical Instrumen…

Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.

Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.

Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.

Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.

*300 copies limited edition* "Stimulated by our first public performance of "rarely heard music" (Das Münchner Konzert), we at once planned another concert in which the tight circle of performers was to be enlarged by a couple of dear friends, and once again the location had to have the lure of the special. oswald wiener suggested the church of the holy cross in berlin as our place of action, for we had learnt that it could be hired for public performances. everyone was most enthusiastic about p…

In August 1969, Masayuki Takayanagi formed his first New Direction group and embarked on an unparalleled musical journey that over the final 22 years of his life would define him as an uncompromising artist who would forge a visionary new musical language. Comprised of himself on acoustic and electric guitar and joined by Motoharu Yoshizawa on bass and Yoshisaburo "Sabu" Toyozumi on drums, Takayanagi's group created a new unconstrained form of music; It expanded on the most radical, fiery elemen…

Porch Music documents No Hope Orchestra, an ambitious large ensemble led by Paul McCarthy and featuring core members of the Los Angeles Free Music Society. Recorded live at The Box gallery concert in Los Angeles, the project harnesses a vivid assembly of improvisers—Mitchell Brown, Elaine Carey, Dennis Duck, Ace Farren Ford, Juan Gomez, Mike Gonzalez, Joseph Hammer, Keith Lubow, Nathaniel Mellors, Joe Potts, Rick Potts, Trevor Rounseville, Alex Stevens, Molly Tierney, and John Wiese. This releas…

This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).

**12" pink-hued clear RTI vinyl pressing** Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice. Preferring the star…

If there's one musician in the last decade that you may hear in wildly diverse musical contexts it is Belgian electric bassist and sound sculptor Farida Amadou. Not only can you enjoy the unerringly skillful command she has over her instrument but also the transformative power to reinterpret and expand her material in spontaneous and unconventional ways. Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the ele…

Refracting beatifically through realities and mirages flickering along his aural parade route, Animal Collective’s Geologist rides the high country on a hurdy gurdy of many colours. Via the mystery science of musical engagement, we take his sonic kaleidoscope of encounters into our own experience as we listen. That’s the beauty of Can I Get a Pack of Camel Lights?, the debut solo transmission of the heart and soul and life and times of Geologist.

*2025 stock* ET\OU arose from the convergence of two giants of current Canadian music: Martin Tétreault, a dazzling turntablist of international renown; and Michel Langevin, the famed drummer of the legendary progressive metal band, Voivod. For this promising duo’s first LP and CD, Oral and Minute have teamed up to introduce this unique partnership to all lovers of thundering sounds and electrifying performances. The intensity of their studio compositions and wide-open dialogues are unique and u…

Bomb! * Edition of 200. Hand-made covers (each one is unique), comes with a postcard. *  At the end of October 1973 Ricky Reets Hubba-Hubba Band was disbanded. It had been decided that what was needed was “a band without Musicians” and many wild experimental jam sessions took place. Finally on November 23 a particularly inspired jam was named “Cat Cheese” and the band SMEGMA was born. Although we had only been playing music together (or at all) for a few months, we decided to record a full lengt…

Suns of the Heart, the sixth solo album from Colin Fisher, unfurls a suite of intricate, emotionally charged improvisations that blend treated guitar, elemental electronics, and gestural samples. Across six movements, Fisher crafts an enveloping soundworld where each texture pulses with meditative warmth and restless sonic curiosity.​

"Bassist Margarida Garcia and guitarist Manuel Mota are two of the best known string wielders from Lisbon's active improvising community. Both players work the edges of sound and form in ways that don't fit neatly into any genre category, while creating exciting sonic landscapes that appeal equally to fans of avant-garde rock, free jazz and experimental music. They have worked together frequently in a variety of formats -- duo, quartet, etc. -- but Margarida is the only one Feeding Tube has issu…

"Gorgeous debut LP by a new Belgian duo made up of Annelies Monseré and Steve Marreyt. Steve has been active in a lot of places. I believe I first ran into his work as a member of the folk-psych collective, Silvester Anfang, but he has had his hands in a lot of pots (as it were). Annelies has a long recording history as well, with many fine and floating sides out there to prove it. The pair have known each other for a good long while. Steve appears on a couple of Annelies' albums, and they previ…

Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.

To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.​