Twice
** Six-panel digipak, photos by Yan Jun/Zhu Wenbo, design by Yuko Zama ** Erstwhile Records presents Twice by Yan Jun and Zhu Wenbo. Yan Jun: recorded in Beijing, Feb 2021. Zhu Wenbo: recorded in Qingdao and Beijing, Sept 2020 - Feb 2021. Photos/image scans by Yan Jun/Zhu Wenbo. Design by Yuko Zama. Produced by Jon Abbey.
Days Falling
** Edition of 100. Heavy weight 180 gram vinyl. Hand-painted covers on thick gray cardboard ** Editions presents Days Falling by Jason Kahn. Recorded April 9, 2020 in Zürich at Kunstraum Walcheturm. Recording, mixing, mastering, liner notes and LP artwork Jason Kahn. Many thanks to Patrick Huber for allowing me to record in Kunstraum Walcheturm. These pieces were recorded during one evening on April 9, 2020 in Zürich, my home for the last twenty-one years. I rode my bike through the rainy night …
See Creatures Too
** A brand new Double cassette featuring one tape of studio recordings and one tape of live recordings! First pressing of 250 with artwork by Jaime Zuverza. ** Brand new sprawling double cassette document from Lisa Cameron & Sandy Ewen! "Sea Creatures Too" features one tape of newly recording studio tracks and a second tape of live tracks recorded on their Texas tour of 2019 (to celebrate the initial release of "See Creatures"). Almost 2 full hours of evocative soundscapes that expand upon their…
La Langue de l'Ophiolite
This configuration of a duo composed by Yann Gourdon (Vielle à Roue, or Hurdy-Gurdy) and Filipe Felizardo (guitar&) is the result of a mutual invitation which occurred already seven years ago. In January of 2020, thanks to Trás-os-Montes Records, both musicians had the chance to finally meet and play almost without interruption for three days, proving to one another that their intuitions and hearts were in place - always converging the density of the timbric and poetic languages of both their…
Live Performance, 2018
Trás os Montes Records presents Live Performance, 2018 by by Gabriel Ferrandini, Maria Reis and André Cepeda. Recorded at the Blues Photography Studio, Lisbon, November, 2018. Voice - Maria Reis, percussion - Gabriel Ferrandini, Smoke Machine, Slide projection and Photography - André Cepeda, Recorded and Mixed by Miguel Abreu, Master by Tó Pinheiro da Silva.
Rhythmelogic
** 2021 Stock ** The drum duo "Dada Rhythm" was formed in 2008 by Uzamashi Okamoto and Kasei Yamada, and since 2018 they have changed their name to "Dinarzum", and also work as "Nichientai", playing only seven cymbals. The duo creates a tapestry of syncopated movements where inorganic and tribal organic qualities, which are similar to minimal electroacoustics, intertwine in a dense way. Rhythmelogic was recorded on April 16, 2016 at their base of activity, Shin-Imamiya Nchichi Building, and was …
Fringe Benefits 1977-1985
** 2021 Stock ** Entropy Stereo Recordings presents Fringe Benefits by Jon Rose. Two CD's (almost 150 minutes) worth of archival material from the 70's and 80's handpicked by Jon Rose with detailed liner notes. The music constitutes his experimental work in Australia with many home made instruments.
Dynamics of the Impromptu
** 2021 Stock ** Entropy Stereo Recordings presents Dynamics of the Impromptu by Derek Bailey, John Stevens and Trevor Watts. These pieces run the gamut from whispery low key musings through enraging or boisterous call and response. The moods constantly shift and evolve as Watts, Bailey and Stevens purvey musical structures that defy logic. Emotions flare up as in "Impromptu Dynamics #6". Arguments or debates are imminent. The sensibilities of unity and collaboration resurface as the music seems…
Remote Viewing Ensemble
** 2021 Stock ** The Remote Viewing Ensemble are a Michigan based experimental or avant-garde group and feature such instrumentation as: Prepared Guitar, Tapes, Cheng, Bone Guitar and Wood Flutes to cite but a few. This band also takes on another identity, which is The Northwoods Improvisors. This collective of experimentalists dabble in many different genres, some of which may be considered "World" or cross-cultural music yet the gist or perhaps motivational forces gravitates towards free-think…
Lining Out
** 2021 Stock ** "Lining Out" is taken from a form of hymnody practiced to this day as Gaelic Psalm singing by the Free Churches on the Outer Hebrides off the west coast of Scotland, interpreted by Swiss improviser Jason Kahn in percussion and voice of uniquely uninhibited & unpredictable utterance and song juxtaposing superb expression and dexterity on drums, cymbals, bells and percussion.
