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Great and beautifully packaged first uncompromising album of solo violin improvisation and electronically-processed violin tracks by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1986.
Great and beautifully packaged second uncompromising album of electronically-processed solo violin improvisations by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1989 and never re-issued on either LP or CD.
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
On Inner Storm, Seth Price channels a deeply personal rupture into four raw, single‑take synthesizer improvisations, turning real‑time manual control, LFO pulses and live pedal work into a stark study of emotion, process and duration.
On Last, Leda distils Sofie Herner’s loop‑based guitar minimalism into six slow‑burning pieces: proto‑industrial basement buzz, worn tape atmosphere and stubbornly simple figures that erode into something hypnotic, eerie and oddly tender over 33 minutes.
*100 copies limited edition* This is a special work by acclaimed composer and musician Adriaan de Roover, who has released records on Dauw, Viernulvier, Pias, and Consouling Sounds. Chansons de trottoir / Stoepliedjes documents his relationship to sampling in the form of a radio play. Originally created as a radio piece for Resonance FM in Manchester, the album is a sonic portrait of a walk through Brussels. It is constructed from two field recordings: one made during a walk from Metro Midi towa…
On John Zorn’s Olympiad Vol. 4 – Curling, John Zorn exhumes one of his rarest 1970s game pieces, a slow‑burn study in sustained tones, handing it to ROVA Saxophone Quartet and the William Winant Percussion Group, who turn its minimalist rules into 45 minutes of hovering, hypnotic sound.
"Oi! Oi! Oi! (Nazi Skins Are NOT Electric)" is a provocative 7-inch single by experimental performers Chris Lunch and Frieder Butzmann, released around 2005 on Mauerstadtmusik in Berlin. This anti-fascist punk track satirizes Nazi skinheads with its raw, electrified Oi! energy, flipping the genre's working-class roots into a sharp rebuke of far-right appropriation. Butzmann, known for his dadaist noise and performance art, teams up with Lunch's chaotic vocal style to deliver a jubilant, rebellio…
On Music for Pulse Meridian Foliation, Joshua Abrams translates Lisa Alvarado’s immersive installation into gently spiralling sound: two violas, harmonium and electronics tracing slow, minimal arcs that feel like geology moving through the body, memory folding and unfolding in real time.
On Music for Intersecting Planes, Kali Malone and Leila Bordreuil braid organ, cello, sine waves and feedback into a candlelit nocturne of air and overtones, an austere yet tender ritual where space itself becomes a third instrument.
Rare 1982 original copy on Trinciato Forte Records of the first A.T.R.O.X. album of excellent experimental electronic new wave predating the Doubling Riders.
Rare 1984 original copy with gatefold insert of the second A.T.R.O.X. album (and the first LP released by Contempo) of excellent experimental electronic new wave predating the Doubling Riders.
Black Vinyl. XKatedral, in collaboration with La Becque Editions, announces a new album from Stephen O'Malley, co-founder of SUNN O))). Les Sphères (effondrez-les) presents two long-form compositions for pipe organ, performed by O'Malley alongside Kali Malone and Frederikke Hoffmeier. Recorded on Christmas 2021 at Église Saint-François in Lausanne, Switzerland, the album captures Les Grandes Orgues, an instrument of extraordinary lineage: Scherrer (1777), Walker (1867), Kuhn (1995). Three centur…
Son of Buzzi - In schwarze Stücke zerbrochen (2026 stock): Zürich owns son Sebastian Bischoff (existing under Son of Buzzi moniker) is one of the most devoted european players and aficionados inspired by ever changing and ever inspiring stream of beloved american guitar primitivism. His instagram posts and reels of his lonely sun roof jams often brings calmness to the realm of social media. Fans of the genre could hardly miss his (now freshly repressed Cardinal Fuzz label) 2022 album Die Hand De…
In the 1980s, this controversial collective shook up the Belgian art world with noise concerts, performances, unusual exhibitions and the "cultural battlezine" Force Mental - proposing a quite different view on art as known by the cultural establishment. Club Moral was founded by visual artist Anne-Mie Van Kerckhoven (AMVK) and performance artist Danny Devos (DDV) in Antwerp on January 1st, 1981. For over a decade it functioned simultaneously as venue, noise band, publishing house, and lightning…
*100 copies limited edition* Two pillars of New York's underground converge. Human Hair brings together Pat Murano and Richard Hoffman - both long-running fixtures of the city's most uncompromising experimental scenes - for an album that slithers, coils, and eventually leaves you floating in open space before you realize the lifeline has slipped from your hands.
The pedigree here is formidable. Hoffman's work with Sightings (one of the best bands to ever emerge from NYC, full stop), Insayngel, a…
*100 copies limited edition* A restless voyage on an electronic ocean of infinite sound. With TED, Brooklyn's Daksina label delivers one of its most ambitious and unclassifiable releases yet - a sprawling two-part journey through LIN11C's dense universe of fractured electronics, spectral voices, and orchestral wreckage.
Across two extended pieces totaling over thirty minutes, TED unfolds like a transmission from some waterlogged future. Clarion calls ring out across cavernous spaces while ghost…