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2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
*120 copies limited edition* Shell I is the second edition on Edições CN by Brussels sound artist Florence Cats. It is a magical collection of 23 edits for voice, field recordings, theremin and piano. Cats’ recorded piano rehearsals and singing sketches reminds us of Cornelius Cardew works. They are at the heart of Edições CN, where a sketch or rehearsal holds as much, if not more, truth than a definitive composition.
A melody line from Debussy passes by. Waves crash in the distance. Sails and f…
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
100 copies limited edition. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing * From their early '90s inception to the latter years of the 21st century's first decade, No Neck Blues Band appeared (to distant observers, anyway), to be something of the Platonic ideal for the "improvisational collective," in turn confounding ideas of authorship, recognition, and fame. A fragile symbiosis at best, the scrim of anonymity began to fray sometime around the turn of…
1992 release - hand-numbered edition of 500 copies with fabric cover ** "A curiosity from Portugal. 9 pieces pursuing unusual sound and odd structural arrangement. Half minimal, half beyond it. Unusual packaging. Very Limited."-Chris Cutler
1994 release (VERY RARE) ** "This important and rare CD was produced by Jonathan and Elizabeth Glasier, Gary Morrison, and Brian McLaren. This is the only extant permanent document of Darreg's work. Includes original booklet with reproductions of tuning charts. Ivor Darreg (1917-1994) was interested in both just intonations (tuning systems based on the ratios between the frequencies of the pitches) and equal temperaments (tunings with pitches equally spaced through the octave, which require a d…
I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
2025 stock. Did you know there are horses on the cover of Earth's Earth 2: Special Low Frequency Version? There are at least three in the right hand corner, gathered inexplicably near a white canvas tent, a human possibly perched among its folds. As widescreen and vast as the cover may seem, those little details-the horses, the possible human, the faint wisp of white clouds-give it depth and wonder, something to which the imagination can return. Did you know that the music on Earth 2-repressed n…
Few available, sold out at source. Offset printed covers, gloss varnish. Stamped labels. Released October 2024 in co-production with Desastre. Tanz Mein Herz’s latest, 'Redux', out via Standard In-Fi, encounters the French collective pushing at the boundaries of folk tinged experimentalism, psych, and drone. Sprawling across two long tracks, it’s an absolute burner of throbbing, hypnotic sound and stunning creative interplay.Les Adieux is a send off, a tale of energy, death, bliss, cosmic yearni…
*Limited edition of 100 copies.* BIN represses a 7” by Kain originally released in Denmark in 1985. It's doing Raw House with a punk-ish sound texture. (Or maybe it was Raw in the first place back then...). Limited to 100 copies.
Here is the second volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. Like the first volume, it was committed to tape and pressed to vinyl in 1979. Never having seen a copy of this record, and having pressed it before we discovered a master cassette exists, this is as good a transfer as can be had for the nonce. Loren's chair creaks like rusty crow and the amount of random tapping and thumping during the original session just about d…
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
*100 copies limited edition* Jorge Mantas, under his Druuna Jaguar moniker, returns with a new opus devoted to drone meditations and beyond. Entering the album as a neophyte, a deep descent awaits into a slowly evolving spectral composition for solo Hammond organ. Beneath its apparent simplicity, the attentive listening reveals a hypnotic state of austere beauty. Follows a poem for multi layered cello, prolonging the initial somber tone, but creating more dynamic edges through its acoustic conto…
LINE is proud to present Wiel the first full length from the collaborative project VEND, by Joe Gilmore and Alex Peverett. Wiel is a selection of compositions focusing on a subtle, delicate use of acoustic and synthetic sound in both abstract and linear form. Shorter pieces of acoustic events flutter about the stereo field with almost accidental design and are related to Vend’s use of playful rhythmic compositions. The two longer compositions, Wiel vii/2 and vi/2 take their form from the sonific…
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Limited split LP, black vinyl in poly-lined inner sleeve. Edition of 500 units Trigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's o…