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Experimental /

Expeditions
Tip! "Since 2014 I’ve had the luck, possibility (and guts?) to dedicate my life to exploring some parts of the world, driven both by curiosity and needs. The chosen way (the only one possible, for me) has been to undertake long tours. Jumping on this adventure, with no idea of what to expect, requires open brain, ears and good adaptability. What I have found since, is an endless count of good and bad experiences (which would not have probably happened as much, if I’d stayed at home). The people …
Safe Crash
**Limited to 100 copies** "Evidence hints at the event. Parts of broken drumsticks, a sound recording, a photograph and a written approach. Traces, relics. The work „Safe Crash“ by visual artist Florian Bräunlich consists of porcelain drumsticks, plastic buckets, a wooden platform, varnish, cymbals, cymbal stands, a floor tom and a spotlight on which the second release of „dispari“ is based.A sound recording witnesses Sven-Åke Johansson’s performance of Florian Bräunlich’s “Safe Crash” at HFBK, …
Cure And Mound
“Thanks to Anton Mobin and his ‘prepared chamber’, a wooden box with strings, objects, and amplification. An instrument not unlike Tore H. Boe’s ‘acoustic laptop’. It is also an instrument for which we don’t know what it will sound like, unlike the piano, played by Martina Verhoeven, even when she plays the piano less traditionally; techniques that go back to John Cage and his prepared piano. Verhoeven divides her attention to both the keys and the inside of the piano. In the prepared chamber of…
Solo Acoustic Guitar Improvisations I
**Limited edition of 100 copies** “Following some forty CD releases on his imprint New Wave Of Jazz, Dirk Serries thinks the time is right to expand to the world of vinyl. Here he plays a 1957 Hoffner archtop guitar, and recorded with a single microphone, some 50 centimetres from the guitar and there has been no other audio processing. The liner notes, as always by Guy Peters, are on the front cover, and he uses the extra space the format allows him, to talk some more on the history of free jazz…
Rhythm Ace & Slingerland
Rhythm Ace & Slingerland, a co-production by Ni Vu Ni Connu and Galerie Max Hetzler, is one of numerous collaborations between longstanding friends Oehlen and Johansson, following from their 2003 album Shotgun Wedding, also featuring Mayo Thompson of Red Krayola. This album explores how art infuences music and vice versa – a question often explored in Oehlen’s work. The idea originated from Johansson’s visit to the artist’s studio in 2018. Oehlen showed the drummer his collection of rhythm machi…
Glints
"The three musicians seem to exchange and overlap tones, creating the feeling of a single and continuous arc extending, curving in space, a kind of bridge or thoroughfare outward." – Stuart Broomer (liner notes) Magda Mayas piano John Butcher tenor and soprano saxophones Tony Buck drums
Lamenti Dall'infinito
"If this quartet most resembles a jazz band among these Berlin recordings, it might be in its speculative assembly. [...] It’s akin to a novel, Julio Cortazar’s Hopscotch, designed with multiple reading sequences, or Nanni Balestrini’s Tristano, in which the order of paragraphs is different in every single copy." – Stuart Broomer (liner notes) Liz Allbee trumpet John Butcher tenor and soprano saxophones Ignaz Schick turntables, sampler, electronics Marta Zapparoli tapes, reel to reel tape machin…
Shaped & Chased
Tip! "Lehn and Robair are particularly well-matched. Lehn is a musician who came to electronics from the piano, while Robair’s resources include both electronics and percussion. Each matches readily with acoustics and circuitry and creates a remarkable bridge between the two with Butcher, whose saxophone playing can assume both percussion and oscillator-like characteristics." – Stuart Broomer (liner notes) John Butcher tenor and soprano saxophones Thomas Lehn analogue EMS Synthi AKS Gino Robair …
La Pierre Tachée
"… a kind of ideal duet, no imitation conversation but two simultaneous composers each repeatedly provoked and silenced, prodded and enchanted by the other…" – Stuart Broomer (liner notes) Sophie Agnel piano John Butcher tenor and soprano saxophones
Induction
"Improvised music at this level of concentration may touch the roots of human culture, the transformative power of the cave and the paintings of Lascaux and Altamira." – Stuart Broomer (liner notes) Burkhard Beins percussion John Butcher tenor and soprano saxophones Werner Dafeldecker double bass
Musical Education
Joke Lanz was born in Basel, Switzerland and is a well-know noise musician, performance artist and turntablist. He is also founding member and singer in the art rock group Sudden Infant, a meber of the legendary Schimpfluch group (alongside Rudolf Eb.er, Dave Phillips, Marc Zeier and Daniel Löwenbrück) and performs in many duos and and other forms in the improvisation scene. He also writes music for theatre and film, radio, installations and objects. Dieter Kovačič aka Dieb13 is an Austrian impr…
Respiran
**Edition of 100** Recorded and edited in Salsipuedes, Córdoba, Argentina between 2019 and 2020.  Mastered by Francesco Covarino
Yu Yan Lao Gong
**Limited edition of 75** Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
Apatris
**Second edition repress** Vasilis Liolios: percussion, tapes/revox A-77, objects, analog modular synth Aris Giatas: piano, prepared piano Yiannis Tsirikoglou: electronics Max/MSP 4 electroacoustic compositions for tapes, piano, percussion & electronics.Composed and recorded by Eventless Plot, May-August 2020. Mastered by Yiannis Tsirikoglou
Boca de Piedra
**Limited edition of 75** Daniel Bruno: trombone, electronics Javier Bustos: experimental lutherie, electronics Recorded by Eric Kamatsu at Estudio El Cubo, Buenos Aires (Argentina), on November 11th, 2019.Mixed and mastered by Daniel Bruno and Javier Busto. Released January 11, 2022
Swarm
New release for Warble, Berlin-based duo by Brad Henkel and Miako Klein. Trumpet and recorder in their elemental form (tubes and air) envelop the space with a magnified environment of harmonizing and clashing timbres. Whistling overtones, percussive thumps, shrieking voices. Walls of sound, nervous twitches, burrowing moles.
Schallschatten
Tip! “For the first duo release, Birgit Ulher stays close to her primary instrument, the trumpet. She plays that, as per usual, in combination with a radio, speakers and a voice changer. Early February 2020, she recorded a duet with Petr Vrba, also on trumpet and electronics, during a two-day met in Hamburg. Both musicians have quite a reputation when it comes to playing improvised music. Well, maybe improvised music covers only partially what they do. The addition of electronics and objects mak…
Impermanence
Tip! “When choosing a title for an audio document of improvised music, you really can’t go wrong with Impermanence; it’s not exactly original, in terms of either the specific genre or music as a whole, but it will never not be accurate. In the case of Violeta García (a cofounder of the splendid TVL Rec imprint) and Émilie Girard-Charest’s first meeting as a duo, the word accumulates a more unique meaning because of the two musicians’ chosen instruments. Cellos are often associated with their abi…
Knotted Threads
Tip! "I met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a …
Oxygen Room
“Oxygen Room is a wonderfully moody, at points downright haunting/uneasy trip into primally slurred and ritual tipped improv. The four-track CD appears on Slovenia’s Inexhaustible Editions, and I must say it’s a most compelling and often eerier ride of an album – really taking the improv form down a fairly original and distinctive path.The CD comes presented in a white six-panel digipak – this features on its cover and first inside flap two different green circles made up of different shapes, th…