Musique Directe
Entering their twentieth year of existence, the GOL orchestra, together with the label Planam, celebrates and starts a new program of collaborations: the Gollaboration series.Volume 1, hence the title "Musique Directe", shows the band facing the leaders of Roumenian spectralism Ana-Maria Avaram and Iancu Dumitrescu. Electric and intense spontaneous experiments, on the edge of electroacoustic music and primitive avant-garde. Live recordings in Marseille and Paris with the participation of Ansamb…
Hasardi
For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…
Andre Sider Af Sonic Youth
Andre Sider Af Sonic Youth is an album by Sonic Youth with Mats Gustafsson and Merzbow. It is the eighth release in the SYR series. It was released on July 28, 2008. It will not be released on vinyl. The album is recorded the first July 2005 on the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth".
For Hugh Davies
Extraordinary homage to pioneering instrument-builder and improviser Hugh Davies (1943-2005), recorded in January 2008. Adam Bohman (prepared balalaika & amplified objects), Lee Patterson (amplified objects) and Mark Wastell (cello) - three improvisers heavily influenced by Davies's work - improvising alongside solo recordings Davies made in the 1970s. A virtual quartet where one voice is fixed, unable to respond.
Davies - who worked as Karlheinz Stockhausen's assistant in Cologne in the mid-60s…
Dun
Trio improvisations recorded at the Church of St. James the Great, Friern Barnet, north London, November 2007. Matt Davis (trumpet & field recordings), Matt Milton (violin) and Bechir Saade (bass clarinet & flute) - three improvisers following that strain of British improv interested in amplifying the quiet and concentrating on minute gestural nuance. An entirely acoustic affair meets electronics in reverberant sacred space.
The music opens with "a spectrum of Saade's bass clarinet multiphon…
Free zone Appleby 2007
Paolo Angeli (Sardinian guitar & electronics), Evan Parker (soprano & tenor saxophones), Ned Rothenberg (alto saxophone, clarinet, bass clarinet). The Freezone in 2007 was played by just three. The smaller than usual line up allowed for a more intense investigation of the relationships between the players. For the first time an entire set was played by all three musicians and this set was so successful that it is presented unedited, along with two duos. There will be no Appleby Festival in 2008,…
The Act Of Observation Becomes The Object Itself
Over the many years of their existence, Australia's Machine For Making Sense have had many members. They play hurdy gurdy, vocals and electronics and wind instruments and electronics. Here they are together with Amanda Stewart (voice and text) and Rik Rue (analog and digital manipulation). As a 'band they explore relations between linguistics, poetry, speech, music, notions of sound, science and politics.' To that end the conversation is important - be it the conversation between instruments, th…
Organic, Playco 1969
The stable Quartetto that pianist Davide Mosconi, saxophonist Enzo Gardenghi, percussionist Marco Cristofolini, and cellist and violinist Gustavo Bonora brought to life beginning in the late '60s constituted the core of what would, in the early years of the next decade, become the larger improvising ensemble NADMA. The group was also an elegant and accomplished expression of the musical objectives of its members. This music expresses the rich yields that Davide Mosconi cultivated from his explor…
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
Friday
Brand new re-release of this MEV masterpiece. For the realization of "Friday", recorded in London in May 1969, MEV were Frederic Rzewski (piano, electronics, etc.), Alvin Curran (flugelhorn, etc.), Richard Teitelbaum (moog synthesizer), Franco Cataldi (trombone, etc.), Gunther Carius (saxophone, etc.). The main theme around this MEV piece is communication. Communication by means of music can be a very efficient means of reaching quick agreement among large numbers of people, because when you cal…
Music From The Once Festival 1961-1966
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…
pieces
Third archival MEV release on Allan Bryant's label. The first track, 'Quadrupl Play', is a piece for rubberbands recorded in 1966 by Allen Bryant. It can be described as 'variations on melody' and was played at the first MEV concerts in St. Paul du Vence, France and at Teatro Argentina in Rome. The second track, 'Pich Out' (or 'Rocket Take Off)', for 4 guitars, is loud and thundering, played by 4 musicians through 4 speakers at Sala Beloch, Rome in March 1967. Features Rzewski, Phetteplace, Curr…
untitled (1968)
A previously unreleased document of MEV -- four sections of an improvisation recorded in London, 1968, spread out over 43 minutes. The line up was Bryant (synthesizer), Alvin Curran (trumpet, percussion), Frederick Rzewski (amplified percussion, singing), Jon Phetteplace (amplified cello). Powerful, historic noise and the first easily available MEV music on CD. Also comes with a Bryant solo synth wig-out piece at the end. Both of these IRML CDs come in regular jewel cases, and endearingly primit…
Five Greeny Stages
Simply one of the most seminal band in italian underground rock in the last 10 years. Don't miss them.
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
stots
2005 release ** "The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song title…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
7
Finally we can present this longawaited treat of a concert film. The sold out concert took place in Oslo in August last year and was beautifully captured by Kim Hiorthøy and friends to 16 mm black and white film, and later edited by Hiorthøy. The sound was recorded by Athletic Sound and mixed by Helge Sten. Needless to say, it looks and sounds fantastic. The concert itself was rewarded a six out of six review at the time in Norway´s major national paper Aftenposten. You get the complete concert,…
Episodes at 4AM
Bob Downes is most often thought of as a jazz flautist, composer and group leader, but throughout his varied career that has included such diverse musical activity as working with the John Barry Seven and playing on Egg's second LP, he also had his own fluid conceptual group Open Music with principle bass player Barry Guy and drummer Denis Smith. Other players that passed through Open Music include Chris Spedding, Kenny Wheeler, Ray Russell, Ian Carr, Henry Lowther, Harry Beckett, Harry Miller, …
Insiememusicadiversa
** CD Box. The white industrial cardboard box includes an audio CD, a 12-page booklet, five folded posters with graphical scores, plus “Roulette”, a clock-like gadget originally used as the score of the aleatory composition with the same title.** Insieme Musica Diversa, which can be translated in different ways (as diverse music toghether, or different collective music ecc.) truly is a source of endless enchantment. Merging elements of DIY electronica, psychedelia, noise, progressive and free-fo…