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Swims presents the disruptive dream-team of Kit Records founder Richard Greenan, Buenos Aires based cello experimentalist Violeta Garcia, and South African violinist and composer Galina Juritz. "Esperando a Florian" is the result of Violeta's London residency in 2022. Recorded in one take, and with a simple setup of violin, cello, electric bass, and analogue synths; the music is a tender conversation between three voices, pushing and pulling at the edge of dialogue, hesitance and reflection. Rec…
*200 hand-numbered copies limited edition* Ben McElroy is a folk/experimental/ambient artist based in the UK. He has released prolific albums since his 2016 debut "Bird Stone" for Whitelabrecs. Notable releases since then include 2018s "The Word Cricket Made Her Happy" for eilean rec. and 2022s "How I Learnt to Disengage From The pack" on The Slow Music Movement (which was folk album of the month in the Guardian). Ben also performs live around the UK (and potentially further in the future). "Thi…
"For over a decade Elizabeth Davis assumed the moniker Wilted Woman. This project was a key in bridging DIY subcultures in the United States and Europe both in contribution to sonic development and the subsequent performance events for her communities. Excelling in eclecticism, Wilted Woman’s sonic vocabulary was adept at deflating the self serious posturing found throughout the fields of various electronic music circles while also being pointedly driven, technically advanced, and with a prolifi…
*2025 stock* After a long break Wozzeck returns to Intonema with an album called Fact I that opens the next chapter in the group's history. Ilia Belorukov, Mikhail Ershov and Konstantin Samolovov celebrated a decade of the band last year and wrote a piece with the materials collected over several years, transformed them and placed them into a new context.
This resulted in a 37-minute composition of math rock, noise, musique concrete and field recordings with a wide dynamic range and sounds throu…
*2025 stock* In 2013, the collaboration of electronic musician Gaudenz Badrutt and saxophonist Ilia Belorukov began in a trio with accordionist Jonas Kocher, and in 2014 the album Rotonda was released on Intonema. Since then, time has passed, Badrutt and Belorukov have toured also as a duo, Belorukov later switching to a modular synthesizer.
In March 2019 in Biel/Bienne, the duo fruitfully worked in a new context, looking for fresh ways to interact, not only with each other, but also between ele…
Following Dirk Serries’ recent albums the composer continues to explore different sonic terrain. Still on the electric guitar with a motherboard of analog pedals, the 4 tracks on Zonal Disturbances II start to give signs of a new signature style of ambience Dirk is constructing. Organic, brooding and eerie. All recorded live on the spot creating music that still showcases the artist’s fondness for minimalism and slow repetitive clusters of sound while tying connections with his roots in industri…
Manolis Pappas writes: "Coming from Thessaloniki, but currently residing in Athens, Savvas Metaxas presents "Feedback Poetics", a study in ambient, minimal electronics and feedback drone, revealing a work of compelling compositional clarity. "Feedback Poetics" was recorded during a long improvisational night, with most of the piece captured in a single take. Later, a few additional sounds were added. Recorded using the Lyra-8 synthesiser by Soma Electronics and the Lemondrop granular synthesiser…
Though the piano arrives on stage without a player, it is not alone. Mounted on steel bars within the instrument are electronic magnets, one per piano key, that have been connected by a thicket of wires—reminiscent of monstrous braces, as though the instrument were suffering youth under orthodontic siege. The magnets come down to the strings, and, as they vibrate at the strings’ own frequencies, the instrument speaks. Wobbling yet fulsome tones suffuse the room, sounding almost nothing like thei…
“I did this piano/Rhodes recording, played live, without overdubs. I believe your approach to sound could match very well these tracks….” That’s how Giovanni Di Domenico’s collaboration with Rutger Zuydervelt started, though the first seeds were planted when the duo did a short live improv together in 2019, and Giovanni joining Hydra Ensemble on stage in 2022.
Painting a Picture / Picture a painting is -as the title suggest- an album of two long-form pieces, swapping the working method for each …
*200 copies limited edition* Fredrik Rasten (b.1988) is a Berlin-based guitarist and composer focusing on rational harmony and related acoustic phenomena. Reaching for an active state of listening and an intuitive exploration of the complexities of tonal interaction, his work draws on influences from minimalist styles, folk musics and other exploratory modes of sound making. Besides his solo projects, he both performs and composes as a member of the Berlin based ensemble Harmonic Space Orchestra…
*150 copies limited edition* "It is not easy to draw inspiration from a great figure of music ... i don’t have her talent or anything like that ... But i still took the risk of trying something ... Even to go through the window in the eyes of some ... Too interested in poetry and the hypnotic force that emerges from her pieces ... Sometimes tinkered with implausible machines and fragile ... Gigantic in our eyes that are stuck blissfully behind our little screens ... Or instruments used as nobod…
Huge Tip! Drag City and Yoga Records are delighted to return to the music of Matthew Young. Following Recurring Dreams (1981, reissued 2014) and Traveler's Advisory (1986, reissued 2010), Undercurrents (2025) collects eight oddly dissimilar pieces that somehow fit together perfectly. Although unique enough to be called outsider, Young’s new album occupies a musical world accessible to fans of many genres. Composed and recorded over the span of several decades, Undercurrents displays the wide ran…
Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…
The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…
*2025 stock* We’re beyond thrilled to present ükya, the first band ever on our label which does not feature any member from Nakama! Ah, how we delight in the smell, taste and – not least – sounds of fresh blood! Jokes aside – we still consider them family, as two of them have attended The Nacademy in the past. ükya (always written with a small ü) is an up and coming Norwegian trio playing music in the field of improvised and open form music. Dangerous as individuals, lethal as a band!
We Come fo…
"I envision this music as emanating from a moon inhabited by otherworldly life forms and ecosystems; these sounds as evoking the moon’s topographies, beings, lunar rivers, and strands of light — as if this moon’s essence were itself sonic, vibrational matter. Musically and acoustically, strands of lunar light departs from a set of tones corresponding to a confined harmonic series segment of a very low fundamental frequency: 5.15 hertz. Through twelve continuous sections, each employing various m…
*200 hand-numbered copies limited edition* HolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio. Is a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy. Using dense layers of manipulated loops; primarily cello, field recordings, tape & voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies & crescendo. Each live perf…
300 copies. A pearl of ambient electroacoustic mimimalism with field recordings components in which the nostalgia of Maestro Tiziano Popoli shines through in painting landscapes that slowly change to be seen with the ears. Nocturnal, emblematic, Lynchian. Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Fe…
'Quintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to t…