Souvenirs
** 2021 Stock ** A typical modern drum set consists of a bass drum, a snare drum, hi-hats, a few toms, and a couple of cymbals. When played as a drum set, the characteristics of each sound combine to create what many people recognize as a single instrument. Yet each of the pieces within that instrument has particular qualities that are often different from each other, especially between drums and cymbals. From a player's standpoint, shifting focus from the sonic options available with a drum set…
Air Skin Digger
** 2021 Stock ** The Barnacles (aka Matteo Uggeri) artistic path continues with “Air Skin Digger”, after the debut in 2017 “One Single Sound” on Boring Machines/Non Piangere Dischi, and right along with the release in collaboration with Maurizio Bianchi/M.B. on Artoffact “Sidereal Decomposition Activity.” Each Barnacles album is made by Matteo Uggeri following specific self-imposed rules.
These 4 long compositions were made using only 4 sound sources per each, all cannibalized from other works d…
Romantic Suite
** 2021 Stock ** Partly improvisations by Luciano Margorani (electric guitar, noises), Federico Zenoni (drums and objects), recorded together in Italy, then sent to Dave Newhouse (saxes, clarinets, and keyboards) in the USA for his input, this 2nd release by the trio is an expansion of the debut (under their full names, and then titled ‘Beauty Is In The Distance‘ – 2016) which only had one long composition. This new one has three pieces that have an even more florid array of aromas, catching sha…
El Infierno Musical
** 2021 Stock. Edition of 300 ** Mikroton Recording presents the self-titled LP El Infierno Musical. Alto Saxophone – Christof Kurzmann, Bass – Clayton Thomas, Design – Marion Epp, Stefan Haupt, Drums, Vibraphone – Martin Brandlmayr, Engineer – Christoph Amann, Guitar – Christof Kurzmann, Lyrics By – Alejandra Pizarnik, Recorder [Contra Bass] – Eva Reiter, Strings [Dan Bao - Vietnamese Monochord] – Eva Reiter, Tenor Saxophone, Clarinet, Bass Clarinet – Ken Vandermark, Translated By – Cecilia Roj…
Habituons Nous à la Pluie
Alma De Nieto presents Habituons Nous à la Pluie by Thomas Barriére. All music composed and played by Thomas Barrière. Mastering: Anthony Laguerre at Shadyn Studio Artwork: Bertrand Monboisset.
Live Concerts 1990 - 2006
Alma De Nieto presents Live Concerts 1990 - 2006 by Ruggero Tajé, Italian electronic composer, drummer and guitarist, and Ahmed Ben Dhiab,Tunisian painter, poet, author, composer, art teacher and singer born in Tunis. Live performance featuring: Nabil Khalidi: oud (Marocco), Raul Barboza: accordeon (Argentina), Carlo Rizzo: percussion (France), Michel Doneda: saxophone (France).
A Dangerous Method
Alma De Nieto presents A Dangerous Method by Extrema Ratio. .xlaidox. : Voice, Effects, Alessandro Cartolari: Baritone Sax, Voice, Valdjau Kathportha: Electronics, Diego Rosso: Drums. Recorded by Dano Battochio: 30th November & 1st December 2019 at Mediaducks Studio Perosa Canavese (TO). Mixed By Dano Battochio: June 2020 Deepest Sea Torino. Mastered by James Plotkin: October 2020, Bethlehem,PA, USA.
"A Dangerous Method is a fascinating album that yields more with each listen. At times it feels …
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Wound Response
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
Who Knew That So Many Blues...
A singular record, measured with a mastery of self and patience that’s utterly arresting in its stoic elegance and sound sensitivity. Keiji Haino plays Gamelan